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Out of Nazi Germany and Trying to Find My Way (Paperback): Irene Matthews Out of Nazi Germany and Trying to Find My Way (Paperback)
Irene Matthews
R309 Discovery Miles 3 090 Ships in 12 - 19 working days

Irene Matthews's autobiography is the story of a young Jewish girl who had the misfortune of growing up in Nazi Germany. Full of the greatest interest, as well as sadness and joy, this is a tale that readers of all ages and backgrounds would find not only entertaining, but also inspiring.A picture is created that is as clear and colourful as one of the vintage colour films that one sees of Germany at this time. We learn how she idolised the Hitler Youth as a child and how, as a schoolgirl, she actually saw Hitler and Mussolini at a parade. A tremendous sense of fear and tension develops as she documents the horrors of the Kristallnacht and her subsequent escape through Aachen and Brussels to a safer life in England. There she experiences great loneliness as a German refugee in wartime England. When she visits Berlin after the fall of the Wall in 1989, the essentially positive character of the book - a strong sense that humanity will always triumph in the end - shines through the epilogue.Affectionate, heart-warming and touching by turns, 'Out of Nazi Germany and Trying to Find my Way' is a frank and poignant collection of memories made even more vivid through a startling recall for detail that is undiminished by time or distance.

Cartucho and My Mother's Hands (Paperback): Nellie Campobello Cartucho and My Mother's Hands (Paperback)
Nellie Campobello; Translated by Doris Meyer, Irene Matthews
R511 Discovery Miles 5 110 Ships in 12 - 19 working days

Nellie Campobello, a prominent Mexican writer and "novelist of the Revolution," played an important role in Mexico's cultural renaissance in the 1920s and early 1930s, along with such writers as Rafael Munoz and Gregorio Lopez y Fuentes and artists Diego Rivera, Orozco, and others. Her two novellas, Cartucho (first published in 1931) and My Mother's Hands (first published as Las manos de Mama in 1938), are autobiographical evocations of a childhood spent amidst the violence and turmoil of the Revolution in Mexico. Campobello's memories of the Revolution in the north of Mexico, where Pancho Villa was a popular hero and a personal friend of her family, show not only the stark realism of Cartucho but also the tender lyricism of My Mother's Hands. They are noteworthy, too, as a first-person account of the female experience in the early years of the Mexican Revolution and unique in their presentation of events from a child's perspective.

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