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In the face of the current environmental crisis which clearly has
moral and spiritual dimensions members of all the world s faiths
have come to recognize the critical importance of religion s
relationship to ecology. The Wiley Blackwell Companion to Religion
and Ecology offers a comprehensive overview of the history and the
latest developments in religious engagement with environmental
issues throughout the world. Newly commissioned essays from noted
scholars of diverse faiths and scientific traditions present the
most cutting-edge thinking on religion s relationship to the
environment. Initial readings explore the ways traditional concepts
of nature in Christianity, Judaism, Islam, Buddhism, and other
religious traditions have been shaped by the environmental crisis.
Readings then address the changing nature of theology and religious
thought in response to the challenges of protecting the
environment. Various conceptual issues and themes that transcend
individual traditions climate change, bio-ethics, social justice,
ecofeminism, and more are then analyzed before a final section
examines some of the immediate challenges we face in caring for the
Earth while looking to the future of religious environmentalism.
Timely and thought-provoking, Companion to Religion and Ecology
offers illuminating insights into the role of religion in the
ongoing struggle to secure the future well-being of our natural
world. With a foreword by Ecumenical Patriarch Bartholomew I, and
an Afterword by John Cobb
From Shakespeare to Obama discusses language, slavery, and place
from the Portuguese enslavement of African people, through the
public and private in Shakespeare's poems and plays, to President
Obama's 2012 speech on "modern slavery." Balancing close reading
with context, Jonathan Hart offers new insight into questions of
otherness, rhetoric, and stereotyping. Ultimately, this expansive
book contributes to the ongoing study of the relation between
history and literature.
Using the concept of otherness as an entry point into a discussion
of poetry, Jonathan Hart's study explores the role of history and
theory in relation to literature and culture. Chapters range from
trauma in Shakespeare to Bartolome de Las Casas' representation of
the Americas to the trench poets to voices from the Holocaust.
Examines possible and fictional worlds, author and authority,
otherness and recognition, translation, alternative critique,
empire, education, imagination, comedy, history, poetry, and
culture. The analyzed works include classical and modern texts and
theorists of the past sixty years ranging from Jerome Bruner to
Stephen Greenblatt.
In this stunning reinterpretation of Shakespeare's works,
Jonathan Hart explores key topics such as love, lust, time,
culture, and history to unlock the Bard's brilliant fictional
worlds. From an in-depth look at the private and public myths of
love in the narrative poems, through an examination of time in the
sonnets, to a discussion of gender in the major history plays, this
book offers close readings and new perspectives. Delving into the
text and context of a wide range of poems and plays, Hart brings
his wealth of experience to bear on Shakespeare's representation of
history.
The armaments of chemical and biological warfare (CBW), as Eric Coddy shows in this introduction for the concerned layman, are now widely held not just by nation-states, but by terrorist and criminal enterprises. The weapons themselves are relatively inexpensive and very easy to hide, and organizations of just a few dozen people are capable of deploying potentially devastating attacks with them. While in the twentieth century most of our arms-control effort focused, rightly, on nuclear arsenals, in the twenty-first century CBW will almost certainly require just as much attention. This book defines the basics of CBW for the concerned citizen, including non-alarmist scientific descriptions of the weapons and their antidotes, methods of deployment and defensive response, and the likelihood in the current global political climate of additional proliferation.
Computer wizard Jake Stafford builds the very first computer that
can think. When he shows it to his new acquaintance, Amy Watson,
she realizes its potential and together Jake and Amy set off on a
path of building the largest company in the world. Not everyone is
happy about the endeavor, they acquire enemies at every turn, as
the old establishments will not idly sit by and let it happen.
Meanwhile, more and more disasters occur due to the accelerated
pace of global warming. The computer, programmed to hold human life
in high regard, enlists help and creates a plan for a safe-haven to
house the humans, TowerLand. Inside the complex, more than enough
room for everyone on the planet. Shortly after work commences,
people start emigrating to the first tower. However, The United
States of America begins to see TowerLand as a threat and war
ensues. Can they survive the might of the world's strongest
military?
This book discusses literature, theory and history in close
relation. Its main focus is on comparative literature and history,
culture, poetics, rhetoric, theatricality, genre and gender, and
balances close reading with theory and historical context.
Based on extensive archival research, this book looks at the
earlier contest of empires in the New World, especially among
Spain, France and England, and then examines the opposition to
empire, the promotion of empire and the question of slavery. Hart's
discussion on slavery has even larger scope ranging from early
Arab, African and Portuguese practices in Africa and beyond to the
legal abolition of slavery in the British empire, the United States
and elsewhere in the Nineteenth-century.
Textual Imitation offers a new critique of the space between
fiction and truth, poetry and philosophy. In a nimble, yet
startlingly wide-ranging argument, esteemed scholar Jonathan Hart
argues that recognition and misrecognition are the keys to
understanding texts and contexts from the Old World to the New
World.
Barefoot is Kevin Hart's eighth collection of poems; it is rich in
elegies, meditations on lost love, and celebrations of new love.
The title speaks of mourning, pilgrimage, and the direct sensuous
contact of flesh with earth. Harold Bloom has long extolled Hart as
a "visionary of desire," and in this collection we find that vision
deepened and that desire extended. Never before has Hart stretched
his range of inspiration quite so far; while continuing to draw
from Christianity, he also responds to the rich heritage of
American Blues, and reveals a wit as sharp as a razor's edge. The
poetry is at once religious poetry and love poetry; indeed, the
"religious poetry" is itself love poetry. Always, Hart speaks to us
in words that seem inevitable in their simplicity. As he himself
has written, "The best conductor of mystery is clarity. The true
bearer of complexity is simplicity." Barefoot will delight poetry
lovers everywhere.
