This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

First published in England in 1782, Crevecoeur's Letters from an American Farmer was one of the first works to describe the character of the average American at the close of the Revolutionary War. His famous question, "What, then, is the American, this new man?," summarized the European's interest in and questioning of the new country of America at a time when centuries of tradition had just been overturned and post-colonial Americans were attempting to describe themselves in a new way. Through the character of James, the letters celebrate the land of America, its space and fertility, and the character of Americans themselves, their work ethic and spirit of personal determination. The Letters also look at the darker side of American life, particularly the issue of slavery. The discussions of American identity, participation in war (or not), and the perception of immigrants and their ethnicity make this book as relevant to our understanding of ourselves today as it was in 1782.

`to the European, the American is first and foremost a dollar-fiend. We tend to forget the emotional heritage of Hector St John de Crevecoeur' When D.H. Lawrence made this statement in his Studies in Classic American Literature, he was thinking of the Letters from an American Farmer. First published in England in 1782, the Letters came at a timely moment as attention was focused on America in the closing year of the Revolutionary War of Independence. Crevecoeur's famous question `What, then, is the American, this new man?' was a matter of great interest, as it became evident that America, that new nation, was taking shape before the eyes of the world. Some of American literature's most pressing and recurrent concerns are adumbrated in the substance and style of the Letters: in addition to the question of American identity, they celebrate the largeness and fertility of the land, personal determination, and freedom from institutional oppression. Darker and more symbolic elements complicate the initially sunny picture, however: the issue of slavery is raised in a particularly disturbing episode, and the final Letter, `Distresses of a Frontier Man,' dramatizes the disintegration of the rational enlightened society of agrarian America into a nightmare of confusion, incomprehension and premonitions of unspeakable evil. Written by an emigrant French aristocrat turned farmer, the Letters from an American Farmer has a good claim to be regarded as the first work of American literature, at once intensely interesting in its own right, and casting a long shadow of influence on both subsequent American writers and European travel accounts of the moral, spiritual and material topography of the new nation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is a critical edition of the essays that J. Hector St. John de Crevecoeur (1735-1813) wrote in English but did not include in Letters from an American Farmer. First published in 1782, Letters from an American Farmer is an eighteenth-century cultural masterpiece. Written in English by a French-born immigrant, it is a collection of semiautobiographical writings in epistolary form that describe daily life along the northern frontier during the days leading up to the American Revolution. Conveying the attitudes, beliefs, aspirations, and conflicting loyalties of common settlers, Letters has helped subsequent generations to grasp the ethos of a nascent America. More than a century after Crevecoeur's death, three bound manuscript volumes surfaced that included not only the original handwritten texts of most of Letters but also the twenty-two similar writings that now make up More Letters from the American Farmer. Those manuscript volumes are now housed in the Library of Congress. Five of the pieces in More Letters are previously unpublished; the others were first published in 1925-26 but were so inconsistently and arbitrarily edited as to misrepresent the author. This edition has been awarded the emblem of the Modern Language Association's Committee on Scholarly Editions. It is based on an examination of all available relevant textual sources and includes extensive textual and historical contextual information. Rather than modernizing Crevecoeur's capitalization, punctuation, and spelling, Dennis D. Moore has preserved the original texts as closely as possible. Thus, More Letters marks the first appearance of these twenty-two writings as Crevecoeur composed them. In his general introduction, Moore discusses the various personae through which Crevecoeur speaks in these essays and notes the stylistic and topical similarities and variations between these writings and those collected in Letters. Pointing to Crevecoeur's evident influences and interests, Moore discusses recurrent themes and images related to medicine, law, religion, classicism, enlightenment philosophy, nationalism, agrarianism, aggression and war, and the cults of sensibility and domesticity. Revising and expanding what we thought we knew about Crevecoeur and his lifelong absorption in America and Americanness, More Letters also makes a significant contribution to the study of early American culture.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Letters from an American Farmer was published in London in 1782, just as the idea of an "American" was becoming a reality. Those epistolary essays introduced the European public to America's landscape and customs and have since served as the iconic description of a then-new people. Dennis D. Moore's convenient, up-to-date reader's edition situates those twelve pieces from the 1782 Letters in the context of thirteen other essays representative of Crevecoeur's writings in English. The "American Farmer" of the title is Crevecoeur's fictional persona Farmer James, a bumpkin from rural Pennsylvania. In his Introduction to this edition, Moore places this self-effacing pose in perspective and charts Crevecoeur's enterprising approach to self-promotion, which involved repackaging and adapting his writings for French and English audiences. Born in Normandy, Crevecoeur came to New York in the 1750s by way of England and then Canada, traveled throughout the colonies as a surveyor and trader, and was naturalized in 1765. The pieces he included in the 1782 Letters map a shift from hopefulness to disillusionment: its opening selections offer America as a utopian haven from European restrictions on personal liberty and material advancement but give way to portrayals of a land plagued by the horrors of slavery, the threat of Indian raids, and revolutionary unrest. This new edition opens up a broader perspective on this artful, ambitious writer and cosmopolitan thinker who coined America's most enduring metaphor: a place where "individuals of all nations are melted into a new race of men."

