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This book examines the dynamics of the relational and spatial
politics of contemporary French theatrical production, with a focus
on four theatres in the Greater Paris region. It situates these
dynamics within the intersection of the histories of the public
theatre and theatre decentralization in France, and the dialogues
between live performances and the larger frameworks of artistic
direction and programming as well as various imaginations of the
"public". Understanding these phenomena, as well as the politics
that underscore them, is key to understanding not only the present
status of the public theatre in France, but also how theatre as a
publicly funded institution interacts with the notion of the
plurality, rather than the homogeneity, of its publics.
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