The ancient Indian tomb had been sealed for a thousand years; its discovery was an archaeological find. But few guessed its horrible secret, or knew that a certain Oriental super-villain, the fiendish Wu Fang, wished to enter its portals . . . not to study the withered bones, but to capture the death germs buried there -- deadly germs of a rare plague of madness which he meant to use to control the world! "The Case of the Suicide Tomb" originally appeared in the December, 1935 issue of "The Mysterious Wu Fang," a classic pulp magazine, and is presented with its original cover and interior arwork.

(FAQ). Film Noir FAQ celebrates and reappraises some 200 noir thrillers representing 20 years of Hollywood's Golden Age. Noir pulls us close to brutal cops and scheming dames, desperate heist men and hardboiled private eyes, and the unlucky innocent citizens that get in their way. These are exciting movies with tough guys in trench coats and hot tomatoes in form-fitting gowns. The moon is a streetlamp and the narrow streets are prowled by squad cars and long black limousines. Lives are often small but people's plans are big sometimes too big. Robbery, murder, gambling; the gun and the fist; the grift and the con game; the hard kiss and the brutal brush-off. Film Noir FAQ brings lively attention to story, mood, themes, and technical detail, plus behind-the-scenes stories of the production of individual films. Featuring numerous stills and posters many never before published in book form highlighting key moments of great noir movies. Film Noir FAQ serves up insights into many of the most popular and revered names in Hollywood history, including noir's greatest stars, supporting players, directors, writers, and cinematographers. Pour a Scotch, light up a smoke, and lean back with your private guide to film noir.

What do we know about the origins of the Universe, and more important, how do we know it? In a small, easy-to-read package, this book introduces you to all of the important ideas about the Big Bang and its consequences. Craig Hogan explains what happened in the early days of the universe, why we think it's expanding (and how the expansion can look the same from everyplace at once), different ways the universe could end, and the meaning of such terms as "cosmic inflation," "cosmic background radiation," and "dark matter." For everyone who has always wondered just what the cosmologists are talking about but could never find the basics explained clearly and simply, this is the book to read.

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and - where possible - production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

In his new book, Michael J. Hogan, a leading historian of the American presidency, offers a new perspective on John Fitzgerald Kennedy, as seen not from his life and times but from his afterlife in American memory. The Afterlife of John Fitzgerald Kennedy considers how Kennedy constructed a popular image of himself, in effect, a brand, as he played the part of president on the White House stage. The cultural trauma brought on by his assassination further burnished that image and began the process of transporting Kennedy from history to memory. Hogan shows how Jacqueline Kennedy, as the chief guardian of her husband's memory, devoted herself to embedding the image of the slain president in the collective memory of the nation, evident in the many physical and literary monuments dedicated to his memory. Regardless of critics, most Americans continue to see Kennedy as his wife wanted him remembered: the charming war hero, the loving husband and father, and the peacemaker and progressive leader who inspired confidence and hope in the American people.

Addresses the needs of parents of children who experience medical trauma - negative experiences in the healthcare system that may cause resistance among children to even going for routine care. Afraid of the Doctor is the first book written for parents with the primary goal of equipping them with the knowledge and skills to support their children through medical challenges on a day-to-day basis, and specifically with medical trauma-experiences in healthcare that can profoundly affect a child's response and willingness to even go to the doctor. The challenge of medical trauma is often under-recognized and overlooked in the healthcare system, leaving parents to learn about it and manage it on their own. When parents understand medical trauma and learn strategies to reduce and even prevent it, they become empowered to better care for their child's emotional and physical health. Afraid of the Doctor integrates character stories throughout the book to illustrate the signs and symptoms of medical trauma and the roles parents and caregivers play in supporting their child through medical challenges. Readers will find twelve distinct strategies they can implement to help prevent and reduce medical trauma and otherwise support their child while facing medical interventions or a chronic condition. These strategies are illustrated through anecdotes, step-by-step guides, examples, and research evidence. With compassion and empathy, Meghan Marsac and Melissa Hogan offer parents the tools they need to choose the strategies that will work best for their children and their families, and how to modify them to address their unique situations. In addition to addressing the traumas that children may face, the authors carefully discuss the types of trauma that a parent may experience as they care for a child with a medical condition, equipping them with tools to recognize and address their own trauma experience related to their child's medical care.

