Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Shelf2Life Literature and Fiction Collection is a unique set of short stories, poems and novels from the late 19th to early 20th centuries. From tales of love, life and heartbreaking loss to humorous stories of ghost encounters, these volumes captivate the imaginations of readers young and old. Included in this collection are a variety of dramatic and spirited poems that contemplate the mysteries of life and celebrate the wild beauty of nature. The Shelf2Life Literature and Fiction Collection provides readers with an opportunity to enjoy and study these iconic literary works, many of which were written during a period of remarkable creativity.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Near the end of my fourteenth year I was apprenticed to Valentine, King & Co., cotton importers, Liverpool, as a "pair of legs." My father had died suddenly, leaving me and his property in the possession of my stepmother and my guardian. It was in deference to their urgent advice that I left my home in London (with little reluctance, since my life there had never been happy) to study the art of money-making. On arriving at the scene of my expected triumphs I was assigned to the somewhat humble position of errand boy. In common with other boys who performed a like service for the firm I was known as "a pair of legs." Lodgings of a rather modest character had been secured for me in the western outskirts of the city near the banks of the Mersey. I was slow to make friends, and my evenings were spent in the perusal of some story books, which I had brought with me from London. One night, not long after the beginning of my new life in Liverpool, I was lying in bed listening to the wind and rain beating over the housetops and driving against the windows, when suddenly there came a loud rap at my door.

Yonder up in the hills are men and women, white-haired, who love to tell of that time when the woods came to the door-step and God's cattle fed on the growing corn. Where, long ago, they sowed their youth and strength, they see their sons reaping, but now, bent with age, they have ceased to gather save in the far fields of memory. Every day they go down the long, well-trodden path and come back with hearts full. They are as children plucking the meadows of June. Sit with them awhile, and they will gather for you the unfading flowers of joy and love-good sir the world is full of them. And should they mention Trove or a certain clock tinker that travelled from door to door in the olden time, send your horse to the stable and God-speed them -it is a long tale, and you may listen far into the night. "See the big pines there in the dale yonder?" some one will ask. "Well, Theron Allen lived there, an' across the pond, that's where the moss trail came out and where you see the cow-path-that's near the track of the little red sleigh."

Rome had passed the summits and stood looking into the dark valley of fourteen hundred years. Behind her the graves of Caesar and Sallust and Cicero and Catullus and Vergil and Horace; before her centuries of madness and treading down; round about her a m

Before turning to novel-writing himself, Irving Bacheller (1859-1950) syndicated the writings of Joseph Conrad, Arthur Conan Doyle and Rudyard Kipling for American readers and introduced Stephen Crane's Red Badge of Courage to the public. Compared to Ben Hur at the time of its release, Dawn imagines the story of the woman to whom Jesus said, "Go and sin no more."