Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an order of sequestered nuns. A new bell is being installed when suddenly the old bell, a legendary symbol of religion and magic, is rediscovered. And then things begin to change. Meanwhile the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean. Originally published in 1958, this funny, sad, and moving novel is about religion, sex, and the fight between good and evil.

Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything - even God. Throughout her distinguished and prolific writing career, she explored questions of good and bad, myth and morality. The framework for Murdoch's questions - and her own conclusions - can be found in the Sovereignty of Good. The Boston Review hailed these essays as 'her most influential pieces of philosophy'.

For the first time, novelist Iris Murdoch's life in her own words, from girlhood to her last years Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice-her life in her own words. Living on Paper-the first major collection of Murdoch's most compelling and interesting personal letters-gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's life from her days as a schoolgirl to her last years. The result is the most important book about Murdoch in more than a decade. The letters show a great mind at work-struggling with philosophical problems, trying to bring a difficult novel together, exploring spirituality, and responding pointedly to world events. They also reveal her personal life, the subject of much speculation, in all its complexity, especially in letters to lovers or close friends, such as the writers Brigid Brophy, Elias Canetti, and Raymond Queneau, philosophers Michael Oakeshott and Philippa Foot, and mathematician Georg Kreisel. We witness Murdoch's emotional hunger, her tendency to live on the edge of what was socially acceptable, and her irreverence and sharp sense of humor. We also learn how her private life fed into the plots and characters of her novels, despite her claims that they were not drawn from reality. Direct and intimate, these letters bring us closer than ever before to Iris Murdoch as a person, making for an extraordinary reading experience.

Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice--her life in her own words. Living on Paper--the first major collection of Murdoch's most compelling and interesting personal letters--gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's life from her days as a schoolgirl to her last years. The result is the most important book about Murdoch in more than a decade. The letters show a great mind at work--struggling with philosophical problems, trying to bring a difficult novel together, exploring spirituality, and responding pointedly to world events. They also reveal her personal life, the subject of much speculation, in all its complexity, especially in letters to lovers or close friends, such as the writers Brigid Brophy, Elias Canetti, and Raymond Queneau, philosophers Michael Oakeshott and Philippa Foot, and mathematician Georg Kreisel. We witness Murdoch's emotional hunger, her tendency to live on the edge of what was socially acceptable, and her irreverence and sharp sense of humor. We also learn how her private life fed into the plots and characters of her novels, despite her claims that they were not drawn from reality. Direct and intimate, these letters bring us closer than ever before to Iris Murdoch as a person, making for an extraordinary reading experience.

Iris Murdoch was one of the great philosophers and novelists of the twentieth century and The Sovereignty of Good is her most important and enduring philosophical work. She argues that philosophy has focused, mistakenly, on what it is right to do rather than good to be and that only by restoring the notion of 'vision' to moral thinking can this distortion be corrected. This brilliant work shows why Iris Murdoch remains essential reading: a vivid and uncompromising style, a commitment to forceful argument, and a courage to go against the grain. With a foreword by Mary Midgley.

Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything - even God. Throughout her distinguished and prolific writing career, she explored questions of good and bad, myth and morality. The framework for Murdoch's questions - and her own conclusions - can be found in the Sovereignty of Good. The Boston Review hailed these essays as 'her most influential pieces of philosophy'.

Writer Jake Donaghue's adventures in London and Paris include falling in and out of love, kidnapping a canine film star, and trailing a onetime friend.

Best known as the author of twenty-six novels, Iris Murdoch has also made significant contributions to the fields of ethics and aesthetics. Collected here for the first time in one volume are her most influential literary and philosophical essays. Tracing Murdoch's journey to a modern Platonism, this volume includes incisive evaluations of the thought and writings of T. S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Beauvior, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and the role great literature can play in curing the ills of philosophy. Existentialists and Mystics not only illuminates the mysticism and intellectual underpinnings of Murdoch's novels, but confirms her major contributions to twentieth-century thought.

