'An indelible feat of reporting and an urgent read ... It's a privilege to read books like these' Te-Ping Chen, author of Land of Big Numbers 'A powerful reminder of the ways in which China's future depends on who controls the past' Peter Hessler A documentary filmmaker who spent years uncovering a Mao-era death camp; an independent journalist who gave voice to the millions who suffered through Covid; a magazine publisher who dodges the secret police: these are some of the people who make up Sparks: China's Underground Historians and their Battle for the Future, a vital account of how some of China's most important writers, filmmakers, and artists have overcome crackdowns and censorship to challenge the Chinese Communist Party on its most sacred ground - its monopoly on history. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and justify its rule. But in recent years, critical thinkers from across the land have begun to challenge this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a pattern of disasters: from past famines and purges to the ethnic clashes and virus outbreaks of the present. Based on years of research in Xi Jinping's China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity's great struggles of memory against forgetting - a battle that will shape the China that emerges in the mid-21st century.

Using history to challenge Communist Party rule. Sparks: China's Underground Historians and their Battle for the Future describes how some of China's best-known writers, filmmakers, and artists have overcome crackdowns and censorship to forge a nationwide movement that challenges the Communist Party on its most hallowed ground: its control of history. The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and glorify its rule. Indeed, one of Xi Jinping's signature policies is the control of history, which he equates with the party's survival. But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present--powerful and inspiring accounts that have underpinned recent protests in China against Xi Jinping's strongman rule. Based on years of first-hand research in Xi Jinping's China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity's great struggles of memory against forgetting--a battle that will shape the China that emerges in the mid-21st century.

New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication. From the great age of pastoral expansion in the thirteenth century, to the revolutionary paroxysms of the English Reformation, England's religious writings, cultures, and practices defy easy analysis. The diverse currents of practice and belief which interact and conflict across the period - orthodox and heterodox, popular and learned, mystical and pragmatic, conservative and reforming - are defined on the one hand by differences as nuanced as the apophatic and cataphatic approaches to understanding the divine, and on the other by developments as profound and concrete as the persecution of declared heretics, the banning and destruction of books, and the emergence of printing. The essays presented in this volume respond to and build upon the hugely influential work of Vincent Gillespie in these fields, offering a variety of approaches, spiritual and literary, bibliographical and critical, across the Middle Ages to the Protestant Reformation and beyond. Topics addressed include the Wycliffite Bible; the Assumption of the Virgin as represented in medieval English culture; Nicholas Love and Reginald Pecock; and the survival of latemedieval piety in early modern England. LAURA ASHE is Professor of English Literature and Tutorial Fellow, Worcester College, Oxford; RALPH HANNA is Professor of Palaeography (emeritus), Keble College, Oxford. Contributors: Tamara Atkin, James Carley, Alexandra da Costa, Anne Hudson, Ian Johnson, Daniel Orton, Susan Powell, Denis Renevey, Michael G. Sargent, Annie Sutherland, Nicholas Watson, Barry Windeatt.

These studies of the theory and practice of translation in the middle ages show a wide range of translational practices, on texts which range from anonymous Middle English romances and Biblical commentaries to the writings of Usk, Chaucer and Malory. Included among them is a paper on a hitherto unknown woman translator, Dame Eleanor Hull; a paper which compares a draft translation with its fair copy to show how its translator worked; a paper which shows how the mystic Rolle sought to 'translate' his heightened spiritual experiences into words; and so on. In a medieval translation the general priority of meaning over form and style enabled, even obliged, the translator to act more like an author than like a scribe. Consequently, the study of medieval translation throws important light on contemporary, attitudes to, and understandings of, fundamental literary questions: for example, and most importantly, that of the role of the author.

Geoffrey Chaucer is widely acknowledged as the greatest English poet of the Middle Ages. His texts are studied extensively but, in order to be fully appreciated, they demand a nuanced understanding of the medieval period. This volume provides freshly illuminated access to Chaucer's writing through an unrivalled repertoire of contextual information and perspectives designed to enhance the independence and critical capacities of his modern readers. The featured essays are written not only by distinguished literary scholars but also by leading international historians. Geoffrey Chaucer in Context is an essential reference tool for anyone studying Chaucer and will help readers to identify his different voices and engage with the complexity and colour of his times with new awareness.

San Francisco based artist Ian Johnson has been busy since his 2008 monograph Beauty is a Rare Thing. Six solo shows and a group exhibition later, his work has evolved while remaining jarringly cool and full of life. This new book from Paper Museum Press presents new paintings and drawings by Johnson in his signature style: portraits of jazz musicians from the '40s, '50s, and '60s produced using gouache, acrylic, or pen on paper or wood panel. Johnson combines abstract backgrounds with figurative representations to create jaw-dropping pieces that succeed at evoking the music of each artist. Creative geometric compositions of space and color unfold to express the tone of each musician's output. Ian Johnson's work has been featured in Juxtapoz and Jazz Colours and he has created illustrations for The New York Times, San Francisco Chronicle, Wax Poetics, and The New Yorker.

