In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castiglione's The Courtier, presented in Thomas Hoby's influential early modern English translation. Thomas Kyd's The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekker's plague pamphlets. We have considerably expanded our representation of Elizabeth I's writings and speeches, as well as providing several more cantos from Edmund Spenser's Faerie Queene and adding selections from Sir Philip Sidney's Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herbert's writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes. The edition features two new Contexts sections: a sampling of "Tudor and Stuart Humor," and a section on "Levellers, Diggers, Ranters, and Covenanters." New materials on emblem books and on manuscript culture have also been added to the "Culture: A Portfolio" contexts section. There are many additions the website component as well-including Thomas Deloney's Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.

These volumes provide an overview of British literature in its social and historical context from the Anglo-Saxon period through to the twenty-first century. They trace literary developments and touch on key developments in the history of the language of print culture. Additionally, they provide essential background for those unfamiliar with the unfolding of British political, social, economic, and cultural history during each of the six periods into which the study of British literature is commonly divided. The material for British Literature: A Historical Overview has been drawn from the general introductions to the six volumes of the acclaimed Broadview Anthology of British Literature.

A scholarly edition of works by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This volume is ideally suited for use as a companion volume in survey courses where the instructor has decided against using a large anthology. It provides an overview of British literature in its social and historical context from the age of Romanticism through to the twentieth century and beyond. It traces literary developments in all genres, and touches as well on key developments in the history of the language and the history of print culture. It also provides essential historical background for those unfamiliar with the unfolding of British political, social, economic, and cultural history during these periods. Included are a wide variety of illustrations, 24 of which are color plates. The material for British Literature: A Historical Overview has been drawn from the general introductions to the six volumes of the acclaimed Broadview Anthology of British Literature. A Historical Overview, Volume A is also available; this covers the medieval period through the eighteenth century.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field.The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. In the revised third edition of this volume, the term 'Anglo-Saxon' has been removed from our editorial apparatus - a change made in response to recent scholarly work that has drawn attention to the term's historical and current usage by white supremacists. We have also taken the opportunity to implement a small number of additional improvements. We have also taken the opportunity to implement a small number of additional improvements; the pagination, however, remains the same.

Despite being an aristocrat and a woman, Lady Mary Wortley Montagu (1689-1762) made herself a writer. Although she was long well-known as a `character', letter writer, and traveller, this revised paperback edition of her writings appears at a time when interest in her literary work is now widespread and serious. Lady Mary saw herself as `haunted by the Daemon of Poesie'. She wrote literary criticism of Addison and the only essay by a woman published in the Spectator, together with spirited verse replies to Pope and Swift and passionate love-poems which dispute the period's label `Age of Reason'. Her essays (some published anonymously in newspapers) and poems (many of which appeared with her secret connivance) deal with issues still alive and accessible today: love, marriage, prejudice against women writers, and the medical breakthrough of smallpox innoculation. Her comedy, Simplicity, has been recently revived in productions around the UK. Hard-hitting, eloquent, and often funny, the work of Lady Mary Wortley Montagu will be essential reading for the growing number of scholars, students and general readers of women's writing.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to matters such as race, gender, class, and sexual orientation. The full anthology comprises six bound volumes, together with an extensive website component; the latter is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. A two-volume Concise Edition and a one-volume Compact Edition are also available.

This volume includes the full text of More's 1516 classic, Utopia, together with a wide range of background contextual materials. For this edition the G.C. Richards translation has been substantially revised and modernized by William P. Weaver of Baylor University. As with other volumes in this series, the text and annotations in this edition are taken from The Broadview Anthology of British Literature, acclaimed as "the new standard" in the field. Appendices include illustrations from early editions; relevant passages from the Bible and from Plato; excerpts from More's 1534 Dialogue of Comfort against Tribulation that have been cited for their alleged relevance to the debate over whether or not More himself espoused the "communist" principles of the Utopia he imagined.

