Roth and Celebrity is composed of 10 original essays that consider the vexed and ambivalent relationship between Philip Roth and his own celebrity as revealed both in personal interviews as well as in the fiction that spans his publishing history. With its simultaneous interest in American popular culture and the work of the most important living American writer to-date, the collection will hold wide appeal to advanced readers in American studies, literary scholarship, and film.

Roth and Celebrity is composed of 10 original essays that consider the vexed and ambivalent relationship between Philip Roth and his own celebrity as revealed both in personal interviews as well as in the fiction that spans his publishing history. With its simultaneous interest in American popular culture and the work of the most important living American writer to-date, the collection will hold wide appeal to advanced readers in American studies, literary scholarship, and film.

This new biography of famed American novelist Philip Roth offers a full account of his development as a writer. Philip Roth was much more than a Jewish writer from Newark, as this new biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with a number of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award, and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career that spanned almost fifty years, creating 31 works. But beneath the success was illness, angst, and anxiety often masked from his readers. This biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character, and even identity of the man.

As a journalist, historian, and novelist born into a family that included two past Presidents, Henry Adams was forever focused on the experiences and expectations unique to America. A prompt bestseller and Pulitzer Prize-winner, The Education of Henry Adams (1918) recounts his own and his country's development from 1838--the year Adams was born--up to 1905, thus incorporating the Civil War, unprecedented capitalist expansion, and the growth of the United States as a world power. Adams considered the nation both a success and a failure, and this paradox was the very impetus that compelled him to set down his Education--in the pages of which he also voiced a deep skepticism about mankind's ability to control the direction of history. Written with immense wit and irony, reassembling the past while glimpsing at the future, this book wholly expresses what Henry James declared the "complex fate" of being an American. Adams's thoroughly documented vision remains one of the most absorbing American autobiographies ever written.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under review-including such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmes-the critics in this anthology offer groundbreaking studies of subversion as a literary motif. For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Although-or perhaps because-most Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material "in plain sight." While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas.

Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under review-including such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmes-the critics in this anthology offer groundbreaking studies of subversion as a literary motif. For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Although-or perhaps because-most Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material "in plain sight." While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas.

Ezra Pound makes his Penguin Classics debut with this unique selection of his early poems and prose, edited with an introductory essay and notes by Pound expert Ira Nadel. The poetry includes such early masterpieces as "The Seafarer," "Homage to Sextus Propertius," "Hugh Selwyn Mauberley," and the first eight of Pound's incomparable "Cantos." The prose includes a series of articles and critical pieces, with essays on Imagism, Vorticism, Joyce, and the well-known "Chinese Written Character as a Medium for Poetry."First time in Penguin ClassicsIncludes generous selections of Pound's poetry, as well as an assortment of prose

Philip Roth scholars continue to reflect on what Philip Roth's retirement in 2012 means for the landscape of American literature and what his professed disappearance from the public eye in 2014 would mean for the future consideration of his legacy. This collection seeks to answer those questions in a scholarly way. Composed of eleven original essays written by accomplished scholars in the field of Philip Roth Studies, the collection is both relevant and engaging on three levels: it is the first of its kind to offer a scholarly retrospective of Roth's works and career; it considers Roth within the American literary imagination; and it speculates on Roth's legacy-particularly the enduring quality of his novels that will continue to resonate long after his retirement.

Philip Roth scholars continue to reflect on what Philip Roth's retirement in 2012 means for the landscape of American literature and what his professed disappearance from the public eye in 2014 would mean for the future consideration of his legacy. This collection seeks to answer those questions in a scholarly way. Composed of eleven original essays written by accomplished scholars in the field of Philip Roth Studies, the collection is both relevant and engaging on three levels: it is the first of its kind to offer a scholarly retrospective of Roth's works and career; it considers Roth within the American literary imagination; and it speculates on Roth's legacy-particularly the enduring quality of his novels that will continue to resonate long after his retirement.