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars, and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicizing literature, followed by explanations of medieval views on literary imagination and memory, and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

This is the first-ever history of the literary theory and criticism produced during the Middle Ages that covers all the main traditions in Latin, the major European vernaculars and Byzantine Greek. Starting with the study of grammar and the formal 'arts' of poetry, letter-writing and preaching, it proceeds to offer a full description of the Latin commentary tradition on classical and classicising literature, followed by explanations of medieval views on literary imagination and memory and the ways in which certain texts were believed to achieve moral profit through pleasure. Subsequent essays explore the diverse theoretical and critical traditions which developed in the vernacular languages, ranging from Medieval Irish to Old Norse, Occitan to Middle High German, concentrating particularly on Dante and his commentators and Italian humanist criticism. The volume concludes with an examination of the attitudes to literature and its uses in Greek Byzantium.

Geoffrey Chaucer is widely acknowledged as the greatest English poet of the Middle Ages. His texts are studied extensively but, in order to be fully appreciated, they demand a nuanced understanding of the medieval period. This volume provides freshly illuminated access to Chaucer's writing through an unrivalled repertoire of contextual information and perspectives designed to enhance the independence and critical capacities of his modern readers. The featured essays are written not only by distinguished literary scholars but also by leading international historians. Geoffrey Chaucer in Context is an essential reference tool for anyone studying Chaucer and will help readers to identify his different voices and engage with the complexity and colour of his times with new awareness.

In Wild Grass, Pulitzer Prize--winning journalist Ian Johnson tells the stories of three ordinary Chinese citizens moved to extraordinary acts of courage: a peasant legal clerk who filed a class-action suit on behalf of overtaxed farmers, a young architect who defended the rights of dispossessed homeowners, and a bereaved woman who tried to find out why her elderly mother had been beaten to death in police custody. Representing the first cracks in the otherwise seamless facade of Communist Party control, these small acts of resistance demonstrate the unconquerable power of the human conscience and prophesy an increasingly open political future for China.

This book is an inspiring and historical look at the amazing life of Francis Xavier, missionary and pioneer to India, Sri Lanka, Malacca, Indonesia, the Islands of the Philippines and Japan. which includes a challenge to us to return to the supernatural ministry of Christ as outworked in ordinary men and women of God. In the brief years between 1541 and his death in 1552 Francis saw hundreds of thousands turn to Jesus; the miracles that followed his preaching of the gospel, included twenty eight people recorded as being raised from the dead and countless healings, and unusual signs and wonders, just like the book of Acts. King John 3rd of Portugal was the sender who mostly financed Francis mission, Francis was the one who went and encouraged countless hundreds of others to do the same. My hope is that this book will inspire your heart to the supernatural mission of the body of Christ, either as someone who goes, or as someone who sends. There are still millions who wait for the next Francis Xavier and you carry the same Holy Spirit as Francis did. May this book inspire you in your supernatural journey with Christ.

This manageable guide sets out to answer what harvesting and threshing equipment is available, what are the main characteristics of types of equipment and where can you go for more information and supply.

'Illuminating ... Johnson has not only lifted a corner of the curtain which covers China's reality beyond its glittering eastern cities; he has drawn the whole curtain' The Times Literary Supplement In Wild Grass, Pulitzer Prize-winning Ian Johnson describes a China caught between the desire for change percolating up from below and the ossified political structure above. He recounts the stories of three ordinary people who find themselves finding oppression and government corruption, risking imprisonment and even death. A young architecture student, a bereaved daughter, and a peasant legal clerk are the unlikely heroes of these stories, private citizens cast by unexpected circumstances into surprising roles.

The success, failure and revival of Barry Town is a story that needs to be told. Few clubs have risen so high – facing Dynamo Kiev and FC Porto in the Champions League – and then sunk so low – going into administration, relegated and eventually withdrawn from football altogether – before being brought back to life by loyal fans who even had to take the Football Association of Wales to court in order to play. Following the club over 25 years, starting with the 1993-94 season when they beat Cardiff City to win the Welsh Cup, Unbelievable Barry Town covers the club’s golden decade where they won the Welsh Premier seven times, through the years of playing as an amateur team under controversial owner Stuart Lovering, until the fans were able to take over and turn the club around to once again play in Europe in 2019.

'Masterfully opens up a little explored realm: how the quest for religion and spirituality drives hundreds of millions of Chinese' Pankaj Mishra 'A fascinating odyssey ... a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism' Julia Lovell, Guardian 'The reappearance and flourishing of religion is perhaps the most surprising aspect of the dramatic changes in China in recent decades...this is a beautiful, moving and insightful book' Michael Szonyi In no society on Earth was there such a ferocious attempt to eradicate all trace of religion as in modern China. But now, following a century of violent antireligious campaigns, China is awash with new temples, churches, and mosques - as well as cults, sects, and politicians trying to harness religion for their own ends. Driving this explosion of faith is uncertainty - over what it means to be Chinese, and how to live an ethical life in a country that discarded traditional morality and is still searching for new guideposts. The Souls of China is the result of some fifteen years of studying and travelling around China. The message of Ian Johnson's extraordinary book is that China is now experiencing a 'Great Awakening' on a vast scale. Everywhere long-suppressed religions are rebuilding, often in new forms, and reshaping the values and behaviours of entire communities. Ian Johnson is as happy explaining the wonders of the lunar calendar as talking to the yinyang man who ensures proper burials. He visits meditation masters and the charismatic head of a Chengdu church. The result is a rich and funny work that challenges conventional wisdom about China. Xi Jinping, China's current leader, has put a return to morality and Chinese tradition at the heart of his ideas for his country - but, Johnson asks, at what point will the rapid spread of belief form an unmanageable challenge to the Party's monopoly on power?