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Showing 1 - 4 of 4 matches in All Departments
The third part of Ingmar Bergman's trilogy of faith (the others are 'Winter Light' in 1961 and 'Through the Glass Lightly' in 1963). The relationship of two sisters Ester (Ingrid Thulin) and Anna (Gunnel Lindblom) reaches breaking point when they arrive in a strange country and stay in a large hotel, empty but for a troupe of dwarf entertainers. Ester is suffering from a terminal disease and has become overly protective of Anna and, to escape, Anna goes out to find a man and ends up bringing back a waiter to her room. This then proceeds to both arouse and anger Ester culminating in a bitter and violent argument between the sisters.
Director's cut of Tinto Brass's controversial and notorious erotic classic. Set in Berlin in 1939, as the Nazi dictatorship marches inexorably towards war, SS officer Helmut Wallenburg (Helmut Berger) is commanded to establish a brothel catering to the Nazi elite. Wallenburg diligently selects and trains 20 young Aryan women committed to the ideals of National Socialism and prepared to degrade themselves for their masters, setting the scene for an exercise in debauchery and corruption that parallels de Sade's 'One Hundred and Twenty Days of Sodom', and reflects the growing violence and depravity of the Nazi regime.
Ingmar Bergman's highly influencial philosophical roadmovie. 'Wild Strawberries' charts the journey of aged Professor Isak Borg (Victor Sjostrom) as he travels by car to his old alma mater, where he is to receive an honorary degree. Accompanied by his daughter-in-law, Marianne (Ingrid Thulin) who is travelling to meet her estranged husband, the Professor finds himself the subject of unsettling visions from his past, recalling lost loves and his own failed marriage. As the pair are interrupted by a youthful love triangle and a feuding older couple Isak is forced to confront his own coldness, and the possibility that his life has been wasted.
Ingmar Bergman's drama-about-a-drama, originally made for Swedish television in 1969, asks questions about obscenity, censorship and the role of the artist. Three actors from a theatre troupe that has had its latest production, 'The Rite', banned after being charged with obscenity are each interrogated privately by a provincial magistrate. The trio are incestuously involved: Thea (Ingrid Thulin) is married to Hans (Gunnar Björnstrand) but is having an affair with Sebastian (Anders Ek), who killed her former husband in a crime of passion. The judge, playing on the insecurities and vanity of the three actors, brings to light their deepest, darkest secrets. Bergman deliberately does not reveal the obscene nature of the troupe's production, leaving the viewer to imagine for themselves what they consider obscenity to be.
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