Paths to Power includes essays on US foreign relations from the founding of the nation though the outbreak of World War II. Essays by leading historians review the literature on American diplomacy in the early Republic and in the age of Manifest Destiny, on American imperialism in the late nineteenth century and in the age of Roosevelt and Taft, on war and peace in the Wilsonian era, on foreign policy in the Republican ascendancy of the 1920s, and on the origins of World War II in Europe and the Pacific. The result is a comprehensive assessment of the current literature, helpful suggestions for further research, and a useful primer for students and scholars of American foreign relations.

(FAQ). The Wizard of Oz FAQ is a fact-filled celebration of the beloved 1939 fantasy masterpiece starring Judy Garland. It's all here from L. Frank Baum and his Oz novels to the complete background story of the movie's conception, development, and shoot, with special attention given to the little-known parade of uncredited directors, casting difficulties, and on-set accidents and gaffes, as well as more than 75 sidebars devoted to key cast members, directors, and other behind-the-scenes personnel. You'll find a wealth of fun facts: How MGM overworked Judy Garland before, during, and after Oz; why director Victor Fleming had his hands full with the Cowardly Lion and Dorothy's other friends; what it was about Toto that really bothered Judy; the physical horrors of filming in Technicolor; the racial Oz gag that was scripted but never shot; when the Wicked Witch was going to be beautiful; why The Wizard of Oz owes a lot to silent-screen star Mary Pickford; the story of deleted scenes, and a full two weeks of shooting that had to be scrapped; why MGM star Mickey Rooney was part of the movie's traveling publicity blitz; how the Wicked Witch was literally blown off her broomstick one day; the place where lions, tigers, and bears really do live together; singers you hear but never see; the day MGM fired Judy Garland; and much more. Just follow the yellow brick road

In 1947 and again in 1951, when the queasy wartime alliance of the United States and the Soviet Union was long dissolved into mutual suspicion, the House Un-American Activities Committee launched aggressive investigations of Communist activity in the Hollywood film industry. If millions of worried Americans became preoccupied with subversion directed by the many-tentacled "Red Menace," Hollywood studio chiefs were absolutely petrified. Fearful of profit-killing scandal that might be uncovered by Washington's heavy hand, Hollywood scrambled to display its patriotism by producing anti-Communist movies. The films came by the score, some sober and thoughtful, others wildly hysterical. Cold War audiences were fed anti-Red dramas, melodramas, science-fiction thrillers-even comedies, westerns, and animated cartoons. In twenty-one lively essays, sixteen widely published film historians scrutinize more than forty films from the anti-Red cycle of the 1950s and '60s, including many provocative examples that have fallen into undeserved obscurity. Concerned equally with the pictures' aesthetic, political, and social ramifications, the essays capture the essence not only of some remarkable movies, but the frightened, agitated historical period that spawned them.

This volume includes historiographical surveys of American foreign relations since 1941 by some of the country's leading historians. Some of the essays offer sweeping overviews of the major trends in the field of foreign/international relations history. Others survey the literature on US relations with particular regions of the world or on the foreign policies of presidential administrations. The result is a comprehensive assessment of the historical literature on US foreign policy that highlights recent developments in the field.

From the inception of the science fiction film, writers, directors, producers, and actors have understood that the genre lends itself to a level of social commentary not available in other formats. Viewers find it easier to accept explorations of such issues as domestic violence, war, xenophobia, faith, identity, racism, and other difficult topics when the protagonists exist in future times or other worlds that are only vaguely similar to our own. The 22 original essays in this collection examine how the issues in particular science fiction films--from 1930's High Treason to 1999's The Iron Giant--reflect and comment on the prevailing issues of their time. The 16 writers (including such noted contributors as Ted Okuda, Gary Don Rhodes, Bryan Senn, John Soister and Ken Weiss) provide insight on how the genre's wistful daydreaming, forthcoming wonders, and nightmarish scenarios are often grounded in the grimmer realities of the human condition. Films covered include It Came from Outer Space, Godzilla, The 27th Day, Alien and Starship Troopers, plus television's The Adventures of Superman, the Flash Gordon serials, and vintage space cartoons by Fleischer.