This book focuses on how we perceive, know and interpret culture
across disciplinary boundaries. The study combines theoretical and
critical contexts for close readings in culture through discussions
of literature, philosophy, history, psychology and visual arts by
and about men and women in Europe, the Americas and beyond.
This open access book argues, from a detailed consideration of the
Christian Scriptures, that God intends that sin occur. It swims
against the tide of current thinking in philosophy of religion,
arguing for an unfashionable conclusion. The book begins by
considering the history of views on the question, paying particular
attention to the Reformed or Calvinistic tradition. The heart of
the book is a detailed examination of key passages from the
Christian Scriptures that, it is argued, show that God does intend
that sin occur. It also discusses in detail two alternative views
that could be used to reinterpret these texts, one view that God
intends only that the substratum of the sinful action occur, not
the sin itself, and the other that God acts because a sin will
occur but not intending that that sin occur. The book argues that
these interpretative strategies, even when combined together, do
not produce a plausible interpretation of the texts adduced.
Offering practical, real-life applications, coverage of basic
concepts, and an engaging visual style, this proven book offers a
writing style, approach, and selection of topics ideal for
non-chemistry science majors. This edition offers an updated,
dynamic art program (online, on CD, and in the text), new content
to keep you current with developments in the organic chemistry
field, and a revised lab manual.
Columbus, Shakespeare, and the Interpretation of the New World explores a range of images and texts that shed light on the complexity of the European reception and interpretation of the New World. Jonathan Hart examines Columbus's first representation of the natives and the New World, the representation of him in subsequent ages, the portrayal of America in sexual terms, the cultural intricacies brought into play by a variety of translators and mediators, the tensions between the aesthetic and colonial in Shakespeare's The Tempest, and a discussion of cultural and voice appropriation that examines the colonial in the postcolonial. This book brings the comparative study of the cultural past of the Americas and the Atlantic world into focus as it relates to the present.
"Shakespeare and His Contemporaries" begins with Shakespeare's
England and expands to a world before, after, and beyond. With an
eye to language, genre, drama, and literary and historical
narrative, this book examines the comedy of Shakespeare in the
context of comedies from Italy, Spain, and France in the sixteenth
and seventeenth centuries.
This collection of poetry is a simple bio of my life through
different stages of growth. Each poem is designed as a passage to
maturity, and how issues in life can mold you or destroy you.I am
not a scholar, but just a lover of the use of words, and how they
relate to each of us through time and space.It is my hope that you
will find yourself as you read through my escapades of life.
Recent graduates from the University at Albany Mike Reed and Frank
Williams are now ready to take life head on. Mike Reed works at the
Northeast division of Jumbo Oil Corporation one of the world's
largest oil refining companies. Frank Williams on the other hand is
headed back home to Texas where he has been accepted to the Police
Academy there. Both best of friends but with two completely
different career paths that separate them a thousand plus miles
from each other. Now alone Mike ponders many questions as to his
future here in the Northeast. A short vacation with Frank to Texas
gives Mike a first hand glance of what he would be missing if he
returned back to New York. As Mike and Frank experience some of
life's highs and low's their friendship continues to strengthen.
Experience how the live and play with family, old friends and some
new friends they meet along the way. Experience the struggle for
Power, Greed for money through stolen oil, and Murder associated
with that greed in a place half a world away. Follow Mike as he
gets caught up in the middle of it all, and find out what happens
when the wrong people target you to be exterminated. Who will
become the next victim to fall as a - Target of Greed? I sincerely
hope you enjoy this journey with Mike and his friends. Let you're
emotions join in with theirs as you let yourself get caught up in
each and every one of their experiences. William J. Hart
Published in 1985: The main plot portrays the bachelor Octavio,
Marquis of Siena, and his establishment of his "Bower of Fancies,"
something like a Platonic academy for those he calls the "fancies"
- Clarella, Silvia, and Floria, three young women who are, or are
said to be,"young, wise, noble, fair, and chaste.
In this book, workers displaced by plant closings in Louisville,
Kentucky tell their stories, emphasizing their agency, demanding
respect for their skill, casting judgment on business and
government for not showing that respect, and revealing a sense of
alienation resulting from violation of their values and trust.
Columbus, Shakespeare, and the Interpretation of the New World
explores a range of images and texts that shed light on the
complexity of the European reception and interpretation of the New
World. Jonathan Hart examines Columbus's first representation of
the natives and the New World, the representation of him in
subsequent ages, the portrayal of America in sexual terms, the
cultural intricacies brought into play by a variety of translators
and mediators, the tensions between the aesthetic and colonial in
Shakespeare's The Tempest , and a discussion of cultural and voice
appropriation that examines the colonial in the postcolonial. This
book brings the comparative study of the cultural past of the
Americas and the Atlantic world into focus as it relates to the
present.
Using the concept of otherness as an entry point into a discussion
of poetry, Jonathan Hart's study explores the role of history and
theory in relation to literature and culture. Chapters range from
trauma in Shakespeare to Bartolome de Las Casas' representation of
the Americas to the trench poets to voices from the Holocaust.
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