The Devil's Advocate, a best-selling advocacy manual in both the UK and the Commonwealth, brings a fresh approach to the Do's and Don'ts of good advocacy. Written with humour and style, the title explains clear techniques, taking the reader through the practical application of advocacy step-by-step. The Devil's Advocate has quickly become the leading handbook and practical guide to advocacy in any adversarial courtroom, in any country, to be read and carried about by any advocate. Iain Morley QC is twenty years call in well-known London criminal chambers, prosecuting and defending in the Crown Courts, including many high-profile serious crime cases. He has taught advocacy skills pro bono to the Inner Temple juniors, written much of the teaching materials, and taught the teachers - including Silks and Judges. * Presents the leading book on advocacy, bridging the gap between reading about advocacy and how you actually do it* Written in a no-nonsense and engaging style to bring a fresh approach to studying advocacy * Explains the art of persuasiveness, how to make convincing speeches, and effective cross examination * Describes well-established techniques and exercises used in court for constantly improving questioning and witness control * Offers punchy advice and insightful comments on all of the necessary skills and processes involved in advocating * Uses examples throughout to illustrate key points and aids knowledge retention * Includes a new chapter on the International Criminal Tribunals which require an additional set of advocacy skills due to the dynamics thrown up, such as the need for simultaneous translations

Modern archaeology has amassed considerable evidence for the disposal of the dead through burials, cemeteries and other monuments. Drawing on this body of evidence, this book offers fresh insight into how early human societies conceived of death and the afterlife. The twenty-seven essays in this volume consider the rituals and responses to death in prehistoric societies across the world, from eastern Asia through Europe to the Americas, and from the very earliest times before developed religious beliefs offered scriptural answers to these questions. Compiled and written by leading prehistorians and archaeologists, this volume traces the emergence of death as a concept in early times, as well as a contributing factor to the formation of communities and social hierarchies, and sometimes the creation of divinities.

Modern archaeology has amassed considerable evidence for the disposal of the dead through burials, cemeteries and other monuments. Drawing on this body of evidence, this book offers fresh insight into how early human societies conceived of death and the afterlife. The twenty-seven essays in this volume consider the rituals and responses to death in prehistoric societies across the world, from eastern Asia through Europe to the Americas, and from the very earliest times before developed religious beliefs offered scriptural answers to these questions. Compiled and written by leading prehistorians and archaeologists, this volume traces the emergence of death as a concept in early times, as well as a contributing factor to the formation of communities and social hierarchies, and sometimes the creation of divinities.

The origins of religion and ritual in humans have been the focus of centuries of thought in archaeology, anthropology, theology, evolutionary psychology and more. Play and ritual have many aspects in common, and ritual is a key component of the early cult practices that underlie the religious systems of the first complex societies in all parts of the world. This book examines the formative cults and the roots of religious practice from the earliest times until the development of early religion in the Near East, in China, in Peru, in Mesoamerica and beyond. Here, leading prehistorians and other specialists bring a fresh approach to the early practices that underlie the faiths and religions of the world. They demonstrate the profound role of play ritual and belief systems and offer powerful new insights into the emergence of early civilization.

The construction of formal measurement systems underlies the development of science and technology, economy, and new ways of understanding and explaining the world. Human societies have developed such systems in different ways in different places and at different times, and recent archaeological investigations highlight the importance of these activities for fundamental aspects of human life. The construction of measurement systems constituted new means for recognising and engaging with the material world, and their implications, and the motivations behind them, also extend beyond the material world. Developments such as the precise reckoning of the passage of time highlighted patterns and causal relationships in nature. Measurement systems have provided the structure for addressing key concerns of cosmological belief systems, as well as the means for articulating relationships between the human form, human action, and the world - and new understandings of relationships between events in the terrestrial world and beyond. The Archaeology of Measurement explores the archaeological evidence for the development of measuring activities in numerous ancient societies, as well as the implications of these discoveries for an understanding of their worlds and beliefs. Featuring contributions from a cast of internationally renowned scholars, it analyzes the relationships between measurement, economy, architecture, symbolism, time, cosmology, ritual, and religion among prehistoric and early historic societies throughout the world.

The Upper Palaeolithic era of Europe has left an abundance of evidence for symbolic activities, such as direct representations of animals and other features of the natural world, personal adornments, and elaborate burials, as well as other vestiges that are more abstract and cryptic. These behaviours are also exhibited by populations throughout the world, from the prehistoric period through to the present day. How can we interpret these activities? What do they tell us about the beliefs and priorities of the people who carried them out? How do these behaviours relate to ideologies, cosmology, and understanding of the world? What can they tell us about the emergence of ritual and religious thought? And how do the activities of humans in prehistoric Europe compare with those of their predecessors there and elsewhere? In this volume, fifteen internationally renowned scholars contribute essays that explore the relationship between symbolism, spirituality, and humanity in the prehistoric societies of Europe and traditional societies elsewhere. The volume is richly illustrated with 50 halftones and 24 colour plates.