A Cross of Iron provides the fullest account yet of the national security state that emerged in the first decade of the Cold War. Michael J. Hogan traces the process of state-making through struggles to unify the armed forces, harness science to military purposes, mobilize military manpower, control the defense budget, and distribute the cost of defense across the economy. President Harry S. Truman and his successor were in the middle of a fundamental contest over the nation's political identity and postwar purpose, and their efforts determined the size and shape of the national security state that finally emerged.

In his new book, Michael J. Hogan, a leading historian of the American presidency, offers a new perspective on John Fitzgerald Kennedy, as seen not from his life and times but from his afterlife in American memory. The Afterlife of John Fitzgerald Kennedy considers how Kennedy constructed a popular image of himself, in effect, a brand, as he played the part of president on the White House stage. The cultural trauma brought on by his assassination further burnished that image and began the process of transporting Kennedy from history to memory. Hogan shows how Jacqueline Kennedy, as the chief guardian of her husband's memory, devoted herself to embedding the image of the slain president in the collective memory of the nation, evident in the many physical and literary monuments dedicated to his memory. Regardless of critics, most Americans continue to see Kennedy as his wife wanted him remembered: the charming war hero, the loving husband and father, and the peacemaker and progressive leader who inspired confidence and hope in the American people.

A longtime classic in its first and second editions, Explaining the History of American Foreign Relations, 3rd edition presents substantially revised and new essays on traditional themes such as national security, corporatism, borderlands history, and international relations theory. The book also highlights such innovative conceptual approaches and analytical methods as computational analysis, symbolic borders, modernization and technopolitics, nationalism, non-state actors, domestic politics, exceptionalism, legal history, nation branding, gender, race, political economy, memory, psychology, emotions, and the senses. Each chapter is written by a highly respected scholar in the field, many of whom have risen to prominence since the second edition's publication. This collection is an indispensable volume for teachers and students in foreign relations history, international relations history, and political science. The essays are written in accessible, jargon-free prose, thus also making the book appropriate for general readers seeking an introduction to history and political science.

A longtime classic in its first and second editions, Explaining the History of American Foreign Relations, 3rd edition presents substantially revised and new essays on traditional themes such as national security, corporatism, borderlands history, and international relations theory. The book also highlights such innovative conceptual approaches and analytical methods as computational analysis, symbolic borders, modernization and technopolitics, nationalism, non-state actors, domestic politics, exceptionalism, legal history, nation branding, gender, race, political economy, memory, psychology, emotions, and the senses. Each chapter is written by a highly respected scholar in the field, many of whom have risen to prominence since the second edition's publication. This collection is an indispensable volume for teachers and students in foreign relations history, international relations history, and political science. The essays are written in accessible, jargon-free prose, thus also making the book appropriate for general readers seeking an introduction to history and political science.

(FAQ). This entertaining and informative study of the Three Stooges focuses on the nearly 190 two-reel short comedies the boys made at Columbia Pictures during the years 1934-59. Violent slapstick? Of course, but these comic gems are also peerlessly crafted and enthusiastically played by vaudeville veterans Moe, Larry, Curly, Shemp, and Joe arguably the most popular and long-lived screen comics ever produced by Hollywood. Detailed production and critical coverage is provided for every short, plus information about each film's place in the Stooges' careers, in Hollywood genre filmmaking, and in the larger fabric of American culture. From Depression-era concerns to class warfare to World War II to the cold war to rock-and-roll the Stooges reflected them all. Seventy-five stills, posters, and other images many never before published in book form bring colorful screen moments to life and help illuminate the special appeal of key shorts. Exclusive sections include a Stooges biographical and career timeline; a useful, colorful history of the structure and behind-the-camera personnel of the Columbia two-reel unit; and personality sidebars about more than 30 popular players who worked frequently with the Stooges. Also included is a filmography that covers all 190 shorts, plus a bibliography, making this the ultimate guide for all Three Stooges fans

