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'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.
`Browning really comes back to life in the marvellous third volume of the new Oxford Browning', wrote John Bayley, choosing it as one of his Books of the Year for 1988. While Volume III included six of the eight Bells and Pomegranates pamphlets, the present volume completes the series and includes the most remarkable of all, Dramatic Romances and Lyrics. Here we find `Pictor Ignotus', `The Lost Leader', `The Bishop orders his Tomb', `The Laboratory', `The Boy and the Angel', and the first part of `Saul'. Also included are Christmas-Eve and Easter-Day and the essay on Shelley. As the Times Literary Supplement reviewer of the earlier volumes commented, `readers of a poet like this need all the help they can get; and Jack and Smith have provided it in abundance.' Each poem is fully annotated, and accompanied by a detailed introduction which provides information on the chronology of composition and on Browning's sources.
For a long time - too long - the mirror that India held to its face was made elsewhere. 'What writer about the country would you recommend I read?' first-time travellers to India would ask, and in the late twentieth century the answer was still Forster or Naipaul or even the long-dead Kipling. In fiction, that changed with Rushdie. Now it has changed in all kinds of non-fiction. Narrative history, reportage, memoir, biography, the travel account: all have their gifted exponents in a country perfecting its own frank gaze. In this special issue, Aman Sethi's 'Love Jihad' gives us insight into the riots, religious fractiousness, mob mentality and political manipulations that have come to define day-to-day life in Uttar Pradesh; Samanth Subramanian investigates the legacy of postcolonialism among Mumbai's elite at one of the city's oldest exclusive clubs; Raghu Karnad reveals the secret and terrible history of a great Delhi monument; Amitava Kumar brings us with him into a richly detailed world of grief at his mother's funeral pyre on the banks of the Ganges; and Sam Miller follows Gandhi's footsteps through Victorian London. Photographer Gauri Gill and artist Rajesh Vangad take a fresh look at an Indian village and embellish its present with its past, and Katherine Boo introduces the photographs that helped her write Behind the Beautiful Forevers. Hari Kunzru imagines an Indian future where inequality is taken to an all-too-imaginable extreme; the 'English Summer' of 1985 is brought to life in an excerpt from Amit Chaudhuri's Odysseus Abroad; and Anjali Joseph invites us into the mind of an ageing cobbler as he splices together the loose strands of his memories. Granta 130: India features more fiction by Upamanyu Chatterjee, Deepti Kapoor, Kalpana Narayanan, Vivek Shanbhag, Neel Mukherjee; a story by one of India's finest - and unduly neglected - prose writers, Arun Kolatkar; and poetry by Tishani Doshi, Anjum Hasan, Vinod Kumar Shukla and Karthika Nair.
The sources for the history of medieval Wales are scanty, sporadic and physically scattered. Neither in archival, narrative nor archaeological remains is Wales comparable to England, and what survives is less accessible, for there has been a notable reluctance among Welsh scholars to produce guides and surveys for this difficult corpus of material. The purpose of Medieval Wales is to examine the history and survival of records produced by administrations inside what is now Wales, princely, seigneurial, ecclesiastical, municipal; to indicate the relevance of English official records to students of Welsh history; to give an introduction to the main narrative sources; to put the work of the Welsh antiquaries into a wider context; to re-examine the whole question of independent Welsh coinage; and to bring together discussion of Welsh archaeological remains, place-name studies and early cartography.
This issue of "Granta reveals what the Africans themselves think about their continent with its diverse cultures and classes among its many nations. "Granta 92 includes new writing from such literary superstars as J.M. Coetzee, Zakes Mda, Emmanuel Dongala, and Tahar Ben Jelloun. It also includes a nonfiction piece by Daniel Bergner about a former LAPD policeman who now works for the United Nations training police in war-torn Liberia.
How far, and in what respects, is a poet's work influenced by the kind of audience for which he writes? The question is crucial to our understanding of how great poems came to be written, yet it has rarely been addressed in a systematic study. In this fascinating and illuminating book Ian Jack has chosen six major poets - Dryden, Pope, Byron, Shelley, Tennyson, and Yeats - and has traced the career of each to discover the nature and the extent of their readers' influence on their poetry. He shows that poets living in different periods and different cultural milieux addressed themselves to very differently constituted audiences (though all tended to have a close circle of highly sensitive friends on whom they could first test their work in private), and indicates how their need to adapt to the prevailing conditions shaped the nature of their poetry.
This book is intended for students of English literature at `A' level and above; general readers interested in a complete history of literature from Middle English to the earlier twentieth century.
This issue features new work by the twenty writers that Granta's judges - including novelists Edmund White and A.M. Homes - have selected as the most interesting new young voices in American fiction. Granta began its influential "Best of Young..." series with British novelists in 1983, repeated in 1993 and 2003. In 1996, Granta's first "Best of Young American Novelists" included Jeffrey Eugenides, Jonathan Franzen and Lorrie Moore. Who will match them in the new generation?
Volume II contains Stafford, a play seldom reprinted, and Sordello, a poem commonly, but mistakenly, neglected as "unintelligible." The book looks at Browning's correspondence with Emily Hickey, the first editor of Strafford, and important copies of Sordello that help to shed light on Browning's attempts to revise the poem. Also included are such of the juvenilia that survive.
