This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal

Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on hisuse of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats's poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other 'Georgians', and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats's long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans's Wake and 'The Wanderings of Oisin' are also examined. Rounding off the volume 'Phantasmagoria', explores the implications for his poetics of Yeats's spiritualist philosophy, especially in terms of his co

Presenting a comprehensive, state-of-the-art overview of theoretical and descriptive research in the field, The Handbook of Conversation Analysis brings together contributions by leading international experts to provide an invaluable information resource and reference for scholars of social interaction across the areas of conversation analysis, discourse analysis, linguistic anthropology, interpersonal communication, discursive psychology and sociolinguistics. * Ideal as an introduction to the field for upper level undergraduates and as an in-depth review of the latest developments for graduate level students and established scholars * Five sections outline the history and theory, methods, fundamental concepts, and core contexts in the study of conversation, as well as topics central to conversation analysis * Written by international conversation analysis experts, the book covers a wide range of topics and disciplines, from reviewing underlying structures of conversation, to describing conversation analysis' relationship to anthropology, communication, linguistics, psychology, and sociology

Presenting a comprehensive, state-of-the-art overview of theoretical and descriptive research in the field, The Handbook of Conversation Analysis brings together contributions by leading international experts to provide an invaluable information resource and reference for scholars of social interaction across the areas of conversation analysis, discourse analysis, linguistic anthropology, interpersonal communication, discursive psychology and sociolinguistics. * Ideal as an introduction to the field for upper level undergraduates and as an in-depth review of the latest developments for graduate level students and established scholars * Five sections outline the history and theory, methods, fundamental concepts, and core contexts in the study of conversation, as well as topics central to conversation analysis * Written by international conversation analysis experts, the book covers a wide range of topics and disciplines, from reviewing underlying structures of conversation, to describing conversation analysis' relationship to anthropology, communication, linguistics, psychology, and sociology

This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theatre from the eighteenth and early nineteenth centuries, focusing on issues that are still relevant to our understanding of drama and theatre. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge. Many of the texts have been freshly translated for this volume and all have been newly annotated and introduced. Recurrent topics and allusions are traced by a system of cross-references.

Combining the main findings, methods and analytic techniques of this central approach to language and social interaction, along with real-life examples and step-by-step explanations, "Conversation Analysis" is the ideal student guide to the field. Introduces the main findings, methods and analytic techniques of conversation analysis (CA) - a growing interdisciplinary field exploring language and social interactionProvides an engaging historical overview of the field, along with detailed coverage of the key findings in each area of CA and a guide to current researchExamines the way talk is composed, and how conversation structures highlight aspects of human behaviorFocuses on the most important domains of organization in conversation, including turn-taking, action sequencing, repair, stories, openings and closings, and the effect of contextIncludes real-life examples and step-by-step explanations, making it an ideal guide for students navigating this growing field

Combining the main findings, methods and analytic techniques of this central approach to language and social interaction, along with real-life examples and step-by-step explanations, "Conversation Analysis" is the ideal student guide to the field. Introduces the main findings, methods and analytic techniques of conversation analysis (CA) - a growing interdisciplinary field exploring language and social interactionProvides an engaging historical overview of the field, along with detailed coverage of the key findings in each area of CA and a guide to current researchExamines the way talk is composed, and how conversation structures highlight aspects of human behaviorFocuses on the most important domains of organization in conversation, including turn-taking, action sequencing, repair, stories, openings and closings, and the effect of contextIncludes real-life examples and step-by-step explanations, making it an ideal guide for students navigating this growing field

This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edited for students of drama and theatre. There are substantial extracts from twenty-eight writers including Plato, Aristotle, Horace, Scaliger, Castelvetro, Guarini, Sidney, Jonson, Corneille, Racine, Dryden and Congreve. The compilers have chosen writers who present detailed arguments about issues that are sill relevant to our understanding of drama and theatre. Many of the texts have been freshly translated and all have newly been annotated and introduced by the compilers, who draw attention to recurrent themes by a system of cross-references. Michael Sidnell's useful introduction explores the issues which frequently concern these writers and practitioners: the nature of imitation, the relation of dramatic text to live performance, the effect of stage action on audience emotion and behaviour - issues which still concern critics and theorists of drama today. Later volumes will cover the period from Diderot to Victor Hugo, modern dramatic theory and performance theory.

Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats's poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other 'Georgians', and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats's long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans's Wake and 'The Wanderings of Oisin' are also examined. Rounding off the volume 'Phantasmagoria', explores the implications for his poetics of Yeats's spiritualist philosophy, especially in terms of his conception of the poetic self, and, finally, the last section analyses two works animated by Yeats's quest for the 'faery bride' and his desperate attempt to attract, through his work, a real one.

This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theater from the eighteenth and early nineteenth centuries. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr. Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge. Many of the texts have been freshly translated for this volume and all have been newly annotated and introduced. Recurrent topics and allusions are traced by a system of cross-references.

This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edited for students of drama and theatre. There are substantial extracts from twenty-eight writers including Plato, Aristotle, Horace, Scaliger, Castelvetro, Guarini, Sidney, Jonson, Corneille, Racine, Dryden and Congreve. The compilers have chosen writers who present detailed arguments about issues that are sill relevant to our understanding of drama and theatre. Many of the texts have been freshly translated and all have newly been annotated and introduced by the compilers, who draw attention to recurrent themes by a system of cross-references. Michael Sidnell's useful introduction explores the issues which frequently concern these writers and practitioners: the nature of imitation, the relation of dramatic text to live performance, the effect of stage action on audience emotion and behaviour - issues which still concern critics and theorists of drama today. Later volumes will cover the period from Diderot to Victor Hugo, modern dramatic theory and performance theory.