A historical look at how activists influenced the adoption of more positive, inclusive, and sociopolitical views of disability. Disability activism has fundamentally changed American society for the better-and along with it, the views and practices of many clinical professionals. After 1945, disability self-advocates and family advocates pushed for the inclusion of more positive, inclusive, and sociopolitical perspectives on disability in clinical research, training, and practice. In Disability Dialogues, Andrew J. Hogan highlights the contributions of disabled people-along with their family members and other allies-in changing clinical understandings and approaches to disability. Hogan examines the evolving medical, social, and political engagement of three postwar professions-clinical psychology, pediatrics, and genetic counseling-with disability and disability-related advocacy. Professionals in these fields historically resisted adopting a more inclusive and accepting perspective on people with disabilities primarily due to concerns about professional role, identity, and prestige. In response to the work of disability activists, however, these attitudes gradually began to change. Disability Dialogues provides an important contribution to historical, sociological, and bioethical accounts of disability and clinical professionalization. Moving beyond advocacy alone, Hogan makes the case for why present-day clinical professional fields need to better recruit and support disabled practitioners. Disabled clinicians are uniquely positioned to combine biomedical expertise with their lived experiences of disability and encourage greater tolerance for disabilities among their colleagues, students, and institutions.

This volume includes historiographical surveys of American foreign relations since 1941 by some of the country's leading historians. Some of the essays offer sweeping overviews of the major trends in the field of foreign/international relations history. Others survey the literature on US relations with particular regions of the world or on the foreign policies of presidential administrations. The result is a comprehensive assessment of the historical literature on US foreign policy that highlights recent developments in the field.

Hogan compresses the fifteen-billion-year history of the Universe into a pleasurable evening. In a very direct way, he answers the questions everyone asks. -MARGARET GELLER, HARVARD-SMITHSONIAN CENTER FOR ASTROPHYSICS
This delightful little primer brings you right up to the cutting edge of modern cosmology. -GEORGE SMOOT, PRINCIPAL INVESTIGATOR, COBE AND AUTHOR OF WRINKLES IN TIME
An excellent bridge by which the layperson can enter the domain of the Cosmos with understanding. -ROBERT WILLIAMS, DIRECTOR, SPACE TELESCOPE SCIENCE INSTITUTE

Paths to Power reviews the literature on American diplomacy in the early Republic and in the age of Manifest Destiny, on American imperialism in the late nineteenth century and in the age of Roosevelt and Taft, on war and peace in the Wilsonian era, on foreign policy in the Republican ascendency of the 1920s, and on the origins of World War II in Europe and the Pacific. The result is a comprehensive assessment of the current literature that serves as a useful primer for students and scholars of American foreign relations.

This timely collection of essays offers one of the first serious efforts to assess the record of American foreign policy over the course of the twentieth century. The essays comprise the work of political scientists as well as historians, conservatives as well as liberals, foreign scholars as well as Americans. Taking off from Henry Luce's vision of an "American century," the authors discuss such important topics as the American conception of the national interest, the tension between democracy and capitalism, the U. S. role in both the developed and underdeveloped worlds, party politics and foreign policy, the significance of race in American foreign relations, and the cultural impact of American diplomacy on the world at large. The result is a lively collection of essays by authors who often disagree but who nonetheless provide the reader with keen insights about the past and provocative views of the future.

In this timely collection of essays, prominent historians survey the Hiroshima story from the American decision to drop the first atomic bomb to the recent controversy over the Enola Gay exhibit in Washington, D.C. The first essay surveys the literature on the atomic bombing of Japan, while the second and third essays evaluate the decisions that led to that event. The remaining essays discuss how the Japanese and American people have remembered Hiroshima in the years since the end of World War II. They emphasize the construction of an official memory of Hiroshima, the challenge posed by alternative or counter-memories, and the tension between history and memory in the Hiroshima story. The collection thus unites up-to-date scholarship by diplomatic historians with the recent interest in memory that has emerged as part of the new cultural history.

This collection of essays, first published in 1992, offers a serious effort to examine the end of the Cold War, its meanings and implications. The book presents the thinking of leading historians, political scientists, policy analysts, and commentators from the United States, Great Britain, Germany, France, Norway, and the former Soviet Union. Together they discuss such important issues as the origins of the Cold War, its ideological and geopolitical sources, the cost of that epic conflict, its influence on American life and institutions, its winners and losers.

This collection of essays, first published in 1992, offers a serious effort to examine the end of the Cold War, its meanings and implications. The book presents the thinking of leading historians, political scientists, policy analysts, and commentators from the United States, Great Britain, Germany, France, Norway, and the former Soviet Union. Together they discuss such important issues as the origins of the Cold War, its ideological and geopolitical sources, the cost of that epic conflict, its influence on American life and institutions, its winners and losers.