Richard Mervyn narrates this three-volume documentary set about the history of Britain, featuring a number of aerial shots. 'Britain at Work' explores Britain's industrial heritage and covers topics such as farming, trade, transport, factories and the modern-day office. 'Building Britain' examines the history of British architecture. Among other buildings, the programme features Roman villas, medieval manors and 20th century tower blocks and also discusses the work of Sir Christopher Wren, Sir John Vanbrugh, Robert Adam, Inigo Jones and William Morris. Finally, 'Spiritual Britain' looks at religious practices in Britain through the ages and investigates sites of worship from stone circles to cathedrals.

This Is A New Release Of The Original 1655 Edition.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT116217Engraved throughout. The designs are principally by Jones and William Kent, with one each by Lord Burlington and Isaac Ware. London, 1733]. 8]p., plates; 4

1655. This discourse of Stonehenge is molded off and cast into rude form from some few undigested notes of the late judicious Architect, Inigo Jones. That so venerable an antiquity might not perish, but the world made beholding to him for restoring it to light encouraged this treatise. Due to the age and scarcity of the original we reproduced, some pages may be spotty, faded or difficult to read. Written in Old English.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

1655. This discourse of Stonehenge is molded off and cast into rude form from some few undigested notes of the late judicious Architect, Inigo Jones. That so venerable an antiquity might not perish, but the world made beholding to him for restoring it to light encouraged this treatise. Due to the age and scarcity of the original we reproduced, some pages may be spotty, faded or difficult to read. Written in Old English.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT041440In: 'The most notable antiquity of Great Britain, vulgarly called Stone-Heng: .. To which are added, The Chorea Gigantum, .. by Doctor Charleton; and Mr. Webb's Vindication of Stone-Heng restored, ..', 1725. Printer suggested by colophon to the collectioLondon: printed by James Bettenham?] for D. Browne junior, and J. Woodman and D. Lyon, 1725. 4],72p., plates; 2

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.