Full-length study of the warfare between England and Scotland in the mid fourteenth century. The Second Scottish War of Independence began in 1332, only four years after the previous conflict had ended. Fought once more for the continued freedom of Scotland from English conquest, the war also witnessed a revival of Scottish civil conflict as the Bruce-Balliol fight for the Scottish crown recommenced once more. Breaking out sporadically until peace was agreed in 1357, the Second Scottish War is a conflict that resides still in the shadow of that which preceded it: compared to the wars of William Wallace and Robert Bruce, Edward I and Edward II, this second phase of Anglo-Scottish warfare is neither well-known nor well-understood. This book sets out to examine in detail the military campaigns of this period, to uncover the histories of those who fought in the war, and to analyse the behaviour of combatants from both sides during ongoing periods of both civil war and Anglo-Scottish conflict.It analyses contemporary records and literary evidence in order to reconstruct the history of this conflict and reconsiders current debates regarding: the capabilities of the Scottish military; the nature of contemporary combat; the ambitions and abilities of fourteenth-century military leaders; and the place of chivalry on the medieval battlefield. Dr Iain A. MacInnes is a Lecturer and Programme Leader in Scottish History at the UHI Centre forHistory, University of the Highlands and Islands.

Were the English and the Scots always at loggerheads in the fourteenth century? The essays here offer a more nuanced picture. Typical accounts of Anglo-Scottish relations over the whole fourteenth century tends to present a sustained period of bitter enmity, described routinely by stock-phrases such as "endemic warfare", and typified by battles such as Bannockburn (1314), Neville's Cross (1346) or Otterburn (1388), border-raiding and the capture of James I of Scotland by English pirates in 1406. However, as this collection shows, the situation was far more complex. Drawing together new perspectives from new and leading researchers, the essays investigate the great complexity of Anglo-Scottish tensions in this most momentous of centuries and in doing so often reveal a far more ambivalent and at times evena peaceful and productive Anglo-Scottish dynamic. The topics treated include military campaigns and ethos; the development of artillery; the leading "Disinherited" Anglo-Scot, Edward Balliol; Scots in English allegiance and BorderSociety; religious patronage; Papal relations; the effect of dealings with Scotland on England's government and parliament; identity, ethnicity and otherness; and shared values and acculturation. Contributors: AMANDA BEAM, MICHAEL BROWN, DAVID CALDWELL, GWILYM DODD, ANTHONY GOODMAN, ANDY KING, SARAH LAYFIELD, IAIN MACINNES, RICHARD ORAM, MICHAEL PENMAN, ANDREA RUDDICK, DAVID SIMPKIN.

Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.