Using history to challenge Communist Party rule. Sparks: China's Underground Historians and their Battle for the Future describes how some of China's best-known writers, filmmakers, and artists have overcome crackdowns and censorship to forge a nationwide movement that challenges the Communist Party on its most hallowed ground: its control of history. The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and glorify its rule. Indeed, one of Xi Jinping's signature policies is the control of history, which he equates with the party's survival. But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present--powerful and inspiring accounts that have underpinned recent protests in China against Xi Jinping's strongman rule. Based on years of first-hand research in Xi Jinping's China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity's great struggles of memory against forgetting--a battle that will shape the China that emerges in the mid-21st century.

'An indelible feat of reporting and an urgent read ... It's a privilege to read books like these' Te-Ping Chen, author of Land of Big Numbers 'A powerful reminder of the ways in which China's future depends on who controls the past' Peter Hessler A documentary filmmaker who spent years uncovering a Mao-era death camp; an independent journalist who gave voice to the millions who suffered through Covid; a magazine publisher who dodges the secret police: these are some of the people who make up Sparks: China's Underground Historians and their Battle for the Future, a vital account of how some of China's most important writers, filmmakers, and artists have overcome crackdowns and censorship to challenge the Chinese Communist Party on its most sacred ground - its monopoly on history. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and justify its rule. But in recent years, critical thinkers from across the land have begun to challenge this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a pattern of disasters: from past famines and purges to the ethnic clashes and virus outbreaks of the present. Based on years of research in Xi Jinping's China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity's great struggles of memory against forgetting - a battle that will shape the China that emerges in the mid-21st century.

Throughout China's rapidly growing cities, a new wave of unregistered house churches is growing. They are developing rich theological perspectives that are both uniquely Chinese and rooted in the historical doctrines of the faith. To understand how they have endured despite government pressure and cultural marginalization, we must understand both their history and their theology. In this volume, key writings from the house church have been compiled, translated, and made accessible to English speakers. Featured here is a manifesto by well-known pastor Wang Yi and his church, Early Rain Covenant Church in Chengdu, to clarify their theological stance on the house church and its relationship to the Chinese government. There are also works by prominent voices such as Jin Tianming, Jin Mingri, and Sun Yi. The editors have provided introductions, notes, and a glossary to give context to each selection. These writings are an important body of theology historically and spiritually. Though defined by a specific set of circumstances, they have universal applications in a world where the relationship between church and state is more complicated than ever. This unique resource will be valuable to practical and political theologians as well as readers interested in international relations, political philosophy, history, and intercultural studies.

Kant's landmark essay, "On Perpetual Peace," is as timely, relevant, and inspiring today as when it was first written over 200 years ago. In it, we find a forward-looking vision of a world respectful of human rights, dominated by liberal democracies, and united in a cosmopolitan federation of diverse peoples. This book features a fresh and vigorous translation of Kant's essay by Ian Johnston. And it includes an extended introduction by philosopher Brian Orend, author of the widely-used text, The Morality of War. This extensive, yet highly readable, introduction situates Kant's essay in its historical context, while also offering a substantial analysis, section-by-section, of the essay itself. In doing so, Orend not only discusses Kant's personal life and the history of "the perpetual peace tradition," he also shows how Kant's provocative ideas have inspired and infused our own time, especially the concept of a global alliance of free societies committed to respecting human rights. The book also sports an enlightening set of appendices that cleverly and sharply debate the promise of perpetual peace. A few are from Kant's works, but most are from other acclaimed thinkers, including: Hegel, Leibniz, Bentham, Voltaire, Rousseau, and the Abbe de Saint-Pierre. A chronology of Kant's life and a recommended reading list round out this inquiry into one of the most hopeful, stirring, and imaginative political proposals: a cosmopolitan federation uniting us all and securing perpetual peace between nations.

Geoffrey Chaucer is widely acknowledged as the greatest English poet of the Middle Ages. His texts are studied extensively but, in order to be fully appreciated, they demand a nuanced understanding of the medieval period. This volume provides freshly illuminated access to Chaucer's writing through an unrivalled repertoire of contextual information and perspectives designed to enhance the independence and critical capacities of his modern readers. The featured essays are written not only by distinguished literary scholars but also by leading international historians. Geoffrey Chaucer in Context is an essential reference tool for anyone studying Chaucer and will help readers to identify his different voices and engage with the complexity and colour of his times with new awareness.

