Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

The work of Bion of Smyrna, the late Hellenistic writer of bucolic poetry, survives in seventeen fragments and the longer Epitaph on Adonis. In this edition, J. D. Reed presents a Greek text of the poems together with a facing translation. The substantial introduction covers Bion's place in the bucolic tradition, his reinterpretation of ritual and myth in the Adonis poem (with attention to its social context), and various aspects of his style. It also includes a detailed examination of the textual transmission. The commentary investigates fully details arising from the texts, with an emphasis on linguistic and literary-historical issues. This is a comprehensive treatment of Bion, his poetry and his place in the literary tradition.

The work of Bion of Smyrna, a Greek poet who lived about 100 BC, survives in seventeen fragments and the longer Epitaph on Adonis. In this edition, J. D. Reed presents a new Greek text of the poems together with a facing translation. The substantial introduction covers Bion's place in the literary tradition, his treatment of ritual and myth in the Adonis poem, his style, and the textual transmission. The full commentary investigates details arising from the texts, with an emphasis on linguistic and literary-historical issues.

Virgil's "Aeneid" invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in "Virgil's Gaze," the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman.

Focusing on questions of narratology, intertextuality, and ideology, "Virgil's Gaze" offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.

Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.

This is the continuing story of an unlikely group of survivors in the Zombie Apocalypse. Their story follows their attempt to find the person responsible for the disaster and to find a way to liberate the world of the parasitic contagion. We join our heroes as they race to Put-in-Bay, Ohio, to find the creator of the Parasite, Dr. Fleming. Will they survive the perilous journey? Will they find a way to stop the Zombie plague? Will there be another firetruck? To answer these and many more questions, you'll need to read this book. This is the third book in the, "True Story of the Zombie Apocalypse" series. Although you could certainly read this as a stand-alone novel it would be much better if you read "Parasite" and "Symbiote" first. Please consider doing this. I refer back to the first book often. The book, "Saving Jebediah" is not a necessary read for this series. I wrote it as fan fiction for the wonderful author Mark Tufo. I do tie it in to the first and third book but it isn't necessary for the series.

You need to read this zombie apocalypse series because it explains the science involved in the dead coming to life. This is the continuing story of an unlikely group of survivors in the Zombie Apocalypse. Their story follows their attempt to find the person responsible for the disaster and to find a way to liberate the world of the parasitic contagion. Sorry guys, no fire trucks in this one. This is the second book in the, "True Story of the Zombie Apocalypse" series. Although you could certainly read this as a stand-alone novel it would be much better if you read "Parasite" first. Please consider doing this. I refer back to the first book often. The book, "Saving Jebediah" is not a necessary read for this series. I wrote it as fan fiction for the wonderful author Mark Tufo. I do tie it in to the first and third book but it isn't necessary for the series. The third book in the series is "Creator; The True Story of the Zombie Apocalypse." Is available at this date and the author currently is working on the 4th and final book tentatively called "Predator." Check for updates on his Facebook page.