Offering an alternative and a complement to existing histories of diplomacy, this book discusses change in the form of 'tipping points', which it understands as the culmination of long-term trends. Part I discusses social evolution on the general level of institutions. It argues that in cases where a diplomatic institution's tipping points are defined by the types of entities that make it up, the consular institution has evolved from concerning polities of independent traders to becoming ever more of a state concern. Part II challenges the existing literature's treatment of diplomacy as an elite, textual affair. It lays the groundwork for studying visual diplomacy and observes that the increasingly marginal vision of diplomacy as a confrontation between good and evil survives in popular culture. The book concludes by identifying the future of diplomacy as a struggle between state-to-state based diplomacy and diplomacy as networked global governance. -- .

Status-seeking is an important aspect of the foreign policies of a number of small states, but one that has been rarely studied. This book aims to contribute to our understanding not only of status-seeking, by coming at that question from a new angle, that of a small state, but also to our understanding of foreign policy, by discussing the importance of status for foreign policy overall. If status is a hierarchy, then it is important to focus not just on the highest-ranking powers, but also those at lower levels. As the distribution of power is becoming more diffuse, the role of small and medium powers becomes more significant than it was during the Cold war. The book chapters go beyond familiar explications of "soft power" or conflict resolution to highlight new aspects of Norway's foreign policy, including contributions to national defense, global warming, and management of Arctic resources. This book will be of interest to students and scholars in areas including US Foreign Policy, International Relations and European Politics.

Status-seeking is an important aspect of the foreign policies of a number of small states, but one that has been rarely studied. This book aims to contribute to our understanding not only of status-seeking, by coming at that question from a new angle, that of a small state, but also to our understanding of foreign policy, by discussing the importance of status for foreign policy overall. If status is a hierarchy, then it is important to focus not just on the highest-ranking powers, but also those at lower levels. As the distribution of power is becoming more diffuse, the role of small and medium powers becomes more significant than it was during the Cold war. The book chapters go beyond familiar explications of "soft power" or conflict resolution to highlight new aspects of Norway's foreign policy, including contributions to national defense, global warming, and management of Arctic resources. This book will be of interest to students and scholars in areas including US Foreign Policy, International Relations and European Politics.

Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts popular or otherwise for the phenomena that make up the core of our discipline.

The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be 'human'. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded.

This work will be of interest to student and scholars of international relations, popular culture and security studies. "

Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts - popular or otherwise - for the phenomena that make up the core of our discipline. The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be 'human'. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded. This work will be of interest to student and scholars of international relations, popular culture and security studies.