No area of ancient Greek literature has been more studied over the last few decades than "lyric poetry", which conventionally includes poetry sung by choruses or soloists accompanied by the lyre or aulos (flute). Besides its literary significance, lyric poetry is also a major resource for understanding the culture and history of Archaic Greece, especially the seventh and sixth centuries BC. This volume brings together eighteen of the best and most influential essays to be published on lyric poetry over the last four decades, three of which are here translated into English for the first time. Authored by experts on Greek lyric poetry from the UK, Europe, and the USA - including Gregory Nagy, Claude Calame, and Malcolm Davies, among several others - the papers cover a wide range of general themes, ranging from studies of genre and the poetic persona to performance and interpretation, and also offer illuminating case studies of individual poets, from Alcman and Alkaios to Sappho and Simonides. Collated here in a single volume and prefaced by a thorough and up-to-date synoptic introduction by the volume editor, himself a recognised authority on the subject, the plurality of critical voices and perspectives offers both scholars and students an accessible yet comprehensive and insightful overview of the field.

This volume brings together studies on Greek animal sacrifice by foremost experts in Greek language, literature and material culture. Readers will benefit from the synthesis of new evidence and approaches with a re-evaluation of twentieth-century theories on sacrifice. The chapters range across the whole of antiquity and go beyond the Greek world to consider possible influences in Hittite Anatolia and Egypt, while an introduction to the burgeoning science of osteo-archaeology is provided. The twentieth-century emphasis on sacrifice as part of the Classical Greek polis system is challenged through consideration of various ancient perspectives on sacrifice as distinct from specific political or even Greek contexts. Many previously unexplored topics are covered, particularly the type of animals sacrificed and the spectrum of sacrificial ritual, from libations to lasting memorials of the ritual in art.

For at least a thousand years Greek cities took part in religious activities outside their territory by sending sacred delegates to represent them. The delegates are usually called theoroi, literally 'observers', and a delegation made up of theoroi, or the action of taking part in one, is called theoria. This is the first comprehensive study of theoroi and theoria. It examines a number of key functions of theoroi and explains who served in this role and what their activities are likely to have been, both on the journey and at the sanctuary. Other chapters discuss the diplomatic functions of theoroi, and what their activities tell us about the origins of the notion of Greek identity and about religious networks. Chapters are also devoted to the reception of the notion of theoria in Greek philosophy and literature. The book will be essential for all scholars and advanced students of ancient religion.

This volume brings together studies on Greek animal sacrifice by foremost experts in Greek language, literature and material culture. Readers will benefit from the synthesis of new evidence and approaches with a re-evaluation of twentieth-century theories on sacrifice. The chapters range across the whole of antiquity and go beyond the Greek world to consider possible influences in Hittite Anatolia and Egypt, while an introduction to the burgeoning science of osteo-archaeology is provided. The twentieth-century emphasis on sacrifice as part of the Classical Greek polis system is challenged through consideration of various ancient perspectives on sacrifice as distinct from specific political or even Greek contexts. Many previously unexplored topics are covered, particularly the type of animals sacrificed and the spectrum of sacrificial ritual, from libations to lasting memorials of the ritual in art.

For at least a thousand years Greek cities took part in religious activities outside their territory by sending sacred delegates to represent them. The delegates are usually called theoroi, literally 'observers', and a delegation made up of theoroi, or the action of taking part in one, is called theoria. This is the first comprehensive study of theoroi and theoria. It examines a number of key functions of theoroi and explains who served in this role and what their activities are likely to have been, both on the journey and at the sanctuary. Other chapters discuss the diplomatic functions of theoroi, and what their activities tell us about the origins of the notion of Greek identity and about religious networks. Chapters are also devoted to the reception of the notion of theoria in Greek philosophy and literature. The book will be essential for all scholars and advanced students of ancient religion.

Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.

Although recent scholarship has focused on the city-state as the context for the production of Greek poetry, for poets and performers travel was more the norm than the exception. This book traces this central aspect of ancient culture from its roots in the near Eastern societies which preceded the Greeks, through the way in which early semi-mythical figures such as Orpheus were imagined, the poets who travelled to the brilliant courts of archaic tyrants, and on into the fluid mobility of imperial and late antique culture. The emphasis is both on why poets travelled, and on how local communities used the skills of these outsiders for their own purposes. Wandering poets are also set within the wider context of ancient networks of exchange, patronage and affiliation between communities and are seen as one particularly powerful manifestation of a feature of ancient life which is too often overlooked.

This book presents a range of case-studies of pilgrimage in Graeco-Roman antiquity, drawing on a wide variety of evidence. It rejects the usual reluctance to accept the category of pilgrimage in pagan polytheism and affirms the significance of sacred mobility not only as an important factor in understanding ancient religion and its topographies but also as vitally ancestral to later Christian practice.

The purpose of this study is to explore the relationship between literature and stylistic theory in the Antonine Age. The literature is the prose literature of the Second Sophistic and the stylistic theory is the so-called idea-theory set out in the Peri Ideon of Hermogenes of Tarsus, as well as two anonymous works: the Peri Politikou Logou and the Peri Aphelous Logou. The author discusses the relationship between idea-theory and sophistic declamation, the relative value attributed to prose and poetry, attitudes towards Xenophon and Demosthenes, and the reputation of Aelius Aristides. He concludes that the links between literary theory and literary practice are greater than previously imagined. A translation of the anonymous Peri Aphelous Logou (`On Plain Language') is included as an appendix. This has not previously been translated although it is the major source for the reception of Xenoephon in this period.

This book presents a range of case-studies of pilgrimage in Graeco-Roman antiquity, drawing on a wide variety of evidence. It rejects the usual reluctance to accept the category of pilgrimage in pagan polytheism and affirms the significance of sacred mobility not only as an important factor in understanding ancient religion and its topographies but also as vitally ancestral to later Christian practice.

This is the first full scholarly edition of the paeans, or sacred hymns to Apollo, written by the famous classical poet Pindar. They are the most celebrated examples of a genre which once held a central place in the song-dance culture of classical Greece - a unique and haunting legacy of both early classical poetry and ancient religion. Some fragments of these poems were first published within just the last five years.