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In Political Theology on Edge, the discourse of political theology
is seen as situated on an edge-that is, on the edge of a world that
is grappling with global warming, a brutal form of neoliberal
capitalism, protests against racism and police brutality, and the
COVID-19 pandemic. This edge is also a form of eschatology that
forces us to imagine new ways of being religious and political in
our cohabitation of a fragile and shared planet. Each of the essays
in this volume attends to how climate change and our ecological
crises intersect and interact with more traditional themes of
political theology. While the tradition of political theology is
often associated with philosophical responses to the work of Carl
Schmitt-and the critical attempts to disengage religion from his
rightwing politics-the contributors to this volume are informed by
Schmitt but not limited to his perspectives. They engage and
transform political theology from the standpoint of climate change,
the politics of race, and non-Christian political theologies
including Islam and Sikhism. Important themes include the
Anthropocene, ecology, capitalism, sovereignty, Black Lives Matter,
affect theory, continental philosophy, destruction, and suicide.
This book features world renowned scholars and emerging voices that
together open up the tradition of political theology to new ideas
and new ways of thinking. Contributors: Gil Anidjar, Balbinder
Singh Bhogal, J. Kameron Carter, William E. Connolly, Kelly Brown
Douglas, Seth Gaiters, Lisa Gasson-Gardner, Winfred Goodwin,
Lawrence Hillis, Mehmet Karabela, Michael Northcott, Austin
Roberts, Noelle Vahanian, Larry L. Welborn
In The Anarchy of Black Religion, J. Kameron Carter examines the
deeper philosophical, theological, and religious history that
animates our times to advance a new approach to understanding
religion. Drawing on the black radical tradition and black
feminism, Carter explores the modern invention of religion as
central to settler colonial racial technologies wherein
antiblackness is a founding and guiding religious principle of the
modern world. He therefore sets black religion apart from modern
religion, even as it tries to include and enclose it. Carter calls
this approach the black study of religion. Black religion emerges
not as doctrinal, confessional, or denominational but as a set of
poetic and artistic strategies for improvisatory living and
gathering. Potentiating non-exclusionary belonging, black religion
is anarchic, mystical, and experimental: it reveals alternative
relationalities and visions of matter that can counter
capitalism’s extractive, individualistic, and imperialist
ideology. By enacting a black study of religion, Carter elucidates
the violence of religion as the violence of modern life while also
opening an alternate praxis of the sacred.
In Political Theology on Edge, the discourse of political theology
is seen as situated on an edge-that is, on the edge of a world that
is grappling with global warming, a brutal form of neoliberal
capitalism, protests against racism and police brutality, and the
COVID-19 pandemic. This edge is also a form of eschatology that
forces us to imagine new ways of being religious and political in
our cohabitation of a fragile and shared planet. Each of the essays
in this volume attends to how climate change and our ecological
crises intersect and interact with more traditional themes of
political theology. While the tradition of political theology is
often associated with philosophical responses to the work of Carl
Schmitt-and the critical attempts to disengage religion from his
rightwing politics-the contributors to this volume are informed by
Schmitt but not limited to his perspectives. They engage and
transform political theology from the standpoint of climate change,
the politics of race, and non-Christian political theologies
including Islam and Sikhism. Important themes include the
Anthropocene, ecology, capitalism, sovereignty, Black Lives Matter,
affect theory, continental philosophy, destruction, and suicide.
This book features world renowned scholars and emerging voices that
together open up the tradition of political theology to new ideas
and new ways of thinking. Contributors: Gil Anidjar, Balbinder
Singh Bhogal, J. Kameron Carter, William E. Connolly, Kelly Brown
Douglas, Seth Gaiters, Lisa Gasson-Gardner, Winfred Goodwin,
Lawrence Hillis, Mehmet Karabela, Michael Northcott, Austin
Roberts, Noelle Vahanian, Larry L. Welborn
In Race: A Theological Account, J. Kameron Carter meditates on the
multiple legacies implicated in the production of a racialized
world and that still mark how we function in it and think about
ourselves. These are the legacies of colonialism and empire,
political theories of the state, anthropological theories of the
human, and philosophy itself, from the eighteenth-century
Enlightenment to the present.
Carter's claim is that Christian theology, and the signal
transformation it (along with Christianity) underwent, is at the
heart of these legacies. In that transformation, Christian
anti-Judaism biologized itself so as to racialize itself. As a
result, and with the legitimation of Christian theology,
Christianity became the cultural property of the West, the
religious ground of white supremacy and global hegemony. In short,
Christianity became white. The racial imagination is thus a
particular kind of theological problem.
Not content only to describe this problem, Carter constructs a way
forward for Christian theology. Through engagement with figures as
disparate in outlook and as varied across the historical landscape
as Immanuel Kant, Frederick Douglass, Jarena Lee, Michel Foucault,
Cornel West, Albert Raboteau, Charles Long, James Cone, Irenaeus of
Lyons, Gregory of Nyssa, and Maximus the Confessor, Carter
reorients the whole of Christian theology, bringing it into the
twenty-first century.
Neither a simple reiteration of Black Theology nor another
expression of the new theological orthodoxies, this groundbreaking
book will be a major contribution to contemporary Christian
theology, with ramifications in other areas of the humanities.
In The Anarchy of Black Religion, J. Kameron Carter examines the
deeper philosophical, theological, and religious history that
animates our times to advance a new approach to understanding
religion. Drawing on the black radical tradition and black
feminism, Carter explores the modern invention of religion as
central to settler colonial racial technologies wherein
antiblackness is a founding and guiding religious principle of the
modern world. He therefore sets black religion apart from modern
religion, even as it tries to include and enclose it. Carter calls
this approach the black study of religion. Black religion emerges
not as doctrinal, confessional, or denominational but as a set of
poetic and artistic strategies for improvisatory living and
gathering. Potentiating non-exclusionary belonging, black religion
is anarchic, mystical, and experimental: it reveals alternative
relationalities and visions of matter that can counter
capitalism’s extractive, individualistic, and imperialist
ideology. By enacting a black study of religion, Carter elucidates
the violence of religion as the violence of modern life while also
opening an alternate praxis of the sacred.
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