Isaac Deutscher was planning to write a biography of Lenin after he completed the Trotsky trilogy. But he changed his mind and wrote one of Stalin instead. This was necessary, he argued, to show that Stalin is an objective fact. He won the faction fight. We lost. He can't be ignored. the tome on Stalin duly appeared and was respectfully received. Then he began work on Lenin. It was intended as countering the deadening hagiographies produced by Moscow and others. His Lenin would not be a godhead but a revolutionary who committed mistakes like his colleagues. Deutscher died, completing a single chapter, which is this book. A taste of what we lost forever.

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Few political figures of the twentieth century have aroused as much controversy as the Russian revolutionary Leon Trotsky. Trotsky's extraordinary life and extensive writings have left an indelible mark on revolutionary conscience, yet there was a danger that his name would disappear from history. Originally published in 1954, Deutscher's magisterial three-volume biography was the first major publication to counter the powerful Stalinist propaganda machine. In this definitive biography Trotsky emerges in his real stature, as the most heroic, and ultimately tragic, character of the Russian Revolution. This second volume of the trilogy, first published in 1959, is a self-contained account of the great struggle between Stalin and Trotsky that followed the end of the civil war in Russia in 1921 and the death of Lenin. From the narrative of Trostsky's uncompromising opposition to Stalin's policies emerge character studies of the important Soviet leaders; a brilliant portrait of Trotsky the man of ideas, the Marxist philosopher and literary critic; and a new assessment of the causes of defeat which led to his expulsion from the party, his exile, and his banishment from Russia.

Isaac Deutscher is widely recognized as one of the foremost political biographers of the twentieth century, and his full-scale studies of Trotsky and Stalin, translated into many world languages, have played a major role in elucidating the character and fate of the Russian Revolution. This collection of essays, hitherto unpublished or out of print, provides a clear idea of the range and force of Deutscher's literary activity over a period of more than thirty years. It also demonstrates his essential consistency of purpose: from his sharp denunciation of the first Moscow Trial in 1936, through his resistance to the Cold War tides of the fifties, to his sober analysis of the Chinese Cultural Revolution in 1966. His fidelity to the Marxist method and firm grasp of socialist history allowed him to penetrate to the core of events without ever falling into the blind apologetics or feverish disavowals that blighted so many left-wing intellectuals of his generation. Deutscher's own origins in the Polish communist movement are here reflected in his famous interview on the tragedy of the Polish CP, while his major essay on bureaucracy is one of the few sustained attempts to grapple with this key theoretical and practical problem of the socialist movement. This volume is designed both as a lasting collection of some of Deutscher's best-known and most powerful texts, and as an introduction for readers approaching his work for the first time. A specially written preface by Perry Anderson assesses this selection in relation to Deutscher's overall achievement, and Tamara Deutscher's introduction passes on to the reader the often fascinating personal background to certain of the essays.

Isaac Deutscher is widely recognized as one of the foremost political biographers of the twentieth century, and his full-scale studies of Trotsky and Stalin, translated into many world languages, have played a major role in elucidating the character and fate of the Russian Revolution. He died on 19 August 1967, at the height of his powers. From his papers his widow, Tamara Deutscher, selected and edited a group of essays and articles with a special unity of theme: the place of the Jew in the modern world. In these essays Deutscher speaks of the emotional heritage of the European Jew with calmness and clear-sightedness; as a historian he writes without anger but with com passion; as a non-Jewish Jew he writes without religious belief, but with generous breadth of understanding. As a philosopher he writes first of some of the great Jews of Europe: Spinoza, Heine, Marx, Trotsky, Rosa Luxemburg, and Freud. He explores the Jewish imagination through the painter Chagall. He writes of the Jews under Stalin and of the `remnants of a race' after Hitler; of the Zionist ideal, of the establishment of the State of Israel, of the war of June 1967, and of the perils ahead.