"The Gentleman from San Francisco" is easily the best known of Ivan Bunin's stories and has achieved the stature of a masterpiece. But Bunin's other stories and novellas are not to be missed. Over the last several years a great many of them have been freshly and brilliantly translated by Graham Hettlinger. Together, along with four new pieces, they are now published in a one-volume paperback collection of Bunin's greatest writings. In Mr. Hettlinger's renderings readers will see why Bunin was regarded by many of his contemporaries as the rightful successor to Tolstoy and Chekhov as a master of Russian letters.

Here is Bunin's great anti-Bolshevik diary of the Russian Revolution, translated into English for the first time. Cursed Days is a chilling account of the last days of the Russian master in his homeland. He recreates the time of revolution and civil war with graphic and gripping immediacy.

Considered one of the most influential authors of twentieth century Russian Literature, Ivan Bunin's "Dark Avenues" is the culmination of a life's work which unrelentingly questioned of the political doxa whilst taking his poetic mastery of language to dark new heights. Written between 1938 and 1944 and set in the context of a disintegrating Russian culture, this collection of short fiction centres around dark, erotic liaisons told with a rich, elegaic poetics which probes the artistic limits of depicting desire.A prolific writer and fierce political activist, Bunin became the first Russian to win the Nobel prize for Literature in 1933 and was highly influential on his contemporary Russian emigres, Checkov and Nabokov. The "Dark Avenues" is the zenith of his work and one of the most important Russian texts to come out of the twentieth century.

The Village, Ivan Bunin's first full-length novel, is a bleak and uncompromising portrayal of rural life in south-west Russia. Set at the time of the 1905 Revolution and centring on episodes in the lives of a landowner and his self-educated peasant brother, the book follows characters sunk so far below the average of intelligence as to be scarcely human. A triumph of bitter realism, Bunin's cruel, lyrical prose reveals the pettiness, violence and ignorance of life on the land, foreshadowing the turbulences of Russia in the twentieth century.

Lazarus and The Gentleman from San Francisco, while fairly typical of Slavic literature, nevertheless contain few of the elements popularly associated with the work of contemporary Russian writers. They have no sex interest, no photographic descriptions of sordid conditions and no lugubrious philosophizing. These stories are not cheerful, yet their sadness is uplifting rather than depressing. They both contain what the Greek called katharsis in their tragedies - that cleansing atmosphere which purges us of every baser feeling as we read them.