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This book presents a wide variety of insights into the effects of
smoking on both smokers and non-smokers. Based on extensive
questionnaire surveys from across the USA, this research explores
the complex dynamics of intimate relationships and how they are
affected by smoking, especially with regard to honest
communication. The volume delves into the battles which take place
behind closed doors as both smokers and non-smokers invoke personal
rights and argue their positions. Finally, the authors explore how
health policy and public policy can better serve both smokers and
non-smokers, and what the future may hold for the regulation of
tobacco use.
This book presents a wide variety of insights into the effects of
smoking on both smokers and non-smokers. Based on extensive
questionnaire surveys from across the USA, this research explores
the complex dynamics of intimate relationships and how they are
affected by smoking, especially with regard to honest
communication. The volume delves into the battles which take place
behind closed doors as both smokers and non-smokers invoke personal
rights and argue their positions. Finally, the authors explore how
health policy and public policy can better serve both smokers and
non-smokers, and what the future may hold for the regulation of
tobacco use.
The tavern is widely acknowledged as central to the cultural and
political life of Britain, yet widely misunderstood. Ian Newman
provides the first sustained account of one of the primary
institutions of the late eighteenth-century public sphere. The
tavern was a venue not only for serious political and literary
debate, but also for physical pleasure - the ludic, libidinal and
gastronomic enjoyments with which late Georgian public life was
inextricably entwined. This study focuses on the architecture of
taverns and the people who frequented them, as well as the artistic
forms - drinking songs, ballads, Anacreontic poetry, and toasting -
with which the tavern was associated. By examining the culture of
conviviality that emerged alongside other new forms of sociability
in the second half of the eighteenth century, The Romantic Tavern
argues for the importance of conviviality as a complex new form of
sociability shaped by masculine political gathering and mixed
company entertainments.
The tavern is widely acknowledged as central to the cultural and
political life of Britain, yet widely misunderstood. Ian Newman
provides the first sustained account of one of the primary
institutions of the late eighteenth-century public sphere. The
tavern was a venue not only for serious political and literary
debate, but also for physical pleasure - the ludic, libidinal and
gastronomic enjoyments with which late Georgian public life was
inextricably entwined. This study focuses on the architecture of
taverns and the people who frequented them, as well as the artistic
forms - drinking songs, ballads, Anacreontic poetry, and toasting -
with which the tavern was associated. By examining the culture of
conviviality that emerged alongside other new forms of sociability
in the second half of the eighteenth century, The Romantic Tavern
argues for the importance of conviviality as a complex new form of
sociability shaped by masculine political gathering and mixed
company entertainments.
Charles Dibdin (1745-1814) was one of the most popular and
influential creative forces in late Georgian Britain, producing a
diversity of works that defy simple categorisation. He was an
actor, lyricist, composer, singer-songwriter, comedian,
theatre-manager, journalist, artist, music tutor, speculator, and
author of novels, historical works, polemical pamphlets, and guides
to musical education. This collection of essays illuminates the
social and cultural conditions that made such a varied career
possible, offering fresh insights into previously unexplored
aspects of late Georgian culture, society, and politics. Tracing
the transitions in the cultural economy from an eighteenth-century
system of miscellany to a nineteenth-century regime of
specialisation, Charles Dibdin and Late Georgian Culture
illustrates the variety of Dibdin's cultural output as
characteristic of late eighteenth-century entertainment, while also
addressing the challenge mounted by a growing preoccupation with
specialisation in the early nineteenth century. The chapters,
written by some of the leading experts in their individual
disciplines, examine Dibdin's extraordinarily wide-ranging career,
spanning cultural spaces from the theatres at Drury Lane and Covent
Garden, through Ranelagh Gardens, Sadler's Wells, and the Royal
Circus, to singing on board ships and in elegant Regency parlours;
from broadside ballads and graphic satires, to newspaper
journalism, mezzotint etchings, painting, and decorative pottery.
Together they demonstrate connections between forms of cultural
production that have often been treated as distinct, and provide a
model for a more integrated approach to the fabric of late Georgian
cultural production.
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