Furious Flower: Seeding the Future of African American Poetry is an anthology of poems by more than a hundred award-winning poets, including Jericho Brown, Tracy K. Smith, and Justin Philip Reed, combined with themed essays on poetics from celebrated scholars such as Kwame Dawes, Evie Shockley, and Meta DuEwa Jones. The Furious Flower Poetry Center is the nation's first academic center for Black poetry. In this eponymous collection, editors Joanne V. Gabbin and Lauren K. Alleyne bring together many of the paramount voices in Black poetry and poetics active today, composing an electrifying mosaic of voices, generations, and aesthetics that reveals the Black narrative in the work of twentieth- and twenty-first-century writers. Intellectually enlightening and powerfully enlivening, Furious Flower explores and celebrates the idea of the Black poetic voice, to ask, "What's next for Black poetic expression?

Iain Haley Pollock's poems cover the ground from a woman late to catfish supper to an ancient queen who howls, "Sea, you is ugly," from the creaking of slave ships launched from Lancaster to gunfire on a contemporary Philadelphia street. Such lyric moments find grounding in stories woven through this book--in one story line, a boy with a black mother and white father wishes he could shed his white skin or carve into what lies beneath: "I flung my almost white self / into my mother's embrace--that brown / embrace I hoped would swallow me whole / and spit back a boy four shades darker." Another thread follows a marriage and a woman intertwined with hunger and the blues, a woman who hears a whale song in a refrigerator's hum, who cries hard like the lonely barking of a fox.

Even when these poems soften, they can't be complacent about good fortune: for all the maple seedpods and snow fluttering down "here," the poems are always aware of wreckage and car bombs "there," and they keep conscious of the mustard gas of old wars and the losses of recent ones. Punctuated with lives that end early, such as those of Hart Crane and Mikey Clark, a high-school classmate who once swiped the Communion wine, Pollock's collection earns its vitality and romance without closing its eyes to violence and sorrow.