Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The ill-fated Queen of France
In popular memory some historical figures, Richard III and George Armstrong Custer among them, are fated to be forever viewed negatively. Some act or phrase-often of dubious veracity-adheres and subordinates all else concerning them. Marie Antoinette, wife of Louis XVI, an Austrian princess was lucklessly doomed to be married to a King of France as the monarchy was about to be bloodily sliced away by a peoples revolution and courtesy of Monsieur Guillotine's ingenious invention. Allegedly upon hearing that the poor had no bread, she callously commented, 'Let them eat cake' and so every school child (if secretly) thought she deserved all that came her way. Predictably the truth bears closer examination-in fact that phrase was in print in France long before young Marie Antoinette set foot in the country. In truth, her honeymoon period with the French people was short lived and she became victim to all manner of rumours and accusations throughout most of her reign. Nevertheless, she was a liberalising influence on the King and court, was interested in arts and sciences and in difficult times demonstrated more political judgement and leadership than her vacillating husband. As tensions mounted in France she calmly continued with her civic and charitable responsibilities. This is a fascinating account of the fall of the Bourbon monarchy from the Queen's perspective-a good, intelligent person in the wrong place at the wrong time. Available in softcover and hardback with dust jacket.

The agony of Napoleon's family as Empire ends
This is a riveting book. Those interested in-and to some degree knowledgeable about-the Napoleonic age know of the Emperor's inspired military prowess as he fought, with ever diminishing resources, to avert defeat at the hands of the advancing imperial forces within the France of 1814. History, perhaps justifiably, has concentrated on the great man, his politics and military manoeuvres. Meanwhile, in Paris, his wife, the Empress Marie-Louise of Austria and her infant son, the King of Rome, heir to the Imperial throne, lived in anguish as it seemed their lives were about to be overturned, wrenched from the most elevated positions in Europe and imminently torn down and apart. This book charts the inexorable progress of these momentous events within a world far removed from the sharp end of the struggle. The text also chronicles the military campaign as it drew closer towards the battle for Paris itself and to the imperial family within its defences. The end inevitably came and the Empress now found herself in the forefront of events and forced to flee with her child into a hostile night and country filled with enemies. These events and those that followed make vital reading and complete the picture of Napoleon's downfall from the most intimate of perspectives.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Cette uvre (edition relie) fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou uniquement disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.