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In this landmark new book, Iain McGilchrist addresses some of the
oldest and hardest questions humanity faces – ones that, however,
have a practical urgency for all of us today. Who are we? What is
the world? How can we understand consciousness, matter, space and
time? Is the cosmos without purpose or value? Can we really neglect
the sacred and divine? In doing so, he argues that we have become
enslaved to an account of things dominated by the brain’s left
hemisphere, one that blinds us to an awe-inspiring reality that is
all around us, had we but eyes to see it. He suggests that in order
to understand ourselves and the world we need science and
intuition, reason and imagination, not just one or two; that they
are in any case far from being in conflict; and that the brain’s
right hemisphere plays the most important part in each. And he
shows us how to recognise the ‘signature’ of the left
hemisphere in our thinking, so as to avoid making decisions that
bring disaster in their wake. Following the paths of cutting-edge
neurology, philosophy and physics, he reveals how each leads us to
a similar vision of the world, one that is both profound and
beautiful – and happens to be in line with the deepest traditions
of human wisdom. It is a vision that returns the world to life, and
us to a better way of living in it: one we must embrace if we are
to survive.
A pioneering exploration of the differences between the brain’s
right and left hemispheres and their effects on society, history,
and culture—“one of the few contemporary works deserving
classic status” (Nicholas Shakespeare, Times, UK)
“Persuasively argues that our society is suffering from the
consequences of an over-dominant left hemisphere losing touch with
its natural regulative ‘master’ the right. Brilliant and
disturbing.”—Salley Vickers, a Guardian Best Book of the Year
“I know of no better exposition of the current state of
functional brain neuroscience.”—W. F. Bynum, Times Literary
Supplement Why is the brain divided? The difference between
right and left hemispheres has been puzzled over for centuries.
Drawing upon a vast body of brain research, the renowned
psychiatrist, author, and thinker Iain McGilchrist reveals that the
difference between the two sides is profound—two whole, coherent,
but incompatible ways of experiencing the world. The
detail-oriented left hemisphere prefers mechanisms to living things
and is inclined to self-interest, while the right hemisphere has
greater breadth, flexibility, and generosity. In the second
part of his book, McGilchrist takes the reader on a journey through
the history of Western culture, illustrating the tension between
these two worlds as revealed in the thought and belief of thinkers
and artists from the ancient to the modern, from Aeschylus to
Magritte. He ultimately argues that, despite its inferior grasp of
reality, the left hemisphere is increasingly taking precedence in
today’s world—with potentially disastrous consequences.
Attention is not just receptive, but actively creative of the world
we inhabit. How we attend makes all the difference to the world we
experience. And nowadays in the West we generally attend in a
rather unusual way: governed by the narrowly focussed,
target-driven left hemisphere of the brain. Forget everything you
thought you knew about the difference between the hemispheres,
because it will be largely wrong. It is not what each hemisphere
does - they are both involved in everything - but how it does it,
that matters. And the prime difference between the brain
hemispheres is the manner in which they attend. For reasons of
survival we need one hemisphere (in humans and many animals, the
left) to pay narrow attention to detail, to grab hold of things we
need, while the other, the right, keeps an eye out for everything
else. The result is that one hemisphere is good at utilising the
world, the other better at understanding it. Absent, present,
detached, engaged, alienated, empathic, broad or narrow, sustained
or piecemeal, attention has the power to alter whatever it meets.
The play of attention can both create and destroy, but it never
leaves its object unchanged. How you attend to something - or don't
attend to it - matters a very great deal. This book helps you to
see what it is you may have been trained by our very unusual
culture not to see.
That there is a link between psychiatric illness and creativity
seems widely accepted, although not completely understood. The
'black dog' of clinical depression has kept me intermittent company
since my early teens, and I have often written prolifically while
recovering from periods of depressive illness. Once read, these
poems will always be your companions. By turns they move and
delight with their beauty, wit and depth of fellow-feeling. These
are the real thing. Dr Iain McGilchrist Consultant Psychiatrist,
The Priory Hospital Former Fellow in English Literature, Oxford
University
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