New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication. From the great age of pastoral expansion in the thirteenth century, to the revolutionary paroxysms of the English Reformation, England's religious writings, cultures, and practices defy easy analysis. The diverse currents of practice and belief which interact and conflict across the period - orthodox and heterodox, popular and learned, mystical and pragmatic, conservative and reforming - are defined on the one hand by differences as nuanced as the apophatic and cataphatic approaches to understanding the divine, and on the other by developments as profound and concrete as the persecution of declared heretics, the banning and destruction of books, and the emergence of printing. The essays presented in this volume respond to and build upon the hugely influential work of Vincent Gillespie in these fields, offering a variety of approaches, spiritual and literary, bibliographical and critical, across the Middle Ages to the Protestant Reformation and beyond. Topics addressed include the Wycliffite Bible; the Assumption of the Virgin as represented in medieval English culture; Nicholas Love and Reginald Pecock; and the survival of latemedieval piety in early modern England. LAURA ASHE is Professor of English Literature and Tutorial Fellow, Worcester College, Oxford; RALPH HANNA is Professor of Palaeography (emeritus), Keble College, Oxford. Contributors: Tamara Atkin, James Carley, Alexandra da Costa, Anne Hudson, Ian Johnson, Daniel Orton, Susan Powell, Denis Renevey, Michael G. Sargent, Annie Sutherland, Nicholas Watson, Barry Windeatt.

San Francisco based artist Ian Johnson has been busy since his 2008 monograph Beauty is a Rare Thing. Six solo shows and a group exhibition later, his work has evolved while remaining jarringly cool and full of life. This new book from Paper Museum Press presents new paintings and drawings by Johnson in his signature style: portraits of jazz musicians from the '40s, '50s, and '60s produced using gouache, acrylic, or pen on paper or wood panel. Johnson combines abstract backgrounds with figurative representations to create jaw-dropping pieces that succeed at evoking the music of each artist. Creative geometric compositions of space and color unfold to express the tone of each musician's output. Ian Johnson's work has been featured in Juxtapoz and Jazz Colours and he has created illustrations for The New York Times, San Francisco Chronicle, Wax Poetics, and The New Yorker.

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars, and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicizing literature, followed by explanations of medieval views on literary imagination and memory, and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

'Illuminating ... Johnson has not only lifted a corner of the curtain which covers China's reality beyond its glittering eastern cities; he has drawn the whole curtain' The Times Literary Supplement In Wild Grass, Pulitzer Prize-winning Ian Johnson describes a China caught between the desire for change percolating up from below and the ossified political structure above. He recounts the stories of three ordinary people who find themselves finding oppression and government corruption, risking imprisonment and even death. A young architecture student, a bereaved daughter, and a peasant legal clerk are the unlikely heroes of these stories, private citizens cast by unexpected circumstances into surprising roles.

In the late medieval and early modern periods, Scottish latinity had its distinctive stamp, most intriguingly so in its effects upon the literary vernacular and on themes of national identity. This volume shows how, when viewed through the prism of latinity, Scottish textuality was distinctive and fecund. The flowering of Scottish writing owed itself to a subtle combination of literary praxis, the ideal of eloquentia, and ideological deftness, which enabled writers to service a burgeoning national literary tradition.

Geoffrey Chaucer is widely acknowledged as the greatest English poet of the Middle Ages. His texts are studied extensively but, in order to be fully appreciated, they demand a nuanced understanding of the medieval period. This volume provides freshly illuminated access to Chaucer's writing through an unrivalled repertoire of contextual information and perspectives designed to enhance the independence and critical capacities of his modern readers. The featured essays are written not only by distinguished literary scholars but also by leading international historians. Geoffrey Chaucer in Context is an essential reference tool for anyone studying Chaucer and will help readers to identify his different voices and engage with the complexity and colour of his times with new awareness.

This manageable guide sets out to answer what harvesting and threshing equipment is available, what are the main characteristics of types of equipment and where can you go for more information and supply.

