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The Enlightenment's project of establishing scientific proof for the unity of the universe led instead to the fragmentation of knowledge. The culture of certainty mutated into a culture of conjecture and speculative supplements as the image of a unified cosmos mutated into a patchwork totality. In the process, the pursuit of knowledge developed a symbiotic association with science fiction. While sf has often provided concrete ideas adopted by the knowledge faculties, equally important is the way science-fictional counterfactual world building - science fiction's "fantastic knowledge" - has intersected with rational speculation in all fields of knowledge. As a result, the dream of a completed, rationally engineered utopia has evolved into the image of "mutopia," in which the objects of knowledge, the process of knowing, and the science-fictional imagination itself are expected to undergo constant transformation. The essays in Mutopia address the science-fictional imagination's relevance for scientific modeling, critical theory, the deconstruction of the future, the future of religion, the future of nations, the imagination of empire, the construction of aliens, the future of science fiction itself, and the transformation of utopia into mutopia. Written over many years by a leading scholar of science fiction, the essays are revised and expanded for republication in this collection, alongside new commentary that places them in an updated context.
The Wesleyan Anthology of Science Fiction features over a 150
years' worth of the best science fiction ever collected in a single
volume. The fifty-two stories and critical introductions are
organized chronologically as well as thematically for classroom
use. Filled with luminous ideas, otherworldly adventures, and
startling futuristic speculations, these stories will appeal to all
readers as they chart the emergence and evolution of science
fiction as a modern literary genre. They also provide a fascinating
look at how our Western technoculture has imaginatively expressed
its hopes and fears from the Industrial Revolution of the
nineteenth century to the digital age of today. A free online
teacher's guide at http: //sfanthology.site.wesleyan.edu/
accompanies the anthology and offers access to a host of
pedagogical aids for using this book in an academic setting.
Since the end of the Second World WarOCoand particularly over the last decadeOCoJapanese science fiction has strongly influenced global popular culture. Unlike American and British science fiction, its most popular examples have been visualOCofrom Gojira" (Godzilla)" and Astro Boy" in the 1950s and 1960s to the anime masterpieces Akira" and Ghost in the Shell" of the 1980s and 1990sOCowhile little attention has been paid to a vibrant tradition of prose science fiction in Japan. a Robot Ghosts and Wired Dreams" remedies this neglect with a rich exploration of the genre that connects prose science fiction to contemporary anime. Bringing together Western scholars and leading Japanese critics, this groundbreaking work traces the beginnings, evolution, and future direction of science fiction in Japan, its major schools and authors, cultural origins and relationship to its Western counterparts, the role of the genre in the formation of JapanOCOs national and political identity, and its unique fan culture. a Covering a remarkable range of textsOCofrom the 1930s fantastic detective fiction of Yumeno Kysaku to the cross-culturally produced and marketed film and video game franchise Final Fantasy"OCothis book firmly establishes Japanese science fiction "as a vital and exciting genre. a Contributors: Hiroki Azuma; Hiroko Chiba, DePauw U; Naoki Chiba; William O. Gardner, Swarthmore College; Mari Kotani; Livia Monnet, U of Montreal; Miri Nakamura, Stanford U; Susan Napier, Tufts U; Sharalyn Orbaugh, U of British Columbia; Tamaki Sait; Thomas Schnellbncher, Berlin Free U. a Christopher Bolton is assistant professor of Japanese at Williams College. a Istvan Csicsery-Ronay Jr. is professor of English at DePauw University. a Takayuki Tatsumi is professor of English at Keio University."
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