The sea: turbulent and leaden,transparent and opaque,magician and mother... When Cahrles Arrowby,over sixty,a demi god of the theatre- director,playwright and actor - retires from his glittering London world in order to `abjure magic and become a hermit',it is to the sea that he turns. He hopes at least to escape from `the woman' - but unexpectedly meets one whom he loved long ago. His buddhist cousin, James, also arrives. he is menaced by a monster from the deep. Charlesfinds his `solitude' peopled by the drama of his own fantasies and obsessions.

WITH AN INTRODUCTION BY CANDIA MCWILLIAM The Black Prince is both a remarkable thriller and a story about being in love. Bradley Pearson, narrator and hero, is an elderly writer with a 'block'. Finding himself surrounded by predatory friends and relations - his ex-wife, her delinquent brother, a younger, deplorably successful writer, Arnold Baffin, Baffin's restless wife and engaging daughter - Bradley attempts to escape. His failure to do so and its aftermath lead to a violent climax and a most unexpected conclusion.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY DAISY JOHNSON

‘I saw a monster rising from the waves.'

Charles Arrowby has determined to spend the rest of his days in hermit-like contemplation. He buys a mysteriously damp house on the coast, far from the heady world of the theatre where he made his name, and there he swims in the sea, eats revolting meals and writes his memoirs. But then he meets his childhood sweetheart Hartley, and memories of her lovely, younger self crowd in – along with more recent lovers and friends – to disrupt his self-imposed exile. So instead of 'learning to be good', Charles proceeds to demonstrate how very bad he can be.

Winner of the Man Booker Prize 1978.

Montague Small, an obsessive writer of detective thrillers, mourns his lately dead wife, who may or may not have been unfaithful to him. His attempts at meditation are a failure. He detests his fictional detective. His interest in his neighbour's difficulties and his neighbour's wife appear to be his only consolations after all. The neighbour, Blaise Gavender, is an amateur psychotherapist who has seen through himself. Has Blaise the courage to change his life and become an honest man? What is honesty in any case? Blaise's wife Harriet lives for love, love of her husband, love of her son. She if fond of Monty too. Emily McHugh is quite another matter. She too lives for love: for love and justice and revenge, aided and incited by her ambiguous friend Constance Pinn. Emily's son Luca, a very disturbed child, becomes the subject of a tug of war between two possessive women. Edgar Demornay, a distinguished scholar, also blunders into the fray; he adores Monty and falls in love with Monty's women. A deed of violence finally solves many problems. This is a story of different loves; and of how a man may need two women in such a way that he can be happy with neither.

Sacred and profane love are related opposites; the one enjoyed renders the other necessary, so that the ever unsatisfied heart swings constantly to and fro.

Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax and a coda that casts shifting perspectives on all that has preceded.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY SARAH PERRY

‘In this holy community she would play the witch.’

Imber Court is a quiet haven for lost souls, a utopia for those who can neither live in the world, nor out of it. But beneath the gentle daily routines of this community run currents of supressed desire, religious yearning and a legend of disastrous love. Charming, indolent Dora arrives in their midst, and half-unwittingly conjures these submerged things to the surface.

Bruno, dying, obsessed with spiders and preoccupied with death and reconciliation, lies at the center of an intricate spider's web of relationships and passions: Bruno's estranged and grieving son Miles; Danby, Bruno's widowed son-in-law, consoling himself with the Adelaide the maid, one of Murdoch's finest comic creations; creepy Nigel the nurse and his besotted twin Will, fighter of duels.

The flooding Thames bring s about the climax, and all are left changed by love and forgiveness before the old man's death.

This is the story of the comic and yet relentless struggle for survival of Austin Gibson Grey, the accidental man. Austin is one of those people who needs to survive through the destruction of others. The others, in Austin's case, include his successful elder brother, Matthew, and the women who, one after the other, are so touchingly convinced that they can 'save' him. In this latter role we meet Austin's estranged wife, Dorina, a crazed angel, and Austin's far from angelic alcoholic landlady, Mitzi. Other women interest themselves too in Austin's fate, with hilarious and appalling results.

