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The Body in Sound, Music and Performance brings together
cutting-edge contributions from women working on and researching
contemporary sound practice. This highly interdisciplinary book
features a host of international contributors and places emphasis
on developments beyond the western world, including movements
growing across Latin America. Within the book, the body is situated
as both the site and centre for knowledge making and creative
production. Chapters explore how insightful theoretical analysis,
new methods, innovative practises, and sometimes within the
socio-cultural conditions of racism, sexism and classicism, the
body can rise above, reshape and deconstruct understood ideas about
performance practices, composition, and listening/sensing. This
book will be of interest to both practitioners and researchers in
the fields of sonic arts, sound design, music, acoustics and
performance.
The Body in Sound, Music and Performance brings together
cutting-edge contributions from women working on and researching
contemporary sound practice. This highly interdisciplinary book
features a host of international contributors and places emphasis
on developments beyond the western world, including movements
growing across Latin America. Within the book, the body is situated
as both the site and centre for knowledge making and creative
production. Chapters explore how insightful theoretical analysis,
new methods, innovative practises, and sometimes within the
socio-cultural conditions of racism, sexism and classicism, the
body can rise above, reshape and deconstruct understood ideas about
performance practices, composition, and listening/sensing. This
book will be of interest to both practitioners and researchers in
the fields of sonic arts, sound design, music, acoustics and
performance.
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