This book examines George W. Bush’s legacy in terms of his presidential leadership and politics and explains why he was the most controversial president of recent times. It focuses on Bush’s expansion of presidential power in pursuit of the “war on terror,” the ideological and pragmatic foundations of his presidential politics, and the complexity of his legacy in both foreign and domestic policy. In addition to an introductory overview, it contains ten original essays that assess the problems of rating the Bush presidency, the nature of Bush’s presidential government, ideology and ideas in the Bush presidency, the administration’s economic and foreign policies, and the electoral context of the times.  

From the perspective of the North, the Civil War began as a war to restore the Union and ended as a war to make a more perfect Union. The Civil War not only changed the moral meaning of the Union, it changed what the Union stood for in political, economic, and transnational terms. This volume examines the transformations the Civil War brought to the American Union as a politico-constitutional, social, and economic system. It explores how the war changed the meaning of the Union with regard to the supremacy of the federal government over the states, the right of secession, the rights of citizenship, and the political balance between the union's various sections. It further considers the effect of the war on international and transnational perceptions of the United States. Finally, it considers how historical memory has shaped the legacy of the Civil War in the last 150 years.

Federalism is often described as the greatest of the American contributions to the art of government, but it has been an evolving and protean entity since its original establishment in the Constitution. Based on the contributions of international scholars, this volume explores three facets of modern federalism: the vertical tensions over the distribution of authority between national and sub-national governments; the tensions between the national government's role as the instrument of policy uniformity throughout the nation and the inclination of the states to take different approaches to similar issues in light of their own political cultures; and the changing context of federalism in the more conservative political context of recent times. In addition, a number of the essays explore the Canadian model of federalism, which helps to place the U.S. model in comparative context.

Cinematic depictions of real U.S. presidents from Abraham Lincoln to George W. Bush explore how Hollywood movies represent American history and politics on screen. Morgan and his contributors show how films blend myth and reality to present a positive message about presidents as the epitome of America's values and idealism until unpopular foreign wars in Vietnam and Iraq led to a darker portrayal of the imperial presidency, operated by Richard Nixon and Bush 43. This exciting new collection further considers how Hollywood has continually reinterpreted historically significant presidents, notably Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to fit the times in which movies about them were made.

From the perspective of the North, the Civil War began as a war to restore the Union and ended as a war to make a more perfect Union. The Civil War not only changed the moral meaning of the Union, it changed what the Union stood for in political, economic, and transnational terms. This volume examines the transformations the Civil War brought to the American Union as a politico-constitutional, social, and economic system. It explores how the war changed the meaning of the Union with regard to the supremacy of the federal government over the states, the right of secession, the rights of citizenship, and the political balance between the union's various sections. It further considers the effect of the war on international and transnational perceptions of the United States. Finally, it considers how historical memory has shaped the legacy of the Civil War in the last 150 years.

This volume gathers contributors from both the US and UK to provide a comparative examination of federalism in the Bush era, a period of huge change in national politics, but also one of significant shifts in US federalism in relation to social and socioeconomic issues.

Winner, Wayland D. Hand Prize, American Folklore Society, 2018 Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore-and "Frankie and Johnny" in particular-became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.

Cinematic depictions of real U.S. presidents from Abraham Lincoln to George W. Bush explore how Hollywood movies represent American history and politics on screen. Morgan and his contributors show how films blend myth and reality to present a positive message about presidents as the epitome of America's values and idealism until unpopular foreign wars in Vietnam and Iraq led to a darker portrayal of the imperial presidency, operated by Richard Nixon and Bush 43. This exciting new collection further considers how Hollywood has continually reinterpreted historically significant presidents, notably Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to fit the times in which movies about them were made.

This book examines the legacy of the Bush presidency in term of presidential leadership, politics, and public policy. It focuses on Bush's expansion of presidential power in pursuit of the 'war on terror,' the ideological and pragmatic foundations of presidential politics, and the complexity of Bush's domestic and foreign policy legacies.

Open up your heart and let love come into your life through the wonderful words of poetry contained in this book. Let the beautiful, enchanting rhymes guide you into creating that loving and lasting relationship that you crave. Starting now, make your dreams come true with Songs of the Heart: Love Poems for the One of Your Dreams. With these romantic poems, show that special one your heart longs for, how glad you are that you have each other. Resolve today to live your romantic life to its full potential with the help of Songs of the Heart. Grab a hold of these romantic poems that inspire the heart, soul, and body!

Winner, Wayland D. Hand Prize, American Folklore Society, 2018 Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore-and "Frankie and Johnny" in particular-became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.