No home library is complete without the classics! Les Miserables is a keepsake to be read and treasured. Les Miserables is widely considered one of the greatest novels of the 19th century. First published in France in 1862, it is Victor Hugo's greatest achievement--the ultimate tale of redemption. Former prisoner Jean Valjean struggles to live virtuously after an unexpected act of forgiveness by a kindly bishop changes his life. His righteous actions change people's lives in surprising ways and culminate in romance between two young people. Now available as part of the Word Cloud Classics series, Les Miserables is a must-have addition to the libraries of all classic literature lovers. About the Word Cloud Classics series: Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of literature everywhere.

"The guilty one is not he who commits the sin, but he who causes the darkness." "So long as ignorance and poverty exist on earth, books of the nature of Les Miserables cannot fail to be of use," says Victor Hugo in the preface of his famous novel. Certainly, Les Miserables is French history recounted through the personal stories of its main characters. The tale offers philosophical insight on the good deeds that can happen even amidst ignorance and poverty. This handsome leather-bound volume is a beautiful addition to any classic literature library with specially designed endpapers, gilded edges, and a ribbon bookmark so you will never lose your place.

With an Introduction by Anthony Briggs. Translated by Isabel F. Hapgood. Russia in the 1840s. There is a stranger in town, and he is behaving oddly. The unctuous Pavel Chichikov goes around the local estates buying up 'dead souls'. These are the papers relating to serfs who have died since the last census, but who remain on the record and still attract a tax demand. Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him? Does this narrative contain a deeper message about Russia itself or the spiritual health of humanity? There is much interest and some suspense in considering these issues, but the real pleasure of this story lies elsewhere. It is an enjoyable comic romp through a retarded part of a backward country, a picaresque series of grotesque portraits, situations and conversations described with Gogolian humour based mainly on hyperbole. This is, quite simply, the funniest book in the Russian language before the twentieth century.