A story about love and friendship and Marxism
Many years ago Gerard Hernshaw and his friends "commissioned" one of their number to write a political book.
Time passes and opinions change. "Why should we go on supporting a book which we detest?" Rose Curtland asks. "The brotherhood of Western intellectuals versus the book of history," Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement.
Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

JB Priestley's adaptation of Iris Murdoch's A Severed Head.4 women, 3 men

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.

WITH AN INTRODUCTION BY CANDIA MCWILLIAM The Black Prince is both a remarkable thriller and a story about being in love. Bradley Pearson, narrator and hero, is an elderly writer with a 'block'. Finding himself surrounded by predatory friends and relations - his ex-wife, her delinquent brother, a younger, deplorably successful writer, Arnold Baffin, Baffin's restless wife and engaging daughter - Bradley attempts to escape. His failure to do so and its aftermath lead to a violent climax and a most unexpected conclusion.

Edmund has escaped from his family into a lonely life. He returns home for his mother's funeral and finds himself involved in the same awful problems he left behind, together with some new ones. He also rediscovers the eternal family servant, the ever-changing "Italian girl".4 women, 3 men

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an order of sequestered nuns. A new bell is being installed when suddenly the old bell, a legendary symbol of religion and magic, is rediscovered. And then things begin to change. Meanwhile the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean. Originally published in 1958, this funny, sad, and moving novel is about religion, sex, and the fight between good and evil.

Designed for courses in the history of philosophy, social and political theory, government, and Plato specifically, Plato's Republic: Critical Essays will enrich students' understanding of this profoundly influential work. The comprehensive collection covers Plato's social and political thought, his metaphysics and epistemology, his ethical theory, and his attitude towards women. The essays, chosen for their clarity and ability to stimulate student discussion, are related to one another in ways that will help students see the connections among the various strands of Plato's thought. The book includes an index of passages to guide students through parts of the Republic that they find challenging.

"It is witty and wise and provocative... brilliantly good." --"Evening Standard"
"
The Black Prince" is both a remarkable thriller and a story about being in love.
Bradley Pearson, narrator and hero, is an elderly writer with a 'block'. Finding himself surrounded by predatory friends and relations -- his ex-wife, her delinquent brother, a younger, deplorably successful writer, Arnold Baffin, Baffin's restless wife and engaging daughter -- Bradley attempts to escape. His failure to do so and its aftermath lead to a violent climax and a most unexpected conclusion.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY DAISY JOHNSON

‘I saw a monster rising from the waves.'

Charles Arrowby has determined to spend the rest of his days in hermit-like contemplation. He buys a mysteriously damp house on the coast, far from the heady world of the theatre where he made his name, and there he swims in the sea, eats revolting meals and writes his memoirs. But then he meets his childhood sweetheart Hartley, and memories of her lovely, younger self crowd in – along with more recent lovers and friends – to disrupt his self-imposed exile. So instead of 'learning to be good', Charles proceeds to demonstrate how very bad he can be.

Winner of the Man Booker Prize 1978.

Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything - even God. Throughout her distinguished and prolific writing career, she explored questions of good and bad, myth and morality. The framework for Murdoch's questions - and her own conclusions - can be found in the Sovereignty of Good. The Boston Review hailed these essays as 'her most influential pieces of philosophy'.

The sea: turbulent and leaden,transparent and opaque,magician and mother... When Cahrles Arrowby,over sixty,a demi god of the theatre- director,playwright and actor - retires from his glittering London world in order to `abjure magic and become a hermit',it is to the sea that he turns. He hopes at least to escape from `the woman' - but unexpectedly meets one whom he loved long ago. His buddhist cousin, James, also arrives. he is menaced by a monster from the deep. Charlesfinds his `solitude' peopled by the drama of his own fantasies and obsessions.

Iris Murdoch was one of the great philosophers and novelists of the twentieth century and The Sovereignty of Good is her most important and enduring philosophical work. She argues that philosophy has focused, mistakenly, on what it is right to do rather than good to be and that only by restoring the notion of 'vision' to moral thinking can this distortion be corrected. This brilliant work shows why Iris Murdoch remains essential reading: a vivid and uncompromising style, a commitment to forceful argument, and a courage to go against the grain. With a foreword by Mary Midgley.

A brilliant mythical drama about well-meaning people trapped in a war of spiritual forces
Marian Taylor, who has come as a "companion" to a lovely woman in a remote castle, becomes aware that her employer is a prisoner, not only of her obsessions, but of an unforgiving husband.
Hannah, the Unicorn, seemingly an image of persecuted virtue, fascinates those who surround her, some of whom plan to rescue her from her dream of redemptive suffering. But is she an innocent victim, a guilty woman, a mad woman, or a witch? Is her spiritual life really some evil enchantment? If she is forcibly liberated will she die? The ordinary, sensible people survive, and are never sure whether they have understood.

A sparklingly profound novel about the conflict between love and loyalty
The quiet life of schoolmaster Bill Mor and his wife Nan is disturbed when a young woman, Rain Carter, arrives at the school to paint the portrait of the headmaster. Mor, hoping to enter politics, becomes aware of new desires. A complex battle develops, involving love, guilt, magic, art, and political ambition. Mor's teenage children and their mother fight discreetly and ruthlessly against the invader. The Head, himself disenchanted, advises Mor to seize the girl and run. The final decision rests with Rain. Can a "great love" be purchased at too high a price?

