Based on the video game series of the same name, this sci-fi adventure directed by Justin Kurzel follows the story of Callum Lynch (Michael Fassbender), a career criminal saved from execution by the modern day Templars of the secretive Abstergo Industries. Using technology called the Animus, Callum is forced to relive the memories of his ancestor, Aguilar (Fassbender), an Assassin during the Spanish Inquisition. Alan Rikkin (Jeremy Irons) and his daughter Sophia (Marion Cotillard) conduct their experiments on Callum, while he gains the skills of his ancestor to fight the Templars of today.

This volume presents state-of-the-art empirical studies working in a paradigm that has become known as human behavioral ecology. The emergence of this approach in anthropology was marked by publication by Aldine in 1979 of an earlier collection of studies edited by Chagnon and Irons entitled Evolutionary Biology and Human Social Behavior: An Anthropological Perspective. During the two decades that have passed since then, this innovative approach has matured and expanded into new areas that are explored here.

The book opens with an introductory chapter by Chagnon and Irons tracing the origins of human behavioral ecology and its subsequent development. Subsequent chapters, written by both younger scholars and established researchers, cover a wide range of societies and topics organ-ized into six sections. The first section includes two chapters that provide historical background on the development of human behavioral ecology and com-pare it to two complementary approaches in the study of evolution and human behavior, evolutionary psychology, and dual inheritance theory. The second section includes five studies of mating efforts in a variety of societies from South America and Africa. The third section covers parenting, with five studies on soci-eties from Africa, Asia, and North America. The fourth section breaks somewhat with the tradition in human behavioral ecology by focusing on one particularly problematic issue, the demographic transition, using data from Europe, North America, and Asia. The fifth section includes studies of cooperation and helping behaviors, using data from societies in Micronesia and South America. The sixth and final section consists of a single chapter that places the volume in a broader critical and comparative context.

The contributions to this volume demonstrate, with a high degree of theoretical and methodological sophistication--the maturity and freshness of this new paradigm in the study of human behavior. The volume will be of interest to anthropologists and other professions working on the study of cross-cultural human behavior.

Double bill of adventure films. 'Percy Jackson and the Lightning Thief' (2010), based on the children's books by Rick Riordan, follows the adventures of 12-year-old New Yorker Percy Jackson (Logan Lerman). When Percy discovers that he is the descendant of a Greek god, he sets out on a cross-country adventure to settle an ongoing feud between the 'Big Three', Zeus (Sean Bean), Hades (Steve Coogan) and Poseidon (Kevin McKidd), and unravel a mystery more powerful than the gods themselves. 'Eragon' (2006), based on the best-selling novel by Christopher Paolini, follows the fortunes of an orphaned farm boy, Eragon (Edward Speleers), whose life is changed forever when a mystic stone chooses him for its keeper. When the stone turns out to be an egg from which a baby dragon is hatched, Eragon realises he has stumbled upon a legacy nearly as old as the Empire itself. With only an ancient sword and the advice of an old storyteller (Jeremy Irons) for guidance, Eragon and the fledgling dragon (voiced by Rachel Weisz) must navigate the dangerous terrain of an Empire ruled by a king whose evil knows no bounds.

All 35 episodes from the first three seasons of the US zombie adventure drama based on the comic books by Robert Kirkman. In the first season, when police officer Rick Grimes (Andrew Lincoln) wakes from a coma to find the world in the grip of a zombie epidemic, he joins a small encampment on the outskirts of Atlanta, where a band of human survivors struggle to withstand the terrifying advances of the walking dead. The episodes are: 'Days Gone Bye', 'Guts', 'Tell It to the Frogs', 'Vatos', 'Wildfire' and 'TS-19'. In the second season, Carl (Chandler Riggs) fights for his life after being shot, and the group continue their search for Sophia (Madison Lintz). The episodes are: 'What Lies Ahead', 'Bloodletting', 'Save the Last One', 'Cherokee Rose', 'Chupacabra', 'Secrets', 'Pretty Much Dead Already', 'Nebraska', 'Triggerfinger', '18 Miles Out', 'Judge, Jury, Executioner', 'Better Angels' and 'Beside the Dying Fire'. In the third season, Andrea (Laurie Holden) and newcomer Michonne (Danai Gurira) are taken to a nearby settlement run by the seemingly benevolent Governor (David Morrissey) and Rick and the rest of the group move into a prison where they believe they should have enough supplies to last them a while but soon realise they have enemies amongst the living as well as the dead. The episodes are: 'Seed', 'Sick', 'Walk With Me', 'Killer Within', 'Say the Word', 'Hounded', 'When the Dead Come Knocking', 'Made to Suffer', 'The Suicide King', 'Home', 'I Ain't a Judas', 'Clear', 'Arrow On the Doorpost', 'Prey', 'This Sorrowful Life' and 'Welcome to the Tombs'.

The first season of the drama series starring Jeremy Irons as Rodrigo Borgia, the head of the powerful family that dominated Italy in the Renaissance. When the Borgia family use their influence to gain Rodrigo, the rising power within the family, the position of Pope, perhaps even they are unprepared for the manner in which their relative will abuse his position. As Pope Alexander VI, Rodrigo sets about using his power to ruthlessly increase the family's wealth and status, while committing almost every sin imaginable. François Arnaud, Holliday Grainger and Lotte Verbeek co-star.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.