The Annunciation: a specific event recounted in the Bible and often represented in artworks, but also the prototype of many other announcements throughout the history of Western culture. This volume proposes new readings of pictorial Annunciations from the Middle Ages and the Early Modern period - treating aspects such as witnesses, inscriptions and architecture - as well as analyses of some visual echoes, reenactments of the announcement to Mary in sacred and profane contexts up to the twenty-first century. Among the latter are included Venetian decoration glorifying the state, a Jean-Luc Godard film, a video art piece by Eija-Liisa Ahtila, Lars von Trier's Melancholia and a saint's bedroom turned into a pilgrimage site.

Inside Knowledge: (Un)doing Ways of Knowing in the Humanities is a collection of original essays proposing a fresh examination of epistemological questions relevant to scholars in any discipline of the humanities. Is objective knowledge still a viable ideal? Can art produce or express knowledge of any kind? Is the body a promising medium for a knowledge less abstract or logocentric than the kind Western culture has favoured so far? How are epistemological regimes maintained with the use of established linguistic tropes? Is knowledge to be resisted or employed as a tool of resistance? Distinguished as well as young, emerging scholars from disciplines such as philosophy, comparative literature, musicology and art theory discuss concrete case studies in which these questions arise. The essays share a commitment to interdisciplinary approaches and the close analysis of cultural objects, and refuse to take for granted the conventional methodologies that often guide research projects in their respective fields. The Inside Knowledge volume stages encounters between different ways of knowing, which contribute to an interdiciplinary understanding of the concept of knowledge and of epistemological questions in the humanities.