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Spike (Paperback)
Ian Hislop, Nick Newman
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R385
Discovery Miles 3 850
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Ships in 10 - 15 working days
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It's 1950s austerity Britain, and out of the gloom comes Goon mania
as men, women and children across the country scramble to get their
ear to a wireless for another instalment of The Goon Show. While
Harry Secombe and Peter Sellers get down to the serious business of
becoming overnight celebrities, fellow Goon and chief writer Spike
nds himself pushing the boundaries of comedy, and testing the
patience of the BBC. Flanked by his fellow Goons and bolstered by
the e orts of irrepressible sound assistant Janet, Spike takes a
ourishing nosedive o the cli s of respectability, and mashes up his
haunted past to create the comedy of the future. His war with
Hitler may be over, but his war with Auntie Beeb - and ultimately
himself - has just begun. Will Spike's dogged obsession with nding
the funny elevate The Goons to soaring new heights, or will the
whole thing come crashing down with the stroke of a potato peeler?
The true and extraordinary story of the satirical newspaper created
in the mud and mayhem of the Somme, interspersed with comic
sketches and spoofs from the vivid imagination of those on the
front line. In a bombed out building during the First World War in
the French town of Ypres (mispronounced Wipers by British
soldiers), two officers discover a printing press and create a
newspaper for the troops. Far from being a sombre journal about
life in the trenches, they produced a resolutely cheerful,
subversive and very funny newspaper designed to lift the spirits of
the men on the front line.
Following critical acclaim for The Wipers Times, Ian Hislop and
Nick Newman have once again taken inspiration from real life events
for their new play Trial by Laughter. William Hone, the forgotten
hero of free speech, was a bookseller, publisher and satirist. In
1817, he stood trial for 'impious blasphemy and seditious libel'.
The only crime he had committed was to be funny. Worse than that he
was funny by parodying religious texts. And worst of all, he was
funny about the despotic government and the libidinous monarchy. A
Watermill Theatre production.
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