Who would have thought that because I received you with hospitality and kindness, you should imagine me capable of writing with propriety and perspicuity? Your gratitude misleads your judgment. The knowledge which I acquired from your conversation has amply repaid me for your five weeks' entertainment. I gave you nothing more than what common hospitality dictated; but could any other guest have instructed me as you did?

Who would have thought that because I received you with hospitality and kindness, you should imagine me capable of writing with propriety and perspicuity? Your gratitude misleads your judgment. The knowledge which I acquired from your conversation has amply repaid me for your five weeks' entertainment. I gave you nothing more than what common hospitality dictated; but could any other guest have instructed me as you did?

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Library of Congress<ESTCID>W013544<Notes>Dedicated to the abbe Raynal. Error in paging: p. 43 misnumbered 34. A variant has p.43 correctly numbered.<imprintFull>Philadelphia: From the press of Mathew Carey, March 4, --MDCCXCIII. 1793]. <collation>viii, 1], 10-240 p.; 12

This Book Is In French. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

First published in England in 1782, Crevecoeur's Letters from an American Farmer was one of the first works to describe the character of the average American at the close of the Revolutionary War. His famous question, "What, then, is the American, this new man?," summarized the European's interest in and questioning of the new country of America at a time when centuries of tradition had just been overturned and post-colonial Americans were attempting to describe themselves in a new way. Through the character of James, the letters celebrate the land of America, its space and fertility, and the character of Americans themselves, their work ethic and spirit of personal determination. The Letters also look at the darker side of American life, particularly the issue of slavery. The discussions of American identity, participation in war (or not), and the perception of immigrants and their ethnicity make this book as relevant to our understanding of ourselves today as it was in 1782.

Who would have thought that because I received you with hospitality and kindness, you should imagine me capable of writing with propriety and perspicuity? Your gratitude misleads your judgment. The knowledge which I acquired from your conversation has amply repaid me for your five weeks' entertainment. I gave you nothing more than what common hospitality dictated; but could any other guest have instructed me as you did?

This is a critical edition of the essays that J. Hector St. John de Crevecoeur (1735-1813) wrote in English but did not include in Letters from an American Farmer. First published in 1782, Letters from an American Farmer is an eighteenth-century cultural masterpiece. Written in English by a French-born immigrant, it is a collection of semiautobiographical writings in epistolary form that describe daily life along the northern frontier during the days leading up to the American Revolution. Conveying the attitudes, beliefs, aspirations, and conflicting loyalties of common settlers, Letters has helped subsequent generations to grasp the ethos of a nascent America. More than a century after Crevecoeur's death, three bound manuscript volumes surfaced that included not only the original handwritten texts of most of Letters but also the twenty-two similar writings that now make up More Letters from the American Farmer. Those manuscript volumes are now housed in the Library of Congress. Five of the pieces in More Letters are previously unpublished; the others were first published in 1925-26 but were so inconsistently and arbitrarily edited as to misrepresent the author. This edition has been awarded the emblem of the Modern Language Association's Committee on Scholarly Editions. It is based on an examination of all available relevant textual sources and includes extensive textual and historical contextual information. Rather than modernizing Crevecoeur's capitalization, punctuation, and spelling, Dennis D. Moore has preserved the original texts as closely as possible. Thus, More Letters marks the first appearance of these twenty two writings as Crevecoeur composed them. In his generalintroduction, Moore discusses the various personae through which Crevecoeur speaks in these essays and notes the stylistic and topical similarities and variations between these writings and those collected in Letters. Pointing to Crevecoeur's evident influences and interests, Moore discusses recurrent themes and images related to medicine, law, religion, classicism, enlightenment philosophy, nationalism, agrarianism, aggression and war, and the cults of sensibility and domesticity. Revising and expanding what we thought we knew about Crevecoeur and his lifelong absorption in America and Americanness, More Letters also makes a significant contribution to the study of early American culture.