From Asia to Africa to the Middle East, #MeToo has inspired local movements and hashtag trends like #AnaKaman and transnational collective hashtags like #MosqueMeToo. Yet, most Western scholarly and popular treatment of the movement assumes it is a primarily Western phenomenon. To attend to the revolutionary international impact of #MeToo, Iqra Shagufta Cheema brings together contributions from scholars and scholar activists that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries in the Global South. Going beyond gender, this comprehensive study focuses on the intersectional assemblage of ethnicity, religion, race, class, and politics that informs #MeToo and its place in local and transnational feminisms. By doing so, The Other #MeToos highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to explore its wider scope and possibilities.

From Asia to Africa to the Middle East, #MeToo has inspired local movements and hashtag trends like #AnaKaman and transnational collective hashtags like #MosqueMeToo. Yet, most Western scholarly and popular treatment of the movement assumes it is a primarily Western phenomenon. To attend to the revolutionary international impact of #MeToo, Iqra Shagufta Cheema brings together contributions from scholars and scholar activists that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries in the Global South. Going beyond gender, this comprehensive study focuses on the intersectional assemblage of ethnicity, religion, race, class, and politics that informs #MeToo and its place in local and transnational feminisms. By doing so, The Other #MeToos highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to explore its wider scope and possibilities.

Takes a transnational, feminist approach to the oeuvre of Palestinian director, Annemarie Jacir An entirely different approach to Palestinian film culture, in that the focus on a singular woman filmmaker who works internationally informs our insights into the contemporary Arab world Rejection of the typical Western view that Arab cinema is a cinema of male auteurs, and instead offer a concrete description of a strong Arab woman filmmaker's career Interlace Jacir's contemporary poetic/written, her filmic/visual and her critical/curatorial work with historical and political theory.Focused critical analysis of the visual representation of Palestine in the global perception of place Opens new vistas of discovery and interest into Palestinian film culture and its persistent focus on space and land. With this book, we root our work in the geospatial reality of Palestinian film culture and move towards a deeper understanding of transnationalism, refugeeship, and the power of a global identity Draws attention to Palestinian women directors and their contribution, which often gets lost in the geopolitics Palestinian film culture is unique due to its geopolitical circumstances, including continued colonialism and occupation, and the refugeeship of its citizens. The scholarship on the politics of film and its role in the Israeli-Palestinian conflict including activist work, international solidarity films, and work on Palestinian documentaries is usually defined by historical overviews of geopolitical events and developments. In contrast, this book offers an auteur-focused study of a global artist influenced by but not limited to the political discourse surrounding the Occupied Palestinian Territories. Jacir is a Palestinian woman whose work is recognised globally as innovative, politically challenging, and genre-crossing. The book offers an in-depth study of her films and other works by locating it in a geospatial, sociocultural, and critical theoretical framework. It critically analyses Annemarie Jacir's development as an artist, filmmaker, and curator of film.