This book presents a wide variety of insights into the effects of smoking on both smokers and non-smokers. Based on extensive questionnaire surveys from across the USA, this research explores the complex dynamics of intimate relationships and how they are affected by smoking, especially with regard to honest communication. The volume delves into the battles which take place behind closed doors as both smokers and non-smokers invoke personal rights and argue their positions. Finally, the authors explore how health policy and public policy can better serve both smokers and non-smokers, and what the future may hold for the regulation of tobacco use.

The tavern is widely acknowledged as central to the cultural and political life of Britain, yet widely misunderstood. Ian Newman provides the first sustained account of one of the primary institutions of the late eighteenth-century public sphere. The tavern was a venue not only for serious political and literary debate, but also for physical pleasure - the ludic, libidinal and gastronomic enjoyments with which late Georgian public life was inextricably entwined. This study focuses on the architecture of taverns and the people who frequented them, as well as the artistic forms - drinking songs, ballads, Anacreontic poetry, and toasting - with which the tavern was associated. By examining the culture of conviviality that emerged alongside other new forms of sociability in the second half of the eighteenth century, The Romantic Tavern argues for the importance of conviviality as a complex new form of sociability shaped by masculine political gathering and mixed company entertainments.

This book presents a wide variety of insights into the effects of smoking on both smokers and non-smokers. Based on extensive questionnaire surveys from across the USA, this research explores the complex dynamics of intimate relationships and how they are affected by smoking, especially with regard to honest communication. The volume delves into the battles which take place behind closed doors as both smokers and non-smokers invoke personal rights and argue their positions. Finally, the authors explore how health policy and public policy can better serve both smokers and non-smokers, and what the future may hold for the regulation of tobacco use.

The tavern is widely acknowledged as central to the cultural and political life of Britain, yet widely misunderstood. Ian Newman provides the first sustained account of one of the primary institutions of the late eighteenth-century public sphere. The tavern was a venue not only for serious political and literary debate, but also for physical pleasure - the ludic, libidinal and gastronomic enjoyments with which late Georgian public life was inextricably entwined. This study focuses on the architecture of taverns and the people who frequented them, as well as the artistic forms - drinking songs, ballads, Anacreontic poetry, and toasting - with which the tavern was associated. By examining the culture of conviviality that emerged alongside other new forms of sociability in the second half of the eighteenth century, The Romantic Tavern argues for the importance of conviviality as a complex new form of sociability shaped by masculine political gathering and mixed company entertainments.

Charles Macklin (1699?-1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 - no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love a la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors' rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit - and thrill - of restaging Macklin's work in the twenty-first century.