"Humor Me" is a literary cavalcade of contemporary American funnymen - and funnywomen - of the page. Selected by the renowned humorist Ian Frazier and featuring more than fifty pieces of the greatest comic writing of our time, the book includes such masters of the form as Roy Blount, Jr., Bruce Jay Friedman, Veronica Geng, Jack Handey, Garrison Keillor, Steve Martin, and Calvin Trillin, as well as work by newer comic stars like Andy Borowitz, Larry Doyle, Simon Rich, George Saunders, and David Sedaris. The pieces were published in the past thirty years in such popular magazines as "The New Yorker", "McSweeney's", "The Atlantic", "National Lampoon", and "Outside". But the book also includes a handful of older comic masterpieces that nobody in need of a laugh should ever be without, among them classics by Bret Harte, Elizabeth Bishop, Donald Barthelme, and Mark Twain.

In the early 1970s, the writer Ian Frazier left a small town in Ohio to move to a loft in lower Manhattan. Gone to New York is Frazier's account of the city over the thirty years, a book as full of vitality and charm as the city it describes. It features street scenes from every corner of the metropolis, where every block is an event and where the denizens are larger than life. Meet the man who climbed the World Trade Center, learn the location of Manhattan's antipodes, and follow Frazier down Canal Street in the mid-1970s, to Brooklyn in the 1980s and aboard the F Train in the twenty-first century. Like his literary forebears Joseph Mitchell and A. J. Liebling, Frazier makes us fall in love with America's greatest city all over again - just the way he did.

A hilarious--and delightfully profane--novel about the daily frustrations of family life
Based on his widely read columns for "The New Yorker," Ian Frazier's uproarious first novel, "The Cursing Mommy's Book of Days," centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a daybook of sorts, the book follows the Cursing Mommy--beleaguered wife of Larry and mother of two young boys--as she offers tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller's and Sylvia Plath's: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life.
In "The Cursing Mommy's Book of Days," Frazier colors his fiction with grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy's failures and weaknesses are our own--and Frazier gives them a loving, satirical spin that is uniquely his own.

"New York Times Book Review" Notable Book of the Year
A "Boston Globe" Best Book of 2010
A "Christian Science Monitor" Best Book of 2010
A "San Francisco Chronicle" Top 10 Books of 2010
A" Washington Post" Best Book of the Year
A "Kansas City Star "100 Best Books of 2010
A" St. Louis Post-Dispatch "Best of 2010
In this astonishing new work from one of our greatest and most entertaining storytellers, Ian Frazier trains his perceptive, generous eye on Siberia. With great passion and enthusiasm, he reveals Siberia's role in history--its science, economics, and politics--and tells the stories of its most famous exiles, such as Dostoyevsky, Lenin, and Stalin. At the same time, Frazier draws a unique portrait of Russia since the end of the Soviet Union, and gives a personal account of adventure among Russian friends and acquaintances. A unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia--"Travels in Siberia "is "a masterpiece of nonfiction writing--tragic, bizarre, and funny" ("San Francisco Chronicle").

Welcome to Ian Frazier's New York, where every block is an event, and where the denizens are larger than life. Meet landlord extraordinaire Zvi Hugo Segal, and the man who scaled the World Trade Center. Learn the location of Manhattan's antipodes, and meander the length of Route 3 to New Jersey. Like his literary forebears Joseph Mitchell and A. J. Liebling, Frazier makes us fall in love with America's greatest city all over again.

Nobody Better, Better Than Nobody is a collection of five extended essays that appeared in The New Yorker from 1978 to 1986. In the tradition of A. J. Liebling and Joseph Mitchell, Frazier raises journalism to high literary art. His vivid stories showcase a strange and wonderful parade of American life, from portraits of Heloise, the syndicated household-hints columnist, and Jim Deren, the urban fly-fisher’s guru, to small-town residents in western Kansas preparing to celebrate a historic, mutual massacre, to which they invite the Cheyenne Indians’ descendants with the promise of free bowling.

From the opening essay, “The Bloomsbury Group Live at the Apollo (Liner Notes from the New Best-Selling Album)” to the title piece that discusses ways in which you might begin a romance with your mother (“In today’s fast-moving, transient, rootless society, where people meet and make love and part without ever really touching, the relationship every guy already has with his own mother is too valuable to ignore...”) to a parody that features Samuel Beckett as a pilot giving an existential in-flight speech to the passengers, the twenty-five comic essays in this delightful collection are nothing short of brilliant. Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.

In The Fish’s Eye: Essays About Angling and the Outdoors, Ian Frazier explores his lifelong passion for fishing, fish, and the aquatic world. He sees the angler’s environment all around him—in New York’s Grand Central Station, in the cement-lined pond of a city park, in a shimmering bonefish flat in the Florida Keys, in the trout streams of the Rocky Mountains. He marvels at the fishing in the turbid Ohio River by downtown Cincinnati, where a good bait for catfish is half a White Castle french fry. The incidentals of the angling experience, the who and the where of it, interest him as much as what he catches and how. The essays contain sharply focused observations of the American outdoors, a place filled with human alterations and detritus that somehow remain defiantly unruined. Frazier’s simple love of the sport lifts him to a straight-ahead angling description that’s among the best contemporary writing on the subject. The Fish’s Eye brings together twenty years of heartfelt, funny, and vivid essays on a timeless pursuit where so many mysteries, both human and natural, coincide.

The title essay of Coyote v. Acme, Ian Frazier's second collection of humorous essays, imagines the opening statement of an attorney representing cartoon character Wile E. Coyote in a product liability suit against the Acme Company, supplier of unpredictable rocket sleds and faulty spring-powered shoes. Other essays are about Bob Hope's golfing career, a commencement address given by a Satanist college president, a suburban short story attacked by the Germans, the problem of issues versus non-issues, and the theories of revolutionary stand-up comedy from Comrade Stalin. From first to last, this is Frazier at his hilarious best.

On the Rez is a sharp, unflinching account of the modern-day American Indian experience, especially that of the Oglala Sioux, who now live on the Pine Ridge Indian Reservation in the plains and badlands of the American West. Crazy Horse, perhaps the greatest Indian war leader of the 1800s, and Black Elk, the holy man whose teachings achieved worldwide renown, were Oglala; in these typically perceptive pages, Frazier seeks out their descendants on Pine Ridge—a/k/a "the rez"—which is one of the poorest places in America today.

Along with his longtime friend Le War Lance (whom he first wrote about in his 1989 bestseller, Great Plains) and other Oglala companions, Frazier fully explores the rez as they visit friends and relatives, go to pow-wows and rodeos and package stores, and tinker with a variety of falling-apart cars. He takes us inside the world of the Sioux as few writers ever have, writing with much wit, compassion, and imagination. In the career of SuAnne Big Crow, for example, the most admired Oglala basketball player of all time, who died in a car accident in 1992, Frazier finds a contemporary reemergence of the death-defying, public-spirited Sioux hero who fights with grace and glory to save her followers.

On the Rez vividly portrays the survival, through toughness and humor, of a great people whose culture has helped to shape the American identity.