Since 1986 Darwin College, Cambridge has organised a series of annual public lectures built around a single theme approached in a multi-disciplinary way. These essays were developed from the 2008 lectures, which explored the idea of serendipity - the relationship between good fortune and the preparation of the mind to spot and exploit it. Serendipity is an appealing concept, and one which has been surprisingly influential in a great number of areas of human discovery. The essays collected in this volume provide insightful and entertaining accounts of the relationship between serendipity and knowledge, in the human and natural sciences. Written by some of the most eminent thinkers of this generation, Serendipity explores a variety of subjects, including disease, politics, scientific invention and the art of writing. This collection will fascinate and inspire a wide range of readers, highlighting the multifaceted nature of the popular, but elusive, concept of serendipity.

The Upper Palaeolithic era of Europe has left an abundance of evidence for symbolic activities, such as direct representations of animals and other features of the natural world, personal adornments, and elaborate burials, as well as other vestiges that are more abstract and cryptic. These behaviours are also exhibited by populations throughout the world, from the prehistoric period through to the present day. How can we interpret these activities? What do they tell us about the beliefs and priorities of the people who carried them out? How do these behaviours relate to ideologies, cosmology, and understanding of the world? What can they tell us about the emergence of ritual and religious thought? And how do the activities of humans in prehistoric Europe compare with those of their predecessors there and elsewhere? In this volume, fifteen internationally renowned scholars contribute essays that explore the relationship between symbolism, spirituality, and humanity in the prehistoric societies of Europe and traditional societies elsewhere. The volume is richly illustrated with 50 halftones and 24 colour plates.

The origins of religion and ritual in humans have been the focus of centuries of thought in archaeology, anthropology, theology, evolutionary psychology and more. Play and ritual have many aspects in common, and ritual is a key component of the early cult practices that underlie the religious systems of the first complex societies in all parts of the world. This book examines the formative cults and the roots of religious practice from the earliest times until the development of early religion in the Near East, in China, in Peru, in Mesoamerica and beyond. Here, leading prehistorians and other specialists bring a fresh approach to the early practices that underlie the faiths and religions of the world. They demonstrate the profound role of play ritual and belief systems and offer powerful new insights into the emergence of early civilization.

Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest-known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon - not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.

The construction of formal measurement systems underlies the development of science and technology, economy, and new ways of understanding and explaining the world. Human societies have developed such systems in different ways in different places and at different times, and recent archaeological investigations highlight the importance of these activities for fundamental aspects of human life. The construction of measurement systems constituted new means for recognising and engaging with the material world, and their implications, and the motivations behind them, also extend beyond the material world. Developments such as the precise reckoning of the passage of time highlighted patterns and causal relationships in nature. Measurement systems have provided the structure for addressing key concerns of cosmological belief systems, as well as the means for articulating relationships between the human form, human action, and the world - and new understandings of relationships between events in the terrestrial world and beyond. The Archaeology of Measurement explores the archaeological evidence for the development of measuring activities in numerous ancient societies, as well as the implications of these discoveries for an understanding of their worlds and beliefs. Featuring contributions from a cast of internationally renowned scholars, it analyzes the relationships between measurement, economy, architecture, symbolism, time, cosmology, ritual, and religion among prehistoric and early historic societies throughout the world.

Interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves "unmusical." This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it; whether musicality is a uniquely human capacity; and what biological and cognitive mechanisms underlie it. Contributors outline a research program in musicality, and discuss issues in studying the evolution of music; consider principles, constraints, and theories of origins; review musicality from cross-cultural, cross-species, and cross-domain perspectives; discuss the computational modeling of animal song and creativity; and offer a historical context for the study of musicality. The volume aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality. Contributors Jorge L. Armony, Judith Becker, Simon E. Fisher, W. Tecumseh Fitch, Bruno Gingras, Jessica Grahn, Yuko Hattori, Marisa Hoeschele, Henkjan Honing, David Huron, Dieuwke Hupkes, Yukiko Kikuchi, Julia Kursell, Marie-Elaine Lagrois, Hugo Merchant, Bjoern Merker, Iain Morley, Aniruddh D. Patel, Isabelle Peretz, Martin Rohrmeier, Constance Scharff, Carel ten Cate, Laurel J. Trainor, Sandra E. Trehub, Peter Tyack, Dominique Vuvan, Geraint Wiggins, Willem Zuidema

Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon-not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.