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Showing 1 - 3 of 3 matches in All Departments
Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line-or dotted line-between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is-and what is not-true crime will either challenge or justify Truman Capote's claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR's Serial, HBO's The Jinx, and Netflix's Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms-radio, television, print, digital, and film-to reveal the defining characteristics of the genre.
During troubled times, millions have been inspired by the stories and spiritual lessons of the selfless leadership of Moses. In a world increasingly affected by political, social, and racial imbalance, we need strong, innovative leaders who have not forgotten or ignored these valuable lessons. Moses and Leadership: Three Religions, One Voice, and the Next Generation of Leaders brings together an Israeli-born rabbi, a Pakistani-born Muslim scholar, and an ordained Midwestern American to inspire the next generation of leaders with a timeless story of the ancient prophet Moses. Written in an easy and accessible style, this book is meant for sincerely spiritual but church-resistant Bible readers as well as those who are familiar with the Moses narrative. No leadership book has ever attempted to synthesize the religious views of Judaism, Islam, and Christianity into one unified, harmonious voice singing a single hymnal.
Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line-or dotted line-between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is-and what is not-true crime will either challenge or justify Truman Capote's claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR's Serial, HBO's The Jinx, and Netflix's Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms-radio, television, print, digital, and film-to reveal the defining characteristics of the genre.
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