Lady Mary Wortley Montagu (1689-1762) is one of the most important women writers between Aphra Behn and Jane Austen, and one of her period's most provocative and entertaining writers of either sex. The narratives in this volume, with the exception of one juvenile piece, have never been printed before. They show the author experimenting with the genres of fiction and autobiography, more influenced by French models than by English, but always working experimentally against the grain of her various traditions. Besides page-turning narrative, these works offer the rare opportunity of a completely fresh take on literary movements, cross-cultural relations, gender ideologies, and other literary debates of the early eighteenth century. Our existing picture of what was once possible in literature and what was possible for women at this time cannot remain unchanged once these writings appear.

The third edition of the Victorian Era volume of The Broadview Anthology of British Literature includes a number of changes and new additions, including the complete texts of In Memoriam A.H.H., The Importance of Being Earnest, Carmilla, and Strange Case of Dr. Jekyll and Mr. Hyde, as well as Contexts sections on 'Work and Poverty,' 'Women in Society,' 'Sexuality in the Victorian Era,' 'Nature and the Environment,' 'The New Woman,' and 'Britain, Empire, and a Wider World.' The third edition also offers expanded representation of writers of color, including Mary Prince, Mary Seacole, Toru Dutt, Mary Ann Shadd, and Rabindranath Tagore.

With interest growing in the tradition of women's writing, Lady Mary Wortley Montagu (1689-1762) has been transformed from a colourful eccentric to an important writer. This life is the first to take her writing achievement seriously, as well as re-telling a life-story which every newly uncovered detail renders more extraordinary.

A quintessential depiction of the Byronic hero, Byron's poetic drama Manfred centers on the interior sufferings of its psychologically tortured title character, who is haunted by the death of his forbidden lover. A radically autonomous figure, Manfred rejects help from other human beings, refuses Christian absolution, and disdains dark supernatural entities far more powerful than he is. Despite (or perhaps in part also because of) scandalous associations between the work and Byron's own tumultuous personal life, it was a considerable success from the start-and soon became far more than merely successful; Manfred exerted a powerful shaping force on the Romantic sensibility for decades after Byron's death. The Broadview Anthology of British Literature edition of Manfred is accompanied by a substantial selection of contextual materials including Byron's original draft of the play's conclusion; influences on the poem, such as Paradise Lost, Goethe's Faust, and Vathek; examples of the Byronic hero from the poet's other writings; a selection of contemporary reviews; and an excerpt from Man-Fred, a dramatic parody in which the protagonist is reimagined as a chimney-sweep.

Anna Letitia Barbauld: New Perspectives is the first collection of essays on poet and public intellectual Anna Letitia Barbauld (1743-1825). By international scholars of eighteenth-century and Romantic British literature, these new essays survey Barbauld's writing from early to late: her versatility as a stylist, her poetry, her books for children, her political writing, her performance as editor and reviewer. They explore themes of sociability, materiality, and affect in Barbauld's writing, and trace her reception and influence. Rooted in enlightenment philosophy and ethics and dissenting religion, Barbauld's work exerted a huge impact on the generation of Wordsworth and Coleridge, and on education and ideas about childhood far into the nineteenth century. William McCarthy's introduction explores the importance of Barbauld's work today, and co-editor Olivia Murphy assesses the commentary on Barbauld that followed her rediscovery in the early 1990s. Anna Letitia Barbauld: New Perspectives is the indispensible introduction to Barbauld's work and current thinking about it.

Here we come to know Jane Austen by the company she keeps: her predecessors Fielding, Sterne, Lennox, and Burney, her contemporary Scott, and her successors Waugh and Amis--comic novelists all. And comedy is the connection between these twelve elegant essays by the distinguished academic Bruce Stovel, who most lovingly engages Austen herself through his studies of her comic novels, her art of conversation, her pleasure principle, and her prayers. Edited by Nora Foster Stovel, the collection includes an introduction by Juliet McMaster and an afterword by Isobel Grundy.