Since its relaunch in 1979, "Granta" magazine has championed the art and craft of reportage - journalism marked by vivid description, a novelist's eye to form and eyewitness reporting that reveals hidden truths about people and events that have shaped the world we know. This updated edition of "The Granta Book of Reportage" collects a dozen of the finest and most lasting pieces Granta has published. Featuring distinguished writers and reporters: John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski, John le Carre, as well as new talents Elana Lappin, Suketu Mehta and Wendell Steavenson, the book covers some of the signal events of our time: the fall of Saigon, the end of apartheid in South Africa, the massacre in Tiananmen Square, and the aftermath of the American invasion of Iraq.
Britain invented the factory - Manchester was the world's first factory city. Where are they now? The anser, mainly, is China. An issue devoted to how and where we made and make things, from strawberries in the fields of Herefordshire to the car plants of Korea.
"The Granta Book of India" brings together evocative, personal and
informative writings on modern India, drawn from the pages of the
world's leading literary magazine. Here are eighteen contemporary
voices sketching one of the world's most dynamic places in fiction,
reportage and memoir.
Love: as a temporary and permanent state of affairs; between strangers; within families; the lack, the loss, and the need of it. Including a newly discovered story by Raymond Carver, Ruth Gershon on falling for the wrong man in Israel, Keith Fleming on being rescued by his uncle Edmund White, and a photographic history of eleven relationships by Daniel Meadows.
In this selection from over twenty years of reporting and writing, Ian Jack sets out to deal with contemporary Britain - from national disasters to football matches to obesity - but is always drawn back in time, vexed by the question of what came first. In 'Women and Children First', watching the film Titanic leads into an investigation into the legend of Wallace Henry Hartley, the famous band leader of the doomed liner, while 'The 12.10 to Leeds', a magnificent report on the Hatfield rail crash, begins its hunt for clues in the eighteenth century in the search for those responsible. Further afield, he finds vestiges of a vanished Britain in the Indian subcontinent, meeting characters like maverick English missionary and linguist William Carey, credited with importing India's first steam engine. Full of the style, knowledge and intimacy that makes his work so special, this collection is the perfect introduction to the work of one of the country's finest writers.
This is the first scholarly edition of Browning's greatest collection of short poems, Men & Women. A comprehensive introduction shows how new research has unearthed material which throws fresh light on the composition and dates of such famous pieces as `Fra Lippo Lippi', `Childe Roland to the Dark Tower Came', and `One Word More: To E.B.B.'. This edition uses a critical text based on that of Browning's final collection, and has detailed introductions to the individual poems. It is the fifth volume in the highly praised Poetical Works of Robert Browning.
This collection of essays features the theme of what people wanted as children. The contributing writers include: Doris Lessing, Paul Auster, Brian MacKinnon and Nell Stroud. There are also pieces by George Steiner, J.M. Coetzee, Joyce Carol Oates, John Biguenet and Peter Walker.
'Love is nothing without feeling. And feeling is still less without
love.'
This volume contains six of the eight Bells and Pomegranates, modestly-priced pamphlets published by Edward Moxon in a bid to help Browning recover from the ridicule which greeted the first appearance of Sordello. It includes Pippa Passes, four other dramatic works, and Dramatic Lyrics, the first of the great collections of short poems with which Browning established his reputation. In addition, a version of a poem on the Pied Piper by Browning's father is here printed for the first time. All significant textual variants are recorded, and each of the Bells is accompanied by an introduction and by full annotation. New information throws further light on this most important period in Browning's poetic career.
Volume I provides the first and final texts of Pauline carefully annotated with emphasis on the literary background of the poem rather than its supposedly authobiographical reference. It also includes the manuscript of Paracelsus in the Forster Collection in the Victoria and Albert Museum printed here for the first time.
Granta goes to the movies. Featuring John Fowles on the making of 'The French Lieutenant's Woman' and DM Thomas on the not-making of 'The White Hotel', Nik Cohn on his early involvement with the porn industry, Thomas Keneally on finding Schindler's list, Roger Lewis on Peter Sellers, Gaby Wood on Lana Turner, Pankaj Mishra in Bombay, Ian Jack on the Roxy, the Rialto, the Ritz and the Regal, Andrew O'Hagan on two years in the dark as a movie critic and Maarten 'T Hart on coping with Werner Herzog and his ten thousand rats. Plus Art by film directors: The drawings, storyboards and photographs of Cocteau, Fellini, Hitchcock, Kubrick, Scorsese and many more...And new fiction by Tessa Hadley and Jim Lewis and John Boorman.
Granta magazine publishes the best of fiction, memoir, reportage and photography, Every issue of Granta is in print and many issues - such as 'Travel', 'Dirty Realism', 'The Family', 'India' and 'Unbelievable' - are classics. Granta only publishes work that has never been published anywhere before. So anyone reading us would have discovered (among others) Bill Bryson, Hanif Kureishi, Louis de Bernieres, Arundhati Roy and Zadie Smith - long before anyone else. Every issue of Granta is special. That's why it's published four times a year - to keep it that way.
Over the past two decades India has produced a dazzling variety of new writing in English. 'India Calling' showcases some of this talent, Amit Chaudhuri and Arundhati Roy, alongside contributions from long celebrated writers such as R.K. Narayan, V.S. Naipaul, Nirad Chaudhuri and Ved Mehta.
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