A full account of Lawrence, ranging from his talent as a young writer to the continuing genius of his later work, and concentrating on his exceptionally acute powers of observation, both human and natural.

Of all the wide-ranging interests Coleridge showed in his career, religion was the deepest and most long-lasting; and Beer demonstrates in this book that none of his work can be fully understood without taking this into account. Beer reveals how Coleridge was preoccupied by the life of the mind, and how closely this subject was intertwined with religion in his thinking. The insights that emerge in this collection are of absorbing interest, showing the efforts of a pioneer to reconcile traditional wisdom, both inside and outside orthodox Christianity, with the questions that were becoming evident to a sensitive enquirer.

This volume on Blake follows the writer's life and combines biography and critical analysis. Covering Blake's early career, his major works and his work as a visual artist, this new study will be a must for all Blake scholars and enthusiasts. Recent discoveries concerning Blake's forebears and their religion make this new study additionally timely.

Revolutionary thinking at the end of the eighteenth century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from "Being" in a divine or universal sense. In the first of two studies, John Beer traces this question in writings by Blake, Coleridge and Wordsworth, and the impact of their ideas on successors such as Keats, De Quincey, Byron and the Shelleys; relevance to later figures such as the Cambridge Apostles and Tennyson is also discussed.

In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness: both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers. Discussions of questions of "Being" by thinkers such as Heidegger, Sartre and Havel are accompanied by the assertion that creative writers such as Woolf and Lawrence, followed by Hughes and Plath, showed a deeper debt than philosophical contemporaries to their Romantic predecessors.

'...a significant, wide-ranging study...Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University;Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.

A full account of Lawrence, ranging from his talent as a young writer to the continuing genius of his later work, and concentrating on his exceptionally acute powers of observation, both human and natural.

Suitable for a first year graduate course, this textbook unites the applications of numerical mathematics and scientific computing to the practice of chemical engineering. Written in a pedagogic style, the book describes basic linear and nonlinear algebric systems all the way through to stochastic methods, Bayesian statistics and parameter estimation. These subjects are developed at a level of mathematics suitable for graduate engineering study without the exhaustive level of the theoretical mathematical detail. The implementation of numerical methods in MATLAB is integrated within each chapter and numerous examples in chemical engineering are provided, with a library of corresponding MATLAB programs. This book will provide the graduate student with essential tools required by industry and research alike. Supplementary material includes solutions to homework problems set in the text, MATLAB programs and tutorial, lecture slides, and complicated derivations for the more advanced reader. These are available online at www.cambridge.org/9780521859714.

Written by the distinguished scholar Professor John Beer, and published here in paperback for the first time, this volume on Blake in Palgrave Macmillan's "Literary Lives" series follows the writer's life and combines biography and critical analysis. Covering Blake's early career, his major works (such as "Songs of Innocence and of Experience") and his work as a visual artist, this new study will be a must for all Blake scholars and enthusiasts. Recent discoveries concerning Blake's forebears and their religion make this new study additionally timely.

Revolutionary thinking at the end of the eighteenth century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from "Being" in a divine or universal sense. In the first of two studies, John Beer traces this question in writings by Blake, Coleridge and Wordsworth, and the impact of their ideas on successors such as Keats, De Quincey, Byron and the Shelleys; relevance to later figures such as the Cambridge Apostles and Tennyson is also discussed.

In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.

Revolutionary thinking at the end of the Eighteenth century prompted major English writers to probe the riddle of human consciousness and the ways in which it might differ from 'Being' in a divine or universal sense. In the first of two studies, John Beer traces this question in writings by Blake, Coleridge and Wordsworth, and the impact of their ideas on successors such as Keats, De Quincey, Byron and the Shelleys. Relevance to later figures such as the Cambridge Apostles and Tennyson is also discussed.

Of all the wide-ranging interests Coleridge showed in his career, religion was the deepest and most long lasting, and Beer demonstrates in this book how none of this work can be fully understood without taking this into account. Beer also reveals how Coleridge was preoccupied by the life of the mind and how closely this subject was intertwined with religion in his thinking.

'... a significant, wide-ranging study ... Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.

In this sequel to his Romantic Consciousness, John Beer discusses further questionings of human consciousness; both the degree to which Dickens's conscious dramatizing differs from the subconscious workings of his psyche and the exploration of subliminal consciousness by nineteenth-century psychical researchers.