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The contents of this book deliberate on the questions related to
the function of art and to aesthetics as they exist in the context
of the most salient philosophical and cultural late modernist
tendencies. The book extracts cornerstone elements of the
ever-changing ways people of the 20th and 21st centuries experience
the world, and highlights the relation between shifts in modern
art, and the processes of fictionalization. Particular focus was
placed on a phenomenological perspective. The publication
introduces novelty by showcasing the links between reflecting on
late modernity, and the philosophical concepts and methodological
capabilities of phenomenology. It is a panoramic outlook over
existing views, and simultaneously a self-sufficient theoretical
proposal.
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