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The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction. The fourth volume of this landmark series features a special focus on headdress, with papers analysing women's turbans in fifteenth-century French manuscript paintings; the changing meaning of the term cuff; the spread of wimple from England to Southern Italy; and a surviving embroidered linen cap attributed to Saint Birgitta of Sweden. Northern European dress and textiles are further explored in papers on archaeological textiles from medieval towns in Finland, Norway, and Sweden; the construction of gowns excavated at Herjolfsnes, Greenland; and references to scarlet clothing in Icelandic sagas. Other papers focus on linen production in medieval Russia and an enigmatic quilt of Henry VIII's that almost certainly arrived in England as part of the dowry of Catherine of Aragon. Also included are reviews of recent books on clothing and textiles. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: MARK CHAMBERS, CAMILLA LUISE DAHL, LISA EVANS, JOHN BLOCK FRIEDMAN, LENA HAMMARLUND, HEINI KIRJAVAINEN, ALEXANDRA M. LESTER, ROBIN NETHERTON, GALE R. OWEN-CROCKER, KATHRINE VESTERGARD PEDERSEN, HEIDI M. SHERMAN, LUCIA SINISI, ISIS STURTEWAGEN, MARIANNE VEDELER, ANNA ZANCHI
The best new research on medieval clothing and textiles, drawing from a range of disciplines. This year's volume focuses largely on the British Isles, with papers on dress terms in the Middle English Pearl; a study of a thirteenth-century royal bride's trousseau, based on unpublished documents concerning King HenryIII's Wardrobe; an investigation into the "open surcoat" referenced in the multilingual texts of late medieval England; and, based on customs accounts, a survey of cloth exports from late medieval London and the merchants who profited from them. Commercial trading of cloth is also the subject of a study of fifteenth-century brokers' books, revealing details of types, designs, and regulation of the famous silks from Lucca, Italy. Another paper focuseson art, reconsidering the incidence of frilled veils in the Low Countries and adopting an innovative means of analysis to question the chronology, geographical diversity, and social context of this style. Robin Netherton is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; Gale R. Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Benjamin L.Wild, Isis Sturtewagen, Kimberly Jack, Mark Chambers, Eleanor Quinton, John Oldland, Christine Meek
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