In spite of Islam's long history in Europe and the growing number of Muslims resident in Europe, little research exists on Muslim pilgrimage in Europe. This collection of eleven chapters is the first systematic attempt to fill this lacuna in an emerging research field. Placing the pilgrims' practices and experiences centre stage, scholars from history, anthropology, religious studies, sociology, and art history examine historical and contemporary hajj and non-hajj pilgrimage to sites outside and within Europe. Sources include online travelogues, ethnographic data, biographic information, and material and performative culture. The interlocutors are European-born Muslims, converts to Islam, and Muslim migrants to Europe, in addition to people who identify themselves with other faiths. Most interlocutors reside in Albania, Bosnia-Hercegovina, Italy, France, the Netherlands, Great Britain, and Norway. This book identifies four courses of developments: Muslims resident in Europe continue to travel to Mecca and Medina, and to visit shrine sites located elsewhere in the Middle East and North Africa. Secondly, there is a revival of pilgrimage to old pilgrimage sites in South-eastern Europe. Thirdly, new Muslim pilgrimage sites and practices are being established in Western Europe. Fourthly, Muslims visit long-established Christian pilgrimage sites in Europe. These practices point to processes of continuity, revitalization, and innovation in the practice of Muslim pilgrimage in Europe. Linked to changing sectarian, political, and economic circumstances, pilgrimage sites are dynamic places of intra-religious as well as inter-religious conflict and collaboration, while pilgrimage experiences in multiple ways also transform the individual and affect the home-community.

In spite of Islam's long history in Europe and the growing number of Muslims resident in Europe, little research exists on Muslim pilgrimage in Europe. This collection of eleven chapters is the first systematic attempt to fill this lacuna in an emerging research field. Placing the pilgrims' practices and experiences centre stage, scholars from history, anthropology, religious studies, sociology, and art history examine historical and contemporary hajj and non-hajj pilgrimage to sites outside and within Europe. Sources include online travelogues, ethnographic data, biographic information, and material and performative culture. The interlocutors are European-born Muslims, converts to Islam, and Muslim migrants to Europe, in addition to people who identify themselves with other faiths. Most interlocutors reside in Albania, Bosnia-Hercegovina, Italy, France, the Netherlands, Great Britain, and Norway. This book identifies four courses of developments: Muslims resident in Europe continue to travel to Mecca and Medina, and to visit shrine sites located elsewhere in the Middle East and North Africa. Secondly, there is a revival of pilgrimage to old pilgrimage sites in South-eastern Europe. Thirdly, new Muslim pilgrimage sites and practices are being established in Western Europe. Fourthly, Muslims visit long-established Christian pilgrimage sites in Europe. These practices point to processes of continuity, revitalization, and innovation in the practice of Muslim pilgrimage in Europe. Linked to changing sectarian, political, and economic circumstances, pilgrimage sites are dynamic places of intra-religious as well as inter-religious conflict and collaboration, while pilgrimage experiences in multiple ways also transform the individual and affect the home-community.

This book is a unique study which offers new perspectives on contemporary Islamic iconography and the use of imageries in ritual contexts. The representation of prophets and saints in Islam is erroneously considered nonexistent by many scholars of Islam, Muslims, and the general public. The issue is often dealt with superficially without attention to its deep roots in piety and religiosity. "Visualizing Belief and Piety in Iranian Shiism" offers new understanding of Islamic iconography and Muslim perspectives on the use of imageries in ritual contexts and devotional life. Combining iconographic and ethnographic approaches, Ingvild Flaskerud introduces and analyzes imageries (tile-paintings, posters and wall-hangings), ritual contexts and interviews with male and female local viewers to discuss the representation, reception and function of imageries in contemporary Iranian Shia environments. This book presents the argument that images and decorative programmes have stimulating qualities to mentally evoke the saints in the minds of devotees and inspire their recollection, transforming emotions and stimulating cultic behaviours. Visualization and seeing are significant to the dissemination of religious knowledge, the understanding of spiritual and ethical values, the promotion of personal piety, and functions as modes of venerating God and the saints.

The complicated link between women and religion in the Middle East has been a source of debate for centuries, and has special resonance today. Whether religion reinforces female oppression or provides opportunities for women - or a combination of both - depends on time, place and circumstance. This book seeks to contextualize women's roles within their religious traditions rather than through the lens of a dominant culture. Gender, Religion and Change in the Middle East crosses boundaries and borders, and will appeal to a global audience.This book provides a comprehensive survey of women in Muslim, Jewish and Christian communities in the Middle East during the last two centuries. The authors consider women's defined roles within these religious communities, as well as exploring how women themselves develop and apply their own strategies within religious societies. The wide-ranging accounts draw on case studies from Iran, Turkey, Afghanistan, Israel, Jordan, Egypt, Palestine and Lebanon since 1800. Throughout, the authors challenge our understanding of patriarchy to offer a more nuanced account.Taking a balanced look at the issues of religion, gender and change in the Middle East, this unique interdisciplinary study gives new insight to the theme of women and religion in the Middle East.

The complicated link between women and religion in the Middle East has been a source of debate for centuries, and has special resonance today. Whether religion reinforces female oppression or provides opportunities for women - or a combination of both - depends on time, place and circumstance. This book seeks to contextualize women's roles within their religious traditions rather than through the lens of a dominant culture. Gender, Religion and Change in the Middle East crosses boundaries and borders, and will appeal to a global audience.This book provides a comprehensive survey of women in Muslim, Jewish and Christian communities in the Middle East during the last two centuries. The authors consider women's defined roles within these religious communities, as well as exploring how women themselves develop and apply their own strategies within religious societies. The wide-ranging accounts draw on case studies from Iran, Turkey, Afghanistan, Israel, Jordan, Egypt, Palestine and Lebanon since 1800. Throughout, the authors challenge our understanding of patriarchy to offer a more nuanced account.Taking a balanced look at the issues of religion, gender and change in the Middle East, this unique interdisciplinary study gives new insight to the theme of women and religion in the Middle East.

The representation of prophets and saints in Islam is erroneously considered nonexistent by many scholars of Islam, Muslims, and the general public. The issue is often dealt with superficially without attention to its deep roots in piety and religiosity. Visualizing Belief and Piety in Iranian Shiism offers new understanding of Islamic iconography and Muslim perspectives on the use of imageries in ritual contexts and devotional life. Combining iconographic and ethnographic approaches, Ingvild Flaskerud introduces and analyzes imageries (tile-paintings, posters and wall-hangings), ritual contexts and interviews with male and female local viewers to discuss the representation, reception and function of imageries in contemporary Iranian Shia environments. This book presents the argument that images and decorative programmes have stimulating qualities to mentally evoke the saints in the minds of devotees and inspire their recollection, transforming emotions and stimulating cultic behaviours. Visualization and seeing are significant to the dissemination of religious knowledge, the understanding of spiritual and ethical values, the promotion of personal piety, and functions as modes of venerating God and the saints.