An Accidental Man is a novel of extraordinary scope and variety in which Iris Murdoch's astonishing fertility of mind and unerring narrative skill are most felicitously combined.

A novel about the frightfulness and ruthlessness of being in love
Martin Lynch-Gibson believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional reeducation. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendor at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, "this is nothing to do with happiness."
"A Severed Head" was adapted for a successful stage production in 1963 and was later made into a film starring Claire Bloom, Lee Remick, Richard Attenborough, and Ian Holm.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY CHARLOTTE MENDELSON

‘This is real life, Jake,’ she said. ‘You’d better wake up.’

Jake is clever, lazy and scraping by in London as a hack translator. Jake loves Anna. Anna is an elusive and lovely singer. Anna loves Hugo. Hugo is a fireworks manufacturer turned movie producer and majestic philosopher. Hugo loves Sadie. Sadie is a glossy and dazzling film starlet. Of course, Sadie loves Jake. Then there's Marvellous Mister Mars, the famous hound, who might or might not be Jake's ticket up and out of this mess.

Pat Dumay is a Catholic and an Irish patriot. His relentlessly pious mother pursues her own private war with his stepfather, a man sunk in religious speculation and drink. Pat's English-bred Protestant cousin and rival, Andrew Chase-White, an officer in King Edward's Horse, puzzles out his complex emotions about Ireland and Frances, the girl he loves, against a background of the fear of death, while Frances's father, Christopher Bellman, scholar and cynic, finds love of Ireland a more passionate matter than he had bargained for. Weaving between these tensions and patterns moves Millie Kinnard: fast, feminist, and only just respectable. As rebellion looms nearer, tension mounts in the sombre rain-soaked Dublin streets; and if, in the end, death disperses most of the people, this is felt to be as inevitable as in a Sophoclean play.

Martin Lynch-Gibbon believes he can possess both a beautiful wife and a delightful lover.But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendour at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, 'this is nothing to do with happiness'.

First published in 1961, The Severed Head is regarded is one of Iris Murdoch's most entertaining works. A dark and ferocious comic masterpiece, the novel traces the turbulent emotional journey of Martin Lynch-Gibbon, a smug, well-to-do London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst. In The Sea, the Sea the landscape shifts to the seclusion of an isolated house on the edge of England's North Sea, where Charles Arrowby, a big name in London's glittering theatrical world, has retired to write his memoirs. Arrowby's plans begin to unravel when he meets his first love and becomes haunted by the idea of rekindling his adolescent passion. The Severed Head and Booker prize-winner The Sea, the Sea are two of Iris Murdoch's most accomplished novels, displaying all her talent for combining profundity with playful creativity. Both tragic and comic, brooding and hilarious, they brilliantly reveal how much our lives are governed by the lies we tell ourselves as well as our all-consuming desire for love, significance and, ultimately, redemption.

Gertrude has lost her husband and Anne, an ex-nun, her God. They plan to live together and do good works.Polish exile and imaginary soldier, the 'Count' watches over Gertrude with loving patience. An accomplished scrounger and failed painter, Tim is a different sort of soldier. He plans, with his eccentric mistress Daisy, to live off rich friends. Who will judge whom in this rich and riveting story? Who will act nobly, and who will act basely? Who will be lucky?

A family struggles for redemption after a funeral brings dark secrets to the surface in this novel from the Booker Prize-winning author of The Sea, The Sea. For the first time in years, Edmund Narraway has returned to his childhood home--for the funeral of his mother. The visit rekindles feelings of affection and nostalgia--but also triggers a resurgence of the tensions that caused him to leave in the first place. As Edmund once again becomes entangled in his family's web of corrosive secrets, his homecoming tips a precariously balanced dynamic into sudden chaos, in this compelling story of reunion and coming apart from Iris Murdoch, "one of the most significant novelists of her generation" (The Guardian).