Best known as the author of twenty-six novels, Iris Murdoch has also made significant contributions to the fields of ethics and aesthetics. Collected here for the first time in one volume are her most influential literary and philosophical essays. Tracing Murdoch's journey to a modern Platonism, this volume includes incisive evaluations of the thought and writings of T. S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Beauvior, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and the role great literature can play in curing the ills of philosophy. Existentialists and Mystics not only illuminates the mysticism and intellectual underpinnings of Murdoch's novels, but confirms her major contributions to twentieth-century thought.

For the first time, novelist Iris Murdoch's life in her own words, from girlhood to her last years Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice-her life in her own words. Living on Paper-the first major collection of Murdoch's most compelling and interesting personal letters-gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's life from her days as a schoolgirl to her last years. The result is the most important book about Murdoch in more than a decade. The letters show a great mind at work-struggling with philosophical problems, trying to bring a difficult novel together, exploring spirituality, and responding pointedly to world events. They also reveal her personal life, the subject of much speculation, in all its complexity, especially in letters to lovers or close friends, such as the writers Brigid Brophy, Elias Canetti, and Raymond Queneau, philosophers Michael Oakeshott and Philippa Foot, and mathematician Georg Kreisel. We witness Murdoch's emotional hunger, her tendency to live on the edge of what was socially acceptable, and her irreverence and sharp sense of humor. We also learn how her private life fed into the plots and characters of her novels, despite her claims that they were not drawn from reality. Direct and intimate, these letters bring us closer than ever before to Iris Murdoch as a person, making for an extraordinary reading experience.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY SARAH PERRY

‘In this holy community she would play the witch.’

Imber Court is a quiet haven for lost souls, a utopia for those who can neither live in the world, nor out of it. But beneath the gentle daily routines of this community run currents of supressed desire, religious yearning and a legend of disastrous love. Charming, indolent Dora arrives in their midst, and half-unwittingly conjures these submerged things to the surface.

Pat Dumay is a Catholic and an Irish patriot. His relentlessly pious mother pursues her own private war with his stepfather, a man sunk in religious speculation and drink. Pat's English-bred Protestant cousin and rival, Andrew Chase-White, an officer in King Edward's Horse, puzzles out his complex emotions about Ireland and Frances, the girl he loves, against a background of the fear of death, while Frances's father, Christopher Bellman, scholar and cynic, finds love of Ireland a more passionate matter than he had bargained for. Weaving between these tensions and patterns moves Millie Kinnard: fast, feminist, and only just respectable. As rebellion looms nearer, tension mounts in the sombre rain-soaked Dublin streets; and if, in the end, death disperses most of the people, this is felt to be as inevitable as in a Sophoclean play.

Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice--her life in her own words. Living on Paper--the first major collection of Murdoch's most compelling and interesting personal letters--gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's life from her days as a schoolgirl to her last years. The result is the most important book about Murdoch in more than a decade. The letters show a great mind at work--struggling with philosophical problems, trying to bring a difficult novel together, exploring spirituality, and responding pointedly to world events. They also reveal her personal life, the subject of much speculation, in all its complexity, especially in letters to lovers or close friends, such as the writers Brigid Brophy, Elias Canetti, and Raymond Queneau, philosophers Michael Oakeshott and Philippa Foot, and mathematician Georg Kreisel. We witness Murdoch's emotional hunger, her tendency to live on the edge of what was socially acceptable, and her irreverence and sharp sense of humor. We also learn how her private life fed into the plots and characters of her novels, despite her claims that they were not drawn from reality. Direct and intimate, these letters bring us closer than ever before to Iris Murdoch as a person, making for an extraordinary reading experience.

Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax and a coda that casts shifting perspectives on all that has preceded.

Swinging between his wife and his mistress in the sacred and profane love machine and between the charms of morality and the excitements of sin, the psychotherapist, Blaise Gavender, sometimes wishes he could divide himself in two. Instead, he lets loose misery and confusion and--for the spectators at any rate--a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.

VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

WITH AN INTRODUCTION BY CHARLOTTE MENDELSON

‘This is real life, Jake,’ she said. ‘You’d better wake up.’

Jake is clever, lazy and scraping by in London as a hack translator. Jake loves Anna. Anna is an elusive and lovely singer. Anna loves Hugo. Hugo is a fireworks manufacturer turned movie producer and majestic philosopher. Hugo loves Sadie. Sadie is a glossy and dazzling film starlet. Of course, Sadie loves Jake. Then there's Marvellous Mister Mars, the famous hound, who might or might not be Jake's ticket up and out of this mess.

Sartre's powerful political passions were united to a memorable literary gift, placing him foremost among the novelists, as well as the philosophers, of our time. This study analyses and evaluates the different strands of Sartre's rich and complex work. Combining the objectivity of the scholar with a profound interest in contemporary problems, Iris Murdoch discusses the tradition of philosophical, political and aesthetic thought that gives historical authenticity to Satre's achievement, while showing the ambiguities and dangers inherent in his position. SATRE begins with a critical analysis of Satre's novels and his ideas of freedom, consciousness and language, and ends with an appraisal of la literature engagee.