'Utterly engrossing, vivid and honest' - Emma Donoghue 'A novel of ancient times for our times.' - Jim Crace Sparrow tells the story of Jacob, son of no one, last survivor of an abandoned British Roman town. Raised in a brothel on the Spanish coast in the waning years of the Roman Empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, the herb-scented garden, then the loud and dangerous tavern, and finally the mysterious upstairs where the 'wolves' - prostitutes of every ethnic background from the far reaches of the empire - do their mysterious business. When not being told stories by his beloved 'mother' Euterpe, he runs errands for her lover the cook, while trying to avoid the blows of their brutal overseer or the machinations of the chief wolf, Melpomene. A hard fate awaits Sparrow, one that involves suffering, murder, mayhem, and the scattering of the little community that has been his whole world. Through meticulous research and bold imagination, Hynes brings the entirety of the Roman city of Carthago Nova - its markets, temples, taverns of the lowly and mansions of the rich - to vivid life. Sparrow recreates a lost world of the last of old pagan Rome as its codes and morals give way before the new religion of Christianity, and introduces readers to one of the most powerfully affecting and memorable characters of recent fiction.

For readers who have been moved and overwhelmed by Hanya Yanagihara’s A Little Life, Emma Donoghue’s Room and Douglas Stuart’s Shuggie Bain, Sparrow tells the story of Jacob, son of no one, last survivor of an abandoned British Roman town. Raised in a brothel on the Spanish coast in the waning years of the Roman Empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, the herb-scented garden, then the loud and dangerous tavern, and finally the mysterious upstairs where the ‘wolves’ - prostitutes of every ethnic background from the far reaches of the empire - do their mysterious business. When not being told stories by his beloved ‘mother’ Euterpe, he runs errands for her lover the cook, while trying to avoid the blows of their brutal overseer or the machinations of the chief wolf, Melpomene. A hard fate awaits Sparrow, one that involves suffering, murder, mayhem, and the scattering of the little community that has been his whole world.

Through meticulous research and bold imagination, Hynes brings the entirety of the Roman city of Carthago Nova - its markets, temples, taverns of the lowly and mansions of the rich - to vivid life. You will feel you have been to this place, and understand how a slave class - conquered people of every age, walk of life, or skin colour - made the brutal empire function.

Sparrow recreates a lost world of the last of old pagan Rome as its codes and morals give way before the new religion of Christianity, and introduces readers to one of the most powerfully affecting and memorable characters of recent fiction.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Charles John Cutcliffe Wright Hyne (1866-1944), also known by the pen name Weatherby Chesney, was a novelist best remembered for his early fantasy novel "The Lost Continent: The Story of Atlantis."

Charles John Cutcliffe Wright Hyne (1866-1944), also known by the pen name Weatherby Chesney, was a novelist best remembered for his early fantasy novel "The Lost Continent: The Story of Atlantis."

Blast Mitigation: Experimental and Numerical Studies covers both experimental and numerical aspects of material and structural response to dynamic blast loads and its mitigation. The authors present the most up-to-date understanding from laboratory studies and computational analysis for researchers working in the field of blast loadings and their effect on material and structural failure, develop designs for lighter and highly efficient structural members for blast energy absorption, discuss vulnerability of underground structures, present methods for dampening blast overpressures, discuss structural post blast collapse and give attention to underwater explosion and implosion effects on submerged infrastructure and mitigation measures for this environment.

Empathy, diversity, inclusion, and soft skills are key building blocks of an innovative workforce challenged to respond to the ever growing needs of the COVID-19 -era. Organizations that value Diversity & Inclusion are looking for ways to manage the shift of workers and skills from the traditional based manufacturing concept to the 21st century vision incorporating new technology and tools. Creativity and innovation grows from the skills that differentiate humans, emphasizing a diverse workforce. This project looks at next steps, using diversity and inclusion in an efficient manner, discovering and training new skill sets, and building sustainability into the creative process. This book offers both academic and practitioner the highlights of best practices of successful companies in the 'New Normal' conditions caused by the worldwide pandemic. The focus is practical, applied and interdisciplinary. This book provides professionals who want to improve their understanding of innovation relevant research to help organizations navigate the changing competitive global environment. It also is ideal for professors, librarians, researchers, scholars, practitioners, senior executives, leaders and managers, and HR professionals.

'Utterly engrossing, vivid and honest' - Emma Donoghue 'A novel of ancient times for our times.' - Jim Crace Sparrow tells the story of Jacob, son of no one, last survivor of an abandoned British Roman town. Raised in a brothel on the Spanish coast in the waning years of the Roman Empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, the herb-scented garden, then the loud and dangerous tavern, and finally the mysterious upstairs where the 'wolves' - prostitutes of every ethnic background from the far reaches of the empire - do their mysterious business. When not being told stories by his beloved 'mother' Euterpe, he runs errands for her lover the cook, while trying to avoid the blows of their brutal overseer or the machinations of the chief wolf, Melpomene. A hard fate awaits Sparrow, one that involves suffering, murder, mayhem, and the scattering of the little community that has been his whole world. Through meticulous research and bold imagination, Hynes brings the entirety of the Roman city of Carthago Nova - its markets, temples, taverns of the lowly and mansions of the rich - to vivid life. Sparrow recreates a lost world of the last of old pagan Rome as its codes and morals give way before the new religion of Christianity, and introduces readers to one of the most powerfully affecting and memorable characters of recent fiction.

Volumes IV and V of the Complete Poetical Works of Thomas Hardy, which complete the edition, contain all of his dramatic writing in verse. Hardy was Hardy was interested in dramatic verse all his adult life; before he wrote his first novel he considered writing plays in blank verse, and during the thirty years of his novel-writing career he entered in his notebooks many schemes for a vast poetic drama of England's wars with Napoleon. But it was not until after he had turned from fiction to poetry, in the 1890s, that he actually began to work on a poetic drama. The Dynasts was written between 1902 and 1907; the Famous Tragedy of the Queen of Cornwall was began in 1916 and completed in 1923.
In addition to the two major dramas this volume includes Hardy's versions of two folk-pieces: the Mummers'Play of 'Saint George'and the rustic operetta O'Jan. O'Jan, O'Jan'(here published for the first time). Textual annotations, together with a full account of the rough draft of Part Third of The Dynasts, make it possible for the reader to follow the history of the composition of Hardy's epic drama in unusual detail. Explanatory notes to each of the dramatic works describe its composition and publication, and provide supporting material from Hardy's letters and notebooks. Appendices add further information on the production and performance of these works.

Volumes IV and V of the Complete Poetical Works of Thomas Hardy, which complete the edition, contain all of his dramatic writing in verse. Hardy was interested in verse drama all his adult life; before he wrote his first novel he considered writing plays in blank verse, and during the thirty years of his novel-writing career he entered in his notebooks many schemes for a vast poetic drama of England's wars with Napoleon. But is was not until after he had turned from fiction to poetry, in the 1890s, that he actually began to work on a poetic drama. The Dynasts was written between 1902 and 1907; The Famous Tragedy of the Queen of Cornwall was begun in 1916 and completed in 1923. In addition to the two major dramas these volumes include Hardy's versions of two folk-pieces: the Mummers' Play of Saint George' and the rustic operetta O Jan, O Jan, O Jan' (here published for the first time). Textual annotations, together with a full account of the rough draft of Part Third of The Dynasts, make it possible for the reader to follow the history of the composition of Hardy's epic drama in unusual detail. Explanatory notes to each of the dramatic works describe its composition and publication, and provide supporting material from Hardy's letters and notebooks.

Forty-four battles of the Napoleonic era in words and pictures
Napoleon was one of the most significant figures in world history; a military and administrative genius, statesman and despot, he set Europe ablaze and his influence around the globe resounds to this day. While there is no real glory in warfare, the Napoleonic period, with its marching Imperial armies, plumes bobbing above casques and shakos, and martial figures in uniforms glinting with steel, brass or bronze, is an irresistibly romantic time that fascinates both serious students and casual readers. Great battles were fought across continents, from the heat of the Iberian Peninsula to the snows of the Russian steppe, from the sands of Egypt to the northern woodlands of the Canadian frontier. This world at war, on land and sea, has been chronicled in hundreds of books, from first-hand accounts by soldiers who knew its battles to the works of modern historians who know there is an eager readership. Today we are familiar with photographs of warfare, but in the early nineteenth century the visual documentation of wars was undertaken by a host of talented artists and illustrators, and it is their work that places this unique Leonaur four volume set above the ordinary. Compiled from the writings of well regarded historians and experts on the subject, these accounts were originally part of a multi-volume collection of essays on the battles of the entire 19th century. Each essay benefits from the inclusion of illustrations, diagrams and maps to support and enhance the narrative, many of which will be unfamiliar to modern readers.
Battles covered in this first volume include Marengo, Copenhagen, Egypt, Janissary Rebellion, Laswaree & Assaye, Pulo Aor, Austerlitz, Trafalgar, Jena, Maida, Walcheren and Albuera.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This book reflects the heights of knowledge of ultrafast chemical processes attained in these early years of the 21st century: the latest research in femtosecond and picosecond molecular processes in Chemistry and Biology, carried out around the world, is described here in more than 110 articles. The results were presented and discussed at the VIth International Conference on Femtochemistry, in Paris, France, from July 6 to July 10, 2003. The articles published here were reviewed by referees selected from specialists in the Femtochemistry community, guaranteeing a collective responsability for the quality of the research reported in the next 564 pages. Femtochemistry is an ever-growing field, where new research areas are constantly opening up, and one which both stimulates and accompanies the development of ultrafast technologies.
The increasing interest in femtobiology and chemistry at the frontier with biology is an obvious indicator of the present impact of life sciences in our society. New materials and reactions at surfaces are also some of the relatively new topics that promise rapid developments. New methodologies and technologies for probing and following in real time molecular dynamical phenomena have appeared within the last ten years or so. These methods, based on multidimensional IR spectroscopies, ultrafast X-ray and electron diffraction techniques, are well represented in this book. Of ever-improving performance, they are now applied to the characterization of structural dynamics of an increasing number of chemical and biological systems.
This book reports the state of research in Femtochemistry and Femtobiology presented at Paris, at the Maison de la Chimie, in July 2003, representing the tenth anniversary of the conference.
* Overview of the most recent research on ultrafast events
* Application of new methodologies on chemical and biological systems
* Contributions by key players in the field