In this study, critics working in Britain, Canada and the United States discuss modernism's imaginative rethinkings of sex, gender and sexuality. Employing diverse theoretical approaches, the essays in this volume show how modernism intersects with historical developments such as the suffragette movement, technological change and its effects on women and labour, the growth of pseudo-scientific writings and the burgeoning lesbian and gay movement. They show how modernism questions the fundamentals of identity and upsets the fixities of gender and sexuality through a fascination with ambiguities, marginality and the crossing of borders. The book explores strategies of expressing same-sex desires in unexpected settings, modes of remaking sex and the body, relations between writing and reading, between public and private, between performer, performance and audience in a modernism broadly conceived to include political demonstrations, political essays and the visual arts alongside narrative and poetry.

In the last two decades, lesbian and gay studies have transformed literary studies and developed into a vital and influential area for students and scholars. This Companion introduces readers to the range of debates that inform studies of works by lesbian and gay writers and of literary representations of same-sex desire and queer identities. Each chapter introduces key concepts in the field in an accessible way and uses several important literary texts to illustrate how these concepts can illuminate our readings of them. Authors discussed range from Henry James, E. M. Forster and Gertrude Stein to Sarah Waters and Carol Ann Duffy. The contributors showcase the wide variety of approaches and theoretical frameworks that characterize this field, drawing on related themes of gender and sexuality. With a chronology and guide to further reading, this volume offers a stimulating introduction to the diversity of approaches to lesbian and gay literature.

In Henry James and Sexuality, Hugh Stevens argues for a new interpretation of James's fiction. Stevens argues that James's writing contains daring and radical representations of transgressive desires and marginalized sexual identities. He demonstrates the importance of incestuous desire, masochistic fantasy, and same-sex passions in a body of fiction which ostensibly conforms to, while ironically mocking, the contemporary moral and publishing codes James faced. James critiques the very notion of sexual identity, and depicts the radical play of desires which exceed and disrupt any stable construction of identity. In a number of his major novels and tales, Stevens argues, James anticipates the main features of modern 'gay' or 'queer' fiction through plots and narrative strategies, which opposes heterosexual marriage and homo-erotic friendship. This original and exciting work will transform our understanding of this most enigmatic of writers.

In Henry James and Sexuality, Hugh Stevens argues for a new interpretation of James's fiction. Stevens argues that James's writing contains daring and radical representations of transgressive desires and marginalized sexual identities. He demonstrates the importance of incestuous desire, masochistic fantasy, and same-sex passions in a body of fiction which ostensibly conforms to, while ironically mocking, the contemporary moral and publishing codes James faced. James critiques the very notion of sexual identity, and depicts the radical play of desires which exceed and disrupt any stable construction of identity. In a number of his major novels and tales, Stevens argues, James anticipates the main features of modern 'gay' or 'queer' fiction through plots and narrative strategies, which opposes heterosexual marriage and homo-erotic friendship. This original and exciting work will transform our understanding of this most enigmatic of writers.

In the last two decades, lesbian and gay studies have transformed literary studies and developed into a vital and influential area for students and scholars. This Companion introduces readers to the range of debates that inform studies of works by lesbian and gay writers and of literary representations of same-sex desire and queer identities. Each chapter introduces key concepts in the field in an accessible way and uses several important literary texts to illustrate how these concepts can illuminate our readings of them. Authors discussed range from Henry James, E. M. Forster and Gertrude Stein to Sarah Waters and Carol Ann Duffy. The contributors showcase the wide variety of approaches and theoretical frameworks that characterise this field, drawing on related themes of gender and sexuality. With a chronology and guide to further reading, this volume offers a stimulating introduction to the diversity of approaches to lesbian and gay literature.

Before Cam Townsend died in 1982, he oversaw the development of one of the largest independent mission organizations in the world, Wycliffe Bible Translators. Townsend's remarkable and inspirational story of pioneering missions is continued in this second biography, a follow-up to Wycliffe in the Making, Memoirs of W. Cameron Townsend, 1920-1933.