Non-Plan explores ways of involving people in the design of their environments - a goal which transgresses political categories of 'right' and 'left'. Attempts to circumvent planning bureaucracy and architectural inertia have ranged from free-market enterprise zones, to self-build housing, and from squatting to sophisticated technologies of prefabrication. Yet all have shared in a desire to let people shape the built environment they want to live and work in. How can buildings better reflect the needs of their inhabitants? How can cities better facilitate the work and recreation of their many populaces? Modernism had promised a functionalist approach to resolving the architectural needs of the twentieth-century, yet the design of cities and buildings often appears to confound the needs of those who use them - their design and layout being highly regulated by restrictive legislation, planning controls and bureaucracy. Non-Plan considers the theoretical and conceptual frameworks within which architecture and urbanism have sought to challenge entrenched boundaries of control, focusing on the architectural history of the post-war period to the present day. This provocative book will be of interest to architects, planners and students of architecture, design, town-planning and architectural history. Its contributors include architects, critics and historians, including many whose work helped shape the Non-Plan debate during the period. List of contributors: Cedric Price, Benjamin Franks, Elizabeth Lebas, Eleonore Kofman, Ben Highmore, Yona Friedman, Paul Barker, Clara Greed, Barry Curtis, Colin Ward, Ian Horton, John Beck, Chinedu Umenyilora and Malcolm Miles.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature. Ted Hughes (1930-98) was born in Yorkshire. His first book, The Hawk in the Rain, was published in 1957. His last collection, Birthday Letters, was published in 1998 and won the Whitbread Book of the Year, the Forward Prize and the T. S. Eliot Prize. He was appointed Poet Laureate in 1984 and appointed to the Order of Merit in 1998.

Non-Plan explores ways of involving people in the design of their environments - a goal which transgresses political categories of 'right' and 'left'. Attempts to circumvent planning bureaucracy and architectural inertia have ranged from free-market enterprise zones, to self-build housing, and from squatting to sophisticated technologies of prefabrication. Yet all have shared in a desire to let people shape the built environment they want to live and work in.
How can buildings better reflect the needs of their inhabitants? How can cities better facilitate the work and recreation of their many populaces? Modernism had promised a functionalist approach to resolving the architectural needs of the twentieth-century, yet the design of cities and buildings often appears to confound the needs of those who use them - their design and layout being highly regulated by restrictive legislation, planning controls and bureaucracy.
Non-Plan considers the theoretical and conceptual frameworks within which architecture and urbanism have sought to challenge entrenched boundaries of control, focusing on the architectural history of the post-war period to the present day. This provocative book will be of interest to architects, planners and students of architecture, design, town-planning and architectural history. Its contributors include architects, critics and historians, including many whose work helped shape the Non-Plan debate during the period.

List of contributors: Cedric Price, Benjamin Franks, Elizabeth Lebas, Eleonore Kofman, Ben Highmore, Yona Friedman, Paul Barker, Clara Greed, Barry Curtis, Colin Ward, Ian Horton, John Beck, Chinedu Umenyilora and Malcolm Miles.
* A timely andprovacative look at radical architecture
* Discusses political implicatinos of 'non-plan'
* Impressive combination of contributors all well known in their field

Two adventures from the early 1980s with Peter Davison starring as the Time Lord. In 'Kinda' (1982), the Doctor (Davison), Tegan (Janet Fielding), Adric (Matthew Waterhouse) and Nyssa (Sarah Sutton) land on paradisical Deva Loka, for rest and recuperation. However, the military expediton on the planet has lost several crew members, and the Doctor and Adric are taken hostage by the near hysterical Hindle. Meanwhile, Tegan's dreams have provided the gateway to an ancient evil, the snake-like Mara. The Doctor must prevent the Mara from taking over the Kinda and destroying the expedition, as the wheel of creation begins to turn. In 'Snakedance' (1983), a loose sequel to 'Kinda', Tegan must have made a mistake when she was setting the co-ordinates for the TARDIS, because the Doctor certainly hadn't intended landing on Manussa. When the Doctor learns that Manussa was once the home of the Sumaran Empire, he realises that an evil force has begun to take over Tegan's will. This force, the Mara, is planning to use Tegan as a vehicle to retake power on Manussa. Just as the celebrations to commemorate the destruction of the Sumaran Empire by the Federation are about to take place, the Legend of Mara is about to come true.

In 1714 Parliament offer a £20,000 prize for anyone who can provide an accurate means of measuring longitude at sea. John Harrison (Michael Gambon) flies in the face of popular opinion by saying that the stars do not provide the answer, and provides his own solution with the invention of a mechanical clock. However, it takes Harrison forty years to prove his theory, and he is eventually forgotten in the mists of time. Centuries later, Robert Gould (Jeremy Irons) attempts to restore Harrison's reputation by tracking down and repairing the four clocks he originally constructed.

Hersham Horror Presents 5 Original stories from the minds of: Simon Kurt Unsworth Sam Stone Richard Farren Barber Sara Jayne Townsend Stuart Hughes The second anthology in our PentAnth range brings you five more chilling tales of horror that only goes to show that you can choose your friends, but not your family

"By turns absurd, sophisticated, bawdy, tender, precise and sprawling, The Pistol Tree Poems captures the intellectual intimacy and infectious spontaneity of poetic collaboration at its white-hot best. There's brilliance and ingenuity on display in every poem here-a searching co-intelligence shot through with moments of emotional intensity." (Nathan Thompson)

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.