This book provides an overview of electronic and optical properties of graphite-related systems. It presents a well-developed and up-to-date theoretical model and addresses important advances in essential properties and diverse quantization phenomena. Key features include various Hamiltonian models, dimension-enriched carbon-related systems, complete and unusual results, detailed comparisons with the experimental measurements, clear physical pictures, and further generalizations to other emergent 2D materials. It also covers potential applications, such as touch-screen panel devices, FETs, supercapacitors, sensors, LEDs, solar cells, photodetectors, and photomodulators.

This book provides an overview of electronic and optical properties of graphite-related systems. It presents a well-developed and up-to-date theoretical model and addresses important advances in essential properties and diverse quantization phenomena. Key features include various Hamiltonian models, dimension-enriched carbon-related systems, complete and unusual results, detailed comparisons with the experimental measurements, clear physical pictures, and further generalizations to other emergent 2D materials. It also covers potential applications, such as touch-screen panel devices, FETs, supercapacitors, sensors, LEDs, solar cells, photodetectors, and photomodulators.

Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions.

Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions.