This volume explores contemporary French women's writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as "French feminism". With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Helene Cixous and others became internationally recognised for their work, at a time when the women's movement was also a driving force for social change. Taking its cue from Les Femmes s'entetent, a multi-authored analysis of the situation of women and a celebration of women's creativity, this collection offers new readings of Monique Wittig, Emma Santos and Helene Cixous, followed by essays on Nina Bouraoui, Michele Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women's writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work.

This volume is based on papers given at the biennial Women in French conference held in Leeds in May 2011. Drawing on a range of interconnecting disciplines and forms of cultural production, it explores the relationship between French and Francophone women and the material world. Bringing together researchers from the United Kingdom, France and other Francophone countries, the book reflects the engagement of women researchers with contemporary debates. The first section focuses on the female body, examining dance and the performing arts but also the material objectification suffered by rape victims in France. The next highlights the contradictions of the im/materiality of the body, the act of writing and the text, in terms of dichotomies, permeable identities and fluid boundaries. The third section turns its attention to the practicalities of 'the material' in relation to women's engagement with the economy - the gendering of domestic work, women's discourse, the precariousness of women's employment and the alienating impersonality of consumer spaces. The concluding section considers the relationship of the female body to the material object, whether subverting, co-opting or indeed absorbing it. In the final chapters of the book the tactile and the visual converge in explorations of 'the material' in cinematic representations of the female body.