The success, failure and revival of Barry Town is a story that needs to be told. Few clubs have risen so high – facing Dynamo Kiev and FC Porto in the Champions League – and then sunk so low – going into administration, relegated and eventually withdrawn from football altogether – before being brought back to life by loyal fans who even had to take the Football Association of Wales to court in order to play. Following the club over 25 years, starting with the 1993-94 season when they beat Cardiff City to win the Welsh Cup, Unbelievable Barry Town covers the club’s golden decade where they won the Welsh Premier seven times, through the years of playing as an amateur team under controversial owner Stuart Lovering, until the fans were able to take over and turn the club around to once again play in Europe in 2019.

These studies of the theory and practice of translation in the middle ages show a wide range of translational practices, on texts which range from anonymous Middle English romances and Biblical commentaries to the writings of Usk, Chaucer and Malory. Included among them is a paper on a hitherto unknown woman translator, Dame Eleanor Hull; a paper which compares a draft translation with its fair copy to show how its translator worked; a paper which shows how the mystic Rolle sought to 'translate' his heightened spiritual experiences into words; and so on. In a medieval translation the general priority of meaning over form and style enabled, even obliged, the translator to act more like an author than like a scribe. Consequently, the study of medieval translation throws important light on contemporary, attitudes to, and understandings of, fundamental literary questions: for example, and most importantly, that of the role of the author.

Welcome to the Heaven's sons revealed on earth. This book is designed to get you on the road to a supernatural lifestyle that will see the process of transformation from Christian to son of the Kingdom. All Sons and Daughters are called to walk with God and to enjoy the realms of heaven, but most importantly, we are all called to release heaven on earth. This just won't happen while we remain committed to a system that prevents the maturating of sons and daughters. The worlds are groaning for the revelation of the Sons of God and a system that acts as a gate keeper and not as a gate opener for the King won't enable us to see the need to walk where we are all called to walk. The Church is called to be that gate opener, and Fathers and Mothers in the Church are called to show the Sons and Daughters the gates. This book is an invitation to revolution and reformation in the body of Christ. It is not to dismiss the Church, but to lift her up as the true gate opener, so that the King of glory may come in.

This book is an inspiring and historical look at the amazing life of Francis Xavier, missionary and pioneer to India, Sri Lanka, Malacca, Indonesia, the Islands of the Philippines and Japan. which includes a challenge to us to return to the supernatural ministry of Christ as outworked in ordinary men and women of God. In the brief years between 1541 and his death in 1552 Francis saw hundreds of thousands turn to Jesus; the miracles that followed his preaching of the gospel, included twenty eight people recorded as being raised from the dead and countless healings, and unusual signs and wonders, just like the book of Acts. King John 3rd of Portugal was the sender who mostly financed Francis mission, Francis was the one who went and encouraged countless hundreds of others to do the same. My hope is that this book will inspire your heart to the supernatural mission of the body of Christ, either as someone who goes, or as someone who sends. There are still millions who wait for the next Francis Xavier and you carry the same Holy Spirit as Francis did. May this book inspire you in your supernatural journey with Christ.

Ian Johnson's evaluation of Alwyn's film music places his achievement in the context of wider movements within the film industry. William Alwyn was a leading composer of British film music in the 1940s and '50s, a time when the British film industry was at its peak. His scores ranged from documentaries to almost 80 full-length feature films, including classics such as Fires were Started, Desert Victory, Odd Man Out, The Fallen Idol, and The History of Mr Polly; he was adept at any musical genre, from classical to cartoon slapstick, and in the process worked with legendary directors, including Carol Reed, David Lean, Humphrey Jennings, and Anthony Asquith. Alone with Vaughan Williams he was granted the distinction of a separate title credit; columnists mentioned him alongside Bliss, Bax and Walton. However, as the reputation of the British film industry declined in the 1950s, so musical snobbery against those who were its leading lights became unpleasantly raw. In recent years, however, with sensitive performances of hisfilm and concert music available on CD, this most appealing of composers has enjoyed something of a renaissance. In this long overdue reassessment, Alwyn's films are analysed and put into the context of his biography,the film industry, and of society at large: the author shows in particular this remarkably versatile composer developed a hitherto unrecognised grammar of film music which enhanced every film on which he worked. He also examines his work for war propaganda, radio, and the concert hall. The volume is enhanced by the most complete filmography, discography, and bibliography of the composer's works yet published, as well as listings of his concert and radio music.