In recent years the Russian government, concerned about sustaining its economic performance, has sought to promote more diversified and broader economic growth beyond the profitable natural-resource sector. Economic officials would like to see something closer to a "knowledge-based economy." One of the areas in clear need of upgrading is the manufacturing sector. This book quantifies and benchmarks the relative strengths of that sector, identifying opportunities to increase Russian productivity and competitiveness. Drawing on original survey data from Russian firms of all sizes, the authors formulate proposals that aim toenhance the innovative potential of Russian firms upgrade the skills of their workforce develop a business-friendly climate of lower administrative costs and greater policy certainty. This book examines the underlying firm-level determinants of knowledge absorption, competitiveness, and productivity, with an eye to improving workers' skill levels and improving the investment climate, which should in turn enhance the innovation needed to keep up in a globalized economy. The original research and analysis of Desai, Goldberg, and their colleagues will be of use to anyone interested in the problems of building manufacturing competitiveness, especially in Russia and the post-Soviet transition economies. It will also be of interest to organizations planning to do business with Russia or to invest in it.

Vienna, 1900: the heart of the vast Austro-Hungarian Empire and a city populated with people from across the Imperial territories - stretching from central Europe to the Crown lands that reached far into South-eastern Europe. This was a dynamic capital brimming with economic and cultural prosperity; a centre that was fertile ground for the revolutionary artistic practices that emerged at the end of the 19th century and the backdrop to this fascinating new study. Gustav Klimt's election as the first President of the Secession Artists' Association in 1897 formalised the rejection of conservatism and heralded a celebration of the innovative and the modern. Alongside Klimt, Egon Schiele and Oskar Kokoschka have been championed as the key protagonists in the painting revolution that re-defined the traditional genres of portrait, landscape and allegory. However, this ignores the significant contribution made by Koloman Moser whose painting is considered alongside that of Klimt, Schiele and Kokoschka for the first time in this book. Highlighting a decisive moment in the birth of modernity and offering previously unpublished insight into the relationship of Klimt, Schiele, Moser and Kokoschka from 1890 to 1918, this book, with its wealth of stunning images, makes an invaluable contribution to Secessionist scholarship and as such is essential reading for anyone wishing to seek a fresh perspective on a fascinating period in the history of art.