In South Asia, as elsewhere, the category of 'the public' has come under increased scholarly and popular scrutiny in recent years. To better understand this current conjuncture, we need a fuller understanding of the specifically South Asian history of the term. To that end, this book surveys the modern Indian 'public' across multiple historical contexts and sites, with contributions from leading scholars of South Asia in anthropology, history, literary studies and religious studies. As a whole, this volume highlights the complex genealogies of the public in the Indian subcontinent during the colonial and postcolonial eras, showing in particular how British notions of 'the public' intersected with South Asian forms of publicity. Two principal methods or approaches-the genealogical and the typological-have characterised this scholarship. This book suggests, more in the mode of genealogy, that the category of the public has been closely linked to the sub-continental history of political liberalism. Also discussed is how the studies collected in this volume challenge some of liberalism's key presuppositions about the public and its relationship to law and religion. This book was originally published as a special issue of South Asia: Journal of South Asian Studies.

A history of global secularism and political feeling through colonial blasphemy law. Why is religion today so often associated with giving and taking offense? To answer this question, Slandering the Sacred invites us to consider how colonial infrastructures shaped our globalized world. Through the origin and afterlives of a 1927 British imperial law (Section 295A of the Indian Penal Code), J. Barton Scott weaves a globe-trotting narrative about secularism, empire, insult, and outrage. Decentering white martyrs to free thought, his story calls for new histories of blasphemy that return these thinkers to their imperial context, dismantle the cultural boundaries of the West, and transgress the borders between the secular and the sacred as well as the public and the private.

A comprehensive survey on the use of bedside skills and perimetric devices to the test visual fields, and how to interpret the results. To develop the clinician's interpretative skills, the authors include a chapter on visual anatomy and an atlas of 100 real-life cases arranged in anatomic order from retina to striate cortex. By placing a brief clinical vignette with a visual field on one side of the page and a description of the field and its causal lesion on the opposite side, the reader will be able to learn interpretation in a simulated clinical setting. An additional quiz section of twenty randomly arranged visual fields provides readers with an opportunity to test their newly acquired skills.

In South Asia, as elsewhere, the category of 'the public' has come under increased scholarly and popular scrutiny in recent years. To better understand this current conjuncture, we need a fuller understanding of the specifically South Asian history of the term. To that end, this book surveys the modern Indian 'public' across multiple historical contexts and sites, with contributions from leading scholars of South Asia in anthropology, history, literary studies and religious studies. As a whole, this volume highlights the complex genealogies of the public in the Indian subcontinent during the colonial and postcolonial eras, showing in particular how British notions of 'the public' intersected with South Asian forms of publicity. Two principal methods or approaches-the genealogical and the typological-have characterised this scholarship. This book suggests, more in the mode of genealogy, that the category of the public has been closely linked to the sub-continental history of political liberalism. Also discussed is how the studies collected in this volume challenge some of liberalism's key presuppositions about the public and its relationship to law and religion. This book was originally published as a special issue of South Asia: Journal of South Asian Studies.

A history of global secularism and political feeling through colonial blasphemy law. Why is religion today so often associated with giving and taking offense? To answer this question, Slandering the Sacred invites us to consider how colonial infrastructures shaped our globalized world. Through the origin and afterlives of a 1927 British imperial law (Section 295A of the Indian Penal Code), J. Barton Scott weaves a globe-trotting narrative about secularism, empire, insult, and outrage. Decentering white martyrs to free thought, his story calls for new histories of blasphemy that return these thinkers to their imperial context, dismantle the cultural boundaries of the West, and transgress the borders between the secular and the sacred as well as the public and the private.

Neurology of Vision and Visual Disorders, Volume 178 in the Handbooks of Neurology series provides comprehensive summaries of recent research on the brain and nervous system. This volume reviews alterations in vision that stem from the retina to the cortex. Coverage includes content on vision and driving derived from the large amount of time devoted in clinics to determining who is safe to drive, along with research on the interplay between visual loss, attention and strategic compensations that may determine driving suitability. The title concludes with vision therapies and the evidence behind these approaches. Each chapter is co-written by a basic scientist collaborating with a clinician to provide a solid underpinning of the mechanisms behind the clinical syndromes.

The NASA Technical Reports Server (NTRS) houses half a million publications that are a valuable means of information to researchers, teachers, students, and the general public. These documents are all aerospace related with much scientific and technical information created or funded by NASA. Some types of documents include conference papers, research reports, meeting papers, journal articles and more. This is one of those documents.

Death is a shadow that follows all mortal souls, waiting to carry a person's single life away into darkness. Most tremble to think of meeting that shadow only once, but what of those who must face it again and again? For The Creators of Aerhellion, death lurks in every breath, and every moment. In their world, to be immortal is to know countless, endless death. What would you do if death wasn't the end? What if every death brought life again. What would you fight for? What would you give your life for? When Hiro learns that he is destined to be a Creator of Aerhellion, he must answer these questions for himself, and discover how his fate ties into a world of conflict, mystery, and magic.

Earth has been conquered by an alien race known as the Assembly. The human adult population is gone, having succumbed to the Tone-a powerful, telepathic super-signal broadcast across the planet that reduces them to a state of complete subservience. But the Tone only affects the population once they reach their early twenties. Which means that there is one group left to resist: Children. In Valley of Fires the trio of kid heroes - Holt, Mira, and Zoey - are forced apart to accomplish individual quests if they are to have any hope of uniting what remains of Earth's disparate survivors against its alien invaders. Mira ventures west to bargain with Van Cleef, the enigmatic leader of North America's most infamous resistance group. But Van Cleef has his own plans to end the conflict, a destructive solution that might actually work...but at a horrible cost. Meanwhile, Holt travels with Ravan and Avril back to the one place he swore he would never return: Faust, the sprawling and dangerous desert city of the Menagerie pirate guild. He goes not only to resolve his issues with Tiberius, its tyrannical leader, but to enlist the Menagerie in the fight to save Zoey. Except Tiberius has his own problems. Factions within the Menagerie are splintering, and word of rebellion is beginning to spread. If Holt wants the Menagerie's help, he might have to help his greatest enemy in exchange. Traveling separate paths with little hope of safety or reunion, Holt and Mira bring this thrilling, genre-bending series